"...fiction based on fact, historical fiction as it were. It tells of the formative times of the Russian composer Dmitri (Mitya) Dmitrievich Shostakovich. He lived from 1906 through 1975. He lived through a revolution, a civil war and two World Wars. He is best known for his 15 symphonies, but he wrote all kinds of music: movie music, piano music, orchestral music, operas, and even music for animated films. All in all he produced over 147 different pieces. Each year more and more of his work is being recorded. His work is full of wonder. This is an attempt to relive his story with admiration and gratitude. It is intended as a tribute to a creative genius and suffering soul."--Google

Ivan Bunin started working upon Mitya's Love in Grasse in the summer of 1924. In the course of writing plot lines were changing continuously. The first version (marked as of June 3, 1924, by Vera Muromtseva) told the story of a 'moral fall' of a young man who's been degraded and compromised by a local village counterman. The theme of Mitya's love for Katya appeared later and soon became the major one. Some versions were full of details of country life, Alyonka's proposed marriage and Moscow's bohemian life Katya fell victim of. Most of these sub-plots were later omitted.

Examines the philosophies of three brothers--officer Dimitri, intellectual Ivan, and patient Alyosha--as their lives are intertwined with a murder.

Fyodor Dostoevsky’s final work, The Brothers Karamazov, is arguably one of the best novels ever written in any language. Set in 19th-century Russia, the novel was published as a serial in The Russian Messenger from January 1879 to November 1880. The story revolves around the murder of Fyodor Pavlovitch Karamazov—the father of the Karamazov brothers—a debauched man who leads a hedonistic life and excels in the art of seducing women. A spiritual drama of sorts, the story of Fyodor and his three sons from different wives, embodies Dostoevsky’s philosophy and delves into debates on morality, free will and God. Dostoevsky’s hero Alyosha was named after his own son who died of epilepsy at the age of three in 1878. The qualities that Dostoevsky admired in his son are reflected in the eponymous character, created and developed as a cathartic process. Dostoevsky died less than four months after the publication of The Brothers Karamazov. Constance Garnett’s English translation of the novel was released in 1912. It is believed that a copy of The Brothers Karamazov was found next to Leo Tolstoy’s nightstand when he died.

Fyodor Dostoyevsky's 'The Complete Novels' is a collection of some of the most influential works in Russian literature. Known for his intense psychological insights and philosophical depth, Dostoyevsky's novels explore themes of morality, redemption, and the human condition. His writing style is characterized by rich character development, intricate plots, and a dark, introspective tone that delves into the complexities of the human psyche. This collection includes masterpieces like 'Crime and Punishment,' 'The Brothers Karamazov,' and 'The Idiot,' showcasing Dostoyevsky's timeless relevance and literary brilliance. Fyodor Dostoyevsky, a Russian novelist and philosopher, drew inspiration for his writing from his own tumultuous life experiences, including his time in Siberian labor camps and struggles with epilepsy. His profound understanding of human nature and moral dilemmas is reflected in his novels, which continue to captivate readers and scholars alike. Dostoyevsky's works have had a lasting impact on literature and continue to be studied for their profound insights into the human soul. I recommend 'Fyodor Dostoyevsky: The Complete Novels' to readers who appreciate deep philosophical explorations, intricate character studies, and compelling narratives. This collection of Dostoyevsky's works is a must-read for anyone interested in classic literature and the complexities of the human experience.

This definitive anthology gathers stories, essays, memoirs, excerpts from novels, and poems by more than 130 Jewish writers of the past two centuries who worked in the Russian language. It features writers of the tsarist, Soviet, and post-Soviet periods, both in Russia and in the great emigrations, representing styles and artistic movements from Romantic to Postmodern. The authors include figures who are not widely known today, as well as writers of world renown. Most of the works appear here for the first time in English or in new translations. The editor of the anthology, Maxim D. Shrayer of Boston College, is a leading authority on Jewish-Russian literature. The selections were chosen not simply on the basis of the author's background, but because each work illuminates questions of Jewish history, status, and identity. Each author is profiled in an essay describing the personal, cultural, and historical circumstances in which the writer worked, and individual works or groups of works are headnoted to provide further context. The anthology not only showcases a wide selection of individual works but also offers an encyclopedic history of Jewish-Russian culture. This handsome two-volume set is organized chronologically. The first volume spans the nineteenth century and the first part of the twentieth century, and includes the editor's extensive introduction to the Jewish-Russian literary canon. The second volume covers the period from the death of Stalin to the present, and each volume includes a corresponding survey of Jewish-Russian history by John D. Klier of University College, London, as well as detailed bibliographies of historical and literary sources.