An ethnography of Muslim and secular women activists in the world's largest Muslim country, Mobilizing Piety argues that political changes in Indonesia since the 1990s have produced new forms of agency for women activists who identfy as both Muslim and feminist.

"Investigates how different approaches to religious interpretation influence Indonesian women's engagement with global Islam and feminism. It also explores the consequences of a more public Islam for women's participation in the public sphere. The book is based on extensive ethnographic fieldwork between 2002 and 2010 with four different groups of women activists in Jakarta, the Indonesian capital. The groups include a secular feminist NGO (Solidaritas Perempuan), a Muslim women's rights NGO (Rahima), the women's group of one of the country's largest Muslim organizations (Fatayat N.U.), and women in a conservative Muslim political party (the Prosperous Justice Party). The women in these have all been deeply influenced by the ongoing Islamic revival. In addition, they are part of the urban middle class. The women of Rahima and Fatayat N.U. are influenced by global feminism and Islamic discourses. They use Islam to express feminist and liberal ideals of equality and rights, and they strive to integrate these frameworks in their own lives. In contrast, women in the Prosperous Justice Party (PKS) reject feminism as Western and secular and are more influenced by global Islamic discourses. Although some scholars argue that pious Islam and liberal ideals are incompatible, these activists embrace modernity and sometimes speak in terms of individual agency, empowerment, and rights. The women of Solidaritas Perempuan maintain a balance between their secular activism and personal religiosity. The overall conclusion of Mobilizing Piety is that the Islamic revival has not stymied but has in fact helped to empower many Indonesian women, especially by allowing them to participate in national debates about moral and religious issues"--

Following the ideological disappointment of the 1967 Arab-Israeli War, an Islamic revival arose in Egypt. Yet, far from a mechanical reaction to the decline of secular nationalism, this religious shift was the product of impassioned competition among Muslim Brothers, Salafis and state institutions and their varied efforts to mobilize Egyptians to their respective projects. By pulling together the linked stories of these diverse claimants to religious authority and tracing the social and intellectual history of everyday practices of piety, Aaron Rock-Singer shows how Islamic activists and institutions across the political spectrum reshaped daily practices in an effort to persuade followers to adopt novel models of religiosity. In so doing, he reveals how Egypt's Islamic revival emerged, who it involved, and why it continues to shape Egypt today.

Tackles a human problem we all share―the fate of the earth and our role in its future Confident that your personal good deeds of environmental virtue will save the earth? The stories we encounter about the environment in popular culture too often promote an imagined moral economy, assuring us that tiny acts of voluntary personal piety, such as recycling a coffee cup, or purchasing green consumer items, can offset our destructive habits. No need to make any fundamental structural changes. The trick is simply for the consumer to buy the right things and shop our way to a greener future. It’s time for a reality check. Ecopiety offers an absorbing examination of the intersections of environmental sensibilities, contemporary expressions of piety and devotion, and American popular culture. Ranging from portrayals of environmental sin and virtue such as the eco-pious depiction of Christian Grey in Fifty Shades of Grey, to the green capitalism found in the world of mobile-device “carbon sin-tracking” software applications, to the socially conscious vegetarian vampires in True Blood, the volume illuminates the work pop culture performs as both a mirror and an engine for the greening of American spiritual and ethical commitments. Taylor makes the case that it is not through a framework of grim duty or obligation, but through one of play and delight, that we may move environmental ideals into substantive action.

Who says you can’t be pious and fashionable? Throughout the Muslim world, women have found creative ways of expressing their personality through the way they dress. Headscarves can be modest or bold, while brand-name clothing and accessories are part of a multimillion-dollar ready-to-wear industry that caters to pious fashion from head to toe. In this lively snapshot, Liz Bucar takes us to Iran, Turkey, and Indonesia and finds a dynamic world of fashion, faith, and style. “Brings out both the sensuality and pleasure of sartorial experimentation.” —Times Literary Supplement “I defy anyone not to be beguiled by [Bucar’s] generous-hearted yet penetrating observation of pious fashion in Indonesia, Turkey and Iran... Bucar uses interviews with consumers, designers, retailers and journalists...to examine the presumptions that modest dressing can’t be fashionable, and fashion can’t be faithful.” —Times Higher Education “Bucar disabuses readers of any preconceived ideas that women who adhere to an aesthetic of modesty are unfashionable or frumpy.” —Robin Givhan, Washington Post “A smart, eye-opening guide to the creative sartorial practices of young Muslim women... Bucar’s lively narrative illuminates fashion choices, moral aspirations, and social struggles that will unsettle those who prefer to stereotype than inform themselves about women’s everyday lives in the fast-changing, diverse societies that constitute the Muslim world.” —Lila Abu-Lughod, author of Do Muslim Women Need Saving?

Who says you can’t be pious and fashionable? Throughout the Muslim world, women have found creative ways of expressing their personality through the way they dress. Headscarves can be modest or bold, while brand-name clothing and accessories are part of a multimillion-dollar ready-to-wear industry that caters to pious fashion from head to toe. In this lively snapshot, Liz Bucar takes us to Iran, Turkey, and Indonesia and finds a dynamic world of fashion, faith, and style. “Brings out both the sensuality and pleasure of sartorial experimentation.” —Times Literary Supplement “I defy anyone not to be beguiled by [Bucar’s] generous-hearted yet penetrating observation of pious fashion in Indonesia, Turkey and Iran... Bucar uses interviews with consumers, designers, retailers and journalists...to examine the presumptions that modest dressing can’t be fashionable, and fashion can’t be faithful.” —Times Higher Education “Bucar disabuses readers of any preconceived ideas that women who adhere to an aesthetic of modesty are unfashionable or frumpy.” —Robin Givhan, Washington Post “A smart, eye-opening guide to the creative sartorial practices of young Muslim women... Bucar’s lively narrative illuminates fashion choices, moral aspirations, and social struggles that will unsettle those who prefer to stereotype than inform themselves about women’s everyday lives in the fast-changing, diverse societies that constitute the Muslim world.” —Lila Abu-Lughod, author of Do Muslim Women Need Saving?

Has liberation theology reached a dead end? Has the time come to propose another strategy of political resistance, one that considers and takes account of the complexity of power relationships in daily life? How can we explore the deeper meaning of freedom and liberation? This book begins with a reflection on the “failure” of social movements and revolutions and a review of the methodologies of liberation theologies. Offering a brand-new micro-political theology, it attempts to demonstrate how Michel Foucault can help us recognize the limitations of our standard definitions of liberation. Continuing Foucault’s critical engagement with desire, sexuality, and the body, this book opens a fresh dialogue between Althaus-Reid’s indecent theology, Latin American liberation theology, and radical orthodoxy, leading to an exploration of how that dialogue can remind us that spirituality and the transformative practice of the self can themselves be fully political. It also urges prayer as both the radical root of political resistance and its action.