It's a question asked by many budding textile artists: how can I be more creative? You've got a few ideas and know some techniques, but you're not sure how to get started or make your work hang together. This book shows you how. It explains the creative process from the very beginning: where to find inspiration and how to harness those ideas; how to gather source material; how to pull together what you have. The authors then take you on a journey to develop a design. Learn how to put elements together to make a cohesive whole and develop a theme, learning established design rules along the way. Part Three, Moving into Stitch, gives you a range of techniques and easy experiments with which to turn your design into stitched-textile work. From choosing what fabrics to use, to layering, creating texture and adding embellishment, it covers the key techniques to try. This is a terrific book for those starting out in textiles who really do want to be as creative as they can possibly be.

Fresh ideas and techniques for the rapidly evolving area of three-dimensional textiles. Leading textile artist Ann Goddard takes three-dimensional textiles to a new level in this practical book. Drawing inspiration from natural landscapes, organic material and a concern for the environment, Ann's work combines textile and non/textile elements with construction. Linen, loose fibres, paper and yarn are complemented by seemingly unlikely materials including concrete, wood, lead and bark. Fragile is juxtaposed with hard, natural with man-made, beauty with imperfection. The techniques range from stitching, wrapping, couching, and knotting to sawing, drilling, and casting. In this book, previously separate art media are combined to create eclectic works; boundaries are crossed, expectations challenged and categorisation rejected. Mixed Media Textile Art in Three Dimensions takes a linear look at the creative process from themes, research and experimentation through to preparing elements, conveying meaning and constructing three-dimensional forms, encouraging you to broaden your horizons in textile work. Brimming with beautiful artwork from the author and featuring the work of some inspiring and exciting artists creating three-dimensional constructions.

An essential book for any textile artist looking to expand their repertoire into two- and three-dimensional work. Leading textile artist, teacher and examiner Jean Draper takes you through the entire process from designing through construction to embellishment with mixed media. This beautiful and very practical book includes diagrams, detailed drawings and stitch information to guide the reader through the techniques, which include hand and machine embroidery. It covers: Design, including recording information for translation into stitch (with lots of drawing tips); Choice of Threads, including some unusual threads and customizing them; Constructing with Thread, everything from knotted forms, with decorative threads, grids and stacks, and coiled structures; Stitches in Thin Air, constructing with stitch alone using moulds and soluble fabric; Using Mixed Media in Stitched Structures, such as paper, sticks, wire and plastics; Adding Structure to an Existing Fabric; Three-Dimensional Fabric Structures. Working in two and three-dimensions is a growing genre of textile art and this incorporates a fresh approach and great design advice.

With a sense of humor and creative abandon, this guide shows how surprisingly easy it is to turn fabric, paper, stitch, and embellishment into artistic treasures to keep and share. Step-by-step instructions for making projects such as greeting cards, wall hangings, and books are provided, while the latest mixed-media products and techniques are also used, including embroidery stitches, etching, burning, metallic threads, paints, embed fibers, and found objects. Basic design principles are also employed, such as layering, highlighting motifs, and creating grids to give art depth and meaning.

Discover the rich creative possibilities of fragmentation and repair in textile art. Fragmentation and repair are two of the biggest buzzwords in textile and mixed-media art. In this fascinating book, renowned artist Shelley Rhodes explores both concepts, with a wealth of fresh ideas and practical advice. Drawing on her own practice, Shelley explains how she reconstructs and reassembles cloth, paper and other materials to create new pieces, often incorporating found objects and items she has collected over the years to add depth and emotional resonance. From piercing and devoré to patching and darning, techniques include: Fragmentation of materials, text and image. Repair using darning and patching along with pins, tape, adhesive and plaster. The Japanese concepts of wabi-sabi (finding beauty in imperfection) and mottainai (using every last scrap). Using salvaged and recycled materials, and repurposing household items. Methods of distressing and manipulating surfaces including weathering, abrasion, burning, piercing, staining and burying. Collage, working in a series and collecting fragments. Beautifully illustrated with Shelley's own pieces alongside those of other leading artists, this fascinating book is the ideal companion for any textile artist wanting to bring notions of fragility, fragmentation and repair into their own work.

An inspirational and practical guide to the potential of heat tools for textile artists. Soldering irons, heat guns and household irons can add texture and variety to textile work – whether it's hand embroidery, machine embroidery, quilting or felting. Stunning work can be produced with a variety of materials: hot and cold foiling; painted and plain Bondaweb (fusible webbing) on wood, paper, fabric and pelmet Vilene; making beads from synthetic fabrics, Tyvek and Kunin felt; melting and distorting plastic bags and cellophane; working in three dimensions; and embossing powders. With step-by-step instructions, full health and safety advice and stunning photography, this is an important book for all textile artists. Following on the bestselling Fusing Fabric and Surfaces for Stitch, it demonstrates the latest techniques wanted by all those involved in textiles. Back in paperback for 2018.

An inspirational and practical book on how to interpret and collaborate on different themes in textile art. With foreword by Marie-Therese Wisniowski, who runs Art Quill Studio. This stunning collection showcases the work produced by renowned textile artists Els van Baarle and Cherilyn Martin, and explores how – even when working from the same starting point – textile art can produce a myriad interpretations of shape, form, colour and technique. Els and Cherilyn have chosen six themes for their own starting point, each full of inspiration and artistic potential: Memory (both personal experiences and historical events); Graven (cemetery) images and idols; Books as objects; Pompeii and archaeological excavations; Walls; and Everyday items. For each of the themes the authors have provided a personal interpretation of the work and a description of the techniques they used, along with step-by-step instructions. In the chapter on memory, for example, Cherilyn demonstrates how old fabrics and textiles (which themselves have a unique history all of their own) can be recycled to incorporate your own stitched drawings. Alternatively, Els explores Procion Dye techniques to create colourful and striking fabrics that bear no resemblance to Els work on the same theme. The trend for collaborative textile art is increasing in popularity. This fascinating guide provides a rich seam of inspiration from two renowned artists, exploring how to get the most from your collaborations and produce beautiful and unique work.