A collection of poetic texts reflecting thoughts and deep sentiments about everyday life. Includes perspectives of the author's life in Paris, Madagascar, Tahiti and San Francisco.

A stunning fantasy epic featuring three previously released titles in one super sized edition. Includes: Mist Rising ~ The mist is rising nightly and with it brings monsters. It's up to Agathe and her sisters to delve into the mystery of its origin if they are to have any hope for a future. Lying Mirror ~ A betrayal leads to a setback in Agathe's quest. The mist and monsters are getting deadlier by the day, however her quest for answers is fraught with lies. Who can Agathe believe? Deadly Abyss ~With no other choices, Agathe must enter the Abyss to find the truth and save the kingdom. She'll discover more than she expected, including the strength to fight back against those that would see her destroyed.

Maggie has discovered a kobold—a creature similar to a house brownie but with an evil bent. Her grandfather trapped a particular kobold thirty years ago to keep it away from Maggie’s father, but the creature has escaped and is out to punish Maggie's family. Narrowly escaping the creature in her house, Maggie and Hasenpfeffer head to Mr. McGuire’s Magic Repair Shop to repair the spell and end up in a tricky spot thanks to Milo the Magnificent. Milo may still be trapped in the magice mirror, but he's trying to get out, and in the kobold he may have found someone to help him--even if that includes kidnapping Fiona and Mr. McGuire! Can Maggie foil Milo's plans, stop the kobold, rescue her friends, and escape the mirror maze? Or will she be stuck inside forever?

"The First Ladies Club" is a hot new addictive series that explores the Black elite world of money and power. Readers are the ultimate insiders exploring the uncharted dynasty of four of the most powerful Black women in the world. This bourgeoisie circle only thought to exist in folklore and myth is finally exposed in this intoxicating series. "The First Ladies Club Series" covers: wealth, power, scandal, intrigue, drama, with a fascinating plot. You will not able to put this book down.

The first edition of The Rhetoric of Fiction transformed the criticism of fiction and soon became a classic in the field. One of the most widely used texts in fiction courses, it is a standard reference point in advanced discussions of how fictional form works, how authors make novels accessible, and how readers recreate texts, and its concepts and terms—such as "the implied author," "the postulated reader," and "the unreliable narrator"—have become part of the standard critical lexicon. For this new edition, Wayne C. Booth has written an extensive Afterword in which he clarifies misunderstandings, corrects what he now views as errors, and sets forth his own recent thinking about the rhetoric of fiction. The other new feature is a Supplementary Bibliography, prepared by James Phelan in consultation with the author, which lists the important critical works of the past twenty years—two decades that Booth describes as "the richest in the history of the subject."

Flannery O'Connor and Stylistic Asceticism explores the impact style has not only on a story's meaning, but on the reading experience. O'Connor's sparingly wrought stories, particularly in their climactic moments of divine disclosure, invite characters and readers alike into invitations of graced encounters that often wound even as they bless. Flannery O'Connor and Stylistic Asceticism draws out the force and vulnerability in reading spare stories of graced encounters by identifying a kinship with a much older form of storytelling: biblical Hebrew narrative. Focusing on the climactic scenes of O'Connor's Wise Blood and Genesis 32's account of Jacob's nighttime wrestling, Rachel Toombs offers a fresh take on the theological impact of spare narration. These stories invite readers into a posture akin to prayer where in an uncluttered space we see ourselves as we truly are and there meet God.

Although much has been written about how the novel relates to the epic, the drama, or autobiography, no one has clearly analyzed the complex connections between prose fiction as it evolved before 1800 and the literature of travel, which by that date had a long and colorful history. Percy Adams skilfully portrays the emergence of the novel in the fiction of the seventeenth and eighteenth centuries and traces in rich detail the history of travel literature from its beginnings to the time of James Cook, contemporary of Richardson and Fielding. And since the recit de voyage and the novel were then so international, he deals throughout with all the literatures of Western Europe, one of the book's chief themes being the close literary ties among European nations. Equally important in the present study is its demonstration that, just as early travel accounts were often a combination of reporting and fabrication, so prose fiction is not a dichotomy to be divided into the "adult" novel on the one hand and the "childish" romance on the other, but an ambivalence -- the marriage of realism and romanticism. Travel Literature and the Evolution of the Novel not only shows the novel to be amorphous and changing, it also proves impossible the task of defining the recit de voyage with its thousand forms and faces. Often the two types of literature are almost indistinguishable; even before Don Quixote, Adams writes, many travel accounts could have been advertised as having "the endless fascination of a wonderfully observed novel." This study by Percy Adams will both modify opinions about the novel and its history and provide an excellent introduction to the travel account, a form of literature too little known to students of belles lettres.