From the New York Times bestselling author of I Was Anastasia and The Frozen River comes a “genuinely surprising whodunit” (USA Today) that tantalizingly reimagines a scandalous murder mystery that rocked the nation. One summer night in 1930, Judge Joseph Crater steps into a New York City cab and is never heard from again. Behind this great man are three women, each with her own tale to tell: Stella, his fashionable wife, the picture of propriety; Maria, their steadfast maid, indebted to the judge; and Ritzi, his showgirl mistress, willing to seize any chance to break out of the chorus line. As the twisted truth emerges, Ariel Lawhon’s wickedly entertaining debut mystery transports us into the smoky jazz clubs, the seedy backstage dressing rooms, and the shadowy streets beneath the Art Deco skyline. Don't miss Ariel Lawhon's new book, The Frozen River!

The Maid Narratives shares the memories of black domestic workers and the white families they served, uncovering the often intimate relationships between maid and mistress. Based on interviews with over fifty people -- both white and black -- these stories deliver a personal and powerful message about resilience and resistance in the face of oppression in the Jim Crow South. The housekeepers, caretakers, sharecroppers, and cooks who share their experiences in The Maid Narratives ultimately moved away during the Great Migration. Their perspectives as servants who left for better opportunities outside of the South offer an original telling of physical and psychological survival in a racially oppressive caste system: Vinella Byrd, for instance, from Pine Bluff, Arkansas, recalls how a farmer she worked for would not allow her to clean her hands in the family's wash pan. These narratives are complemented by the voices of white women, such as Flora Templeton Stuart, from New Orleans, who remembers her maid fondly but realizes that she knew little about her life. Like Stuart, many of the white narrators remain troubled by the racial norms of the time. Viewed as a whole, the book presents varied, rich, and detailed accounts, often tragic, and sometimes humorous. The Maid Narratives reveals, across racial lines, shared hardships, strong emotional ties, and inspiring strength.

Lady Duff Gordon is the toast of Victorian London. But when her debilitating tuberculosis means exile, she and her devoted lady's maid, Sally, set sail for Egypt. It is Sally who describes, with a mixture of wonder and trepidation, the odd ménage marshalled by the resourceful Omar, which travels down the Nile to a new life in Luxor. As Lady Duff Gordon undoes her stays and takes to native dress, throwing herself into weekly salons; language lessons; excursions to the tombs; Sally too adapts to a new world, affording her heady and heartfelt freedoms never known before. But freedom is a luxury that a maid can ill-afford, and when Sally grasps more than her status entitles her to, she is brutally reminded that she is mistress of nothing.

This book examines the creative process and technical means by which the great Dutch seventeenth-century painter achieved his remarkable pictorial effects. Arthur Wheelock begins by placing Vermeer's art in historical perspective, with emphasis on the artistic environment in his home city of Delft and the importance of history painting in the mid-1600s. He then closely examines seventeen of the thirty-six extant paintings in Vermeer's oeuvre, works that span the range of the artist's career. Using the results of x-rays, pigment analysis, and infrared reflectography, some of the secrets of Vermeer's wonderfully elusive artistry are revealed. For example, Vermeer was able to simulate reality, simplify and highlight meaning, establish a sense of time and permanence, and enhance the mood he wished to create through inventive use of brushwork, color, and compositional refinements. Lavishly illustrated with color reproductions of Vermeer's paintings, the book is certain to appeal to all devotees of Dutch art.

A startlingly original work establishing the impact of domestic servants on the life and writings of Emily Dickinson

“Fascinating . . . The reader is treated to a revealing account of the passionate romance between Elizabeth Barrett and Robert Browning through the eyes of an intimate observer.”—Booklist Young and timid but full of sturdy good sense and awakening sophistication, Lily Wilson arrives in London in 1844, becoming a lady’s maid to the fragile, housebound Elizabeth Barrett. Lily is quickly drawn to her mistress’ s gaiety and sharp intelligence, the power of her poetry, and her deep emotional need. It is a strange intimacy that will last sixteen years. It is Lily who smuggles Miss Barrett out of the gloomy Wimpole Street house, witnesses her secret wedding to Robert Browning in an empty church, and flees with them to threadbare lodgings and the heat, light, and colors of Italy. As housekeeper, nursemaid, companion, and confidante, Lily is with Elizabeth in every crisis–birth, bereavement, travel, literary triumph. As her devotion turns almost to obsession, Lily forgets her own fleeting loneliness. But when Lily’s own affairs take a dramatic turn, she comes to expect the loyalty from Elizabeth that she herself has always given. Praise for Lady's Maid “[A] wonderful novel . . . fully imagined and persuasive fiction.”—The New York Times Book Review “Absorbing . . . heartbreaking . . . grips the reader's imagination on every page . . . [Margaret] Forster paints a vivid picture of class, station, hypocrisy and survival in Victorian society.”—San Francisco Chronicle “Extremely readable . . . The author's sense of the nineteenth century seems innate.”—The New Yorker “Highly recommended . . . an engrossing novel of the colorful Browning ménage.”—Library Journal “Delightful . . . entertaining.”—Vogue