An indelible portrait of one of the most famous and beloved authors in the canon of American literature—a collection of letters between Harper Lee and one of her closest friends that reveals the famously private writer as never before, in her own words. The violent racism of the American South drove Wayne Flynt away from his home state of Alabama, but the publication of To Kill a Mockingbird, Harper Lee’s classic novel about courage, community, and equality, inspired him to return in the early 1960s and craft a career documenting and teaching Alabama history. His writing resonated with many Alabamians, in particular three sisters: Louise, Alice, and Nelle Harper Lee. Beginning with their first meeting in 1983, a mutual respect and affection for the state’s history and literature matured into a deep friendship between two families who can trace their roots there back more than five generations. Flynt and Nelle Harper Lee began writing to one other while she was living in New York—heartfelt, insightful, and humorous letters in which they swapped stories, information, and opinions on topics both personal and professional: their families, books, Alabama history and social values, health concerns, and even their fears and accomplishments. Though their earliest missives began formally—"Dear Dr. Flynt"—as the years passed and their mutual admiration grew, their exchanges became more intimate and emotional, opening with "Dear Friend" and closing with "I love you, Nelle." Through their enduring correspondence, the Lees and the Flynts became completely immersed in each other’s lives. Beautifully written, intelligent, and telling, this remarkable compendium of their letters—a correspondence that lasted for a quarter century, from 1992 until Harper Lee’s death in February 2016—offers an incisive and compelling look into the mind, heart, and work of one of the most beloved authors in modern literary history.

The American South is generally warmer, wetter, weedier, snakier, and more insect infested and disease prone than other regions of the country. It is alluring to the scientifically and poetically minded alike. With Mockingbird Song, Jack Temple Kirby offers a personal and passionate recounting of the centuries-old human-nature relationship in the South. Exhibiting violent cycles of growth, abandonment, dereliction, resettlement, and reconfiguration, this relationship, Kirby suggests, has the sometimes melodious, sometimes cacophonous vocalizations of the region's emblematic avian, the mockingbird. In a narrative voice marked by the intimacy and enthusiasm of a storyteller, Kirby explores all of the South's peoples and their landscapes--how humans have used, yielded, or manipulated varying environments and how they have treated forests, water, and animals. Citing history, literature, and cinematic portrayals along the way, Kirby also relates how southerners have thought about their part of Earth--as a source of both sustenance and delight.

"Hush little baby, close your eyes, Mama loves you, Papa loves you ... so do I!"--Back cover.

An indelible portrait of one of the most famous and beloved authors in the canon of American literature – a collection of letters between Harper Lee and one of her closest friends that reveals the famously private writer as never before, in her own words. The violent racism of the American South drove Wayne Flynt away from his home in Alabama, but the publication of To Kill a Mockingbird, Harper Lee’s classic novel about courage, community and equality, inspired him to return in the early 1960s and craft a career documenting and teaching Alabama history. His writing resonated with many, in particular three sisters: Louise, Alice and Nelle Harper Lee. The two families first met in 1983, and a mutual respect and affection for the state’s history and literature matured into a deep friendship between them. Wayne Flynt and Nelle Harper Lee began writing to one other while she was living in New York – heartfelt, insightful and humorous letters in which they swapped stories, information and opinions on topics including their families, books, social values, health concerns and even their fears and accomplishments. Though their earliest missives began formally – ‘Dear Dr Flynt’ – as the years passed, their exchanges became more intimate and emotional, opening with ‘Dear Friend’ and closing with ‘I love you, Nelle.’ This is a remarkable compendium of a correspondence that lasted for a quarter century – until Harper Lee’s death in February 2016 – and it offers an incisive and compelling look into the mind, heart and work of one of the most beloved authors in modern literary history.

All they wanted was a peaceful, simple life away from the troubles of the world, where they could worship God freely. That's why they moved to a quaint farm in Iowa. But that was before the guards, the guns and the big iron gate forced them all to live as slaves under the control of Harve and Agnes Osborn. Young idyllic Melinda joined this group in college to understand God. She reluctantly moved to the farm with her husband Josh, but soon finds herself living and working in a grueling cult with her family. Years later, after she is told of the death of her husband and the fate that awaits her and her young coworker Shannon, she realizes she must escape. But escape from the cult is difficult and the road to freedom won't be easy. Melinda must now start a new life in a nearby town with the help of a local family. Unfortunately, the leaders of the cult have other plans that will jeopardize the lives of Melinda and her family as well as the lives of many of her new friends. Can Melinda find the strength and courage to fight back and save those she cares about? Or will she become another casualty of the devastating plans of the cult.

Prison changes a man. Sometimes in ways you can see. Usually in ways you can't. Henry Quinn only survived three years inside because of Evan Riggs, a one-time country singer, one-time killer, now serving a life sentence, no parole. On the day he gets out, Henry promises Evan he will find his daughter, the daughter he never met, and deliver a letter. A free man, Henry heads to the small Texan town where Evan grew up and where his brother Carson is Sheriff. There's no sign of the girl, and her uncle claims to know nothing of her whereabouts. But Henry isn't about to give up. Carson's behaviour towards him grows threatening, and Henry realises that there are dark secrets buried at the heart of this quiet town. What terrible thing drove the brothers apart, and what happened to Evan's daughter?

Presents the songs and calls of fifty North American birds that are common to residential settings, city parks, and urban areas.