"Reveals how socialist discourses and psychoanalytic ideas shaped the modern models of motherhood envisioned by left-wing and socially critical women writers working in the Weimar press and literary spheres. Women's experiences and opportunities in the Weimar Republic (1919-1933) were shaped by tensions between advances in women's rights and widespread adherence to conservative notions of gender roles and women's maternal duty. This book explores these tensions, which were particularly pronounced on the political left, by analyzing socialist and socially critical women writers' interventions in contemporary debates on gender and women's role in society. For women in Weimar Germany, writing represented a subversive medium through which they could individualize reproductive politics and imagine modern models of mothering. Relatable and aspirational mothering practices and mother figures feature in the literary and journalistic texts examined in this book. Theoretical and instructional works (by Alice Rèuhle-Gerstel and Henny Schumacher) and examples from the Social Democratic women's magazine Frauenwelt demonstrate how women writers adopted and adapted emerging psychological ideas to position their texts as modern and authoritative. A close analysis of critically neglected didactic texts (by Hermynia Zur Mèuhlen, Maria Leitner, Elfriede Brèuning, and Else Kienle) and socially critical popular fiction (by Irmgard Keun, Vicki Baum, and Gabriele Tergit) exposes how women writers envisaged models of motherhood and family that were compatible with their political beliefs and modern lifestyles. This book reveals a pragmatic discourse that advocated progressive policies regarding reproductive choice and the rights of single mothers while leaving notions of women's maternal nature and duty largely unchallenged"--

This book analyses how the Weimar Republic put Germany in the forefront of social reform and women's emancipation with wide-ranging maternal welfare programmes and labour protection laws. Its enlightened policy of family planning and liberalised abortion laws offered women a new measure of control over their lives. But the new politics of the body also increased state intervention, the power of the medical profession and the tendency to sacrifice women's rights to national interests whenever the Volk seemed in danger of 'racial decline'.

Bringing together the work of scholars in many disciplines, Women in the Metropolis provides a comprehensive introduction to women's experience of modernism and urbanization in Weimar Germany. It shows women as active participants in artistic, social, and political movements and documents the wide range of their responses to the multifaceted urban culture of Berlin in the 1920s and 1930s. Examining a variety of media ranging from scientific writings to literature and the visual arts, the authors trace gendered discourses as they developed to make sense of and regulate emerging new images of femininity. Besides treating classic films such as Metropolis and Berlin: Symphony of a Great City, the articles discuss other forms of mass culture, including the fashion industry and the revue performances of Josephine Baker. Their emphasis on women's critical involvement in the construction of their own modernity illustrates the significance of the Weimar cultural experience and its relevance to contemporary gender, German, film, and cultural studies.

What was German modernity? What did the years between 1880 and 1930 mean for Germany's navigation through a period of global capitalism, imperial expansion, and technological transformation? German Modernities From Wilhelm to Weimar brings together leading historians of the Imperial and Weimar periods from across North America to readdress the question of German modernities. Acutely attentive to Germany's eventual turn towards National Socialism and the related historiographical arguments about 'modernity', this volume explores the variety of social, intellectual, political, and imperial projects pursued by those living in Germany in the Wilhelmine and Weimar years who were yet uncertain about what they were creating and which future would come. It includes varied case studies, based on cutting-edge research, which rethink the relationship of the early 20th century to the rise of Nazism and the Third Reich. A range of political, social and cultural issues, including citizenship, welfare, empire, aesthetics and sexuality, as well as the very nature of German modernity, are analyzed and placed in a global context. German Modernities From Wilhelm to Weimar is a book of vital significance to all students of modern German history seeking to further understand the complex period from 1880 to 1930.

Examining how German women physicians gained a foothold in the medical profession during the Weimar and Nazi periods, Women Doctors in Weimar and Nazi Germany reveals the continuity in rhetoric, strategy, and tactics of female doctors who worked under both regimes. Melissa Kravetz explains how and why women occupied particular fields within the medical profession, how they presented themselves in their professional writing, and how they reconciled their medical perspectives with their views of the Weimar and later the Nazi state. Focusing primarily on those women who were members of the Bund Deutscher Ärztinnen (League of German Female Physicians or BDÄ), this study shows that female physicians used maternalist and, to a lesser extent, eugenic arguments to make a case for their presence in particular medical spaces. They emphasized gender difference to claim that they were better suited than male practitioners to care for women and children in a range of new medical spaces. During the Weimar Republic, they laid claim to marriage counselling centres, school health reform, and the movements against alcoholism, venereal disease, and prostitution. In the Nazi period, they emphasized their importance to the Bund Deutscher Mädels (League of German Girls), the Reichsmütterdienst (Reich Mothers’ Service), and breast milk collection efforts. Women doctors also tried to instil middle-class values into their working-class patients while fashioning themselves as advocates for lower-class women.

Throughout the Weimar period the so-called “masculinization of woman” was much more than merely an outsider or subcultural phenomenon; it was central to representations of the changing female ideal, and fed into wider debates concerning the health and fertility of the German “race” following the rupture of war. Drawing on recent developments within the history of sexuality, this book sheds new light on representations and discussions of the masculine woman within the Weimar print media from 1918–1933. It traces the connotations and controversies surrounding this figure from her rise to media prominence in the early 1920s until the beginning of the Nazi period, considering questions of race, class, sexuality, and geography. By focusing on styles, bodies and identities that did not conform to societal norms of binary gender or heterosexuality, this book contributes to our understanding of gendered lives and experiences at this pivotal juncture in German history.