This is a collection of articles on recording, studying, and teaching folklore in and near Missouri. The works here fall into three broad categories: project overviews and retrospectives; case studies and preliminary fieldwork; and personal narratives

Once considered a "foolish boondoggle" of Franklin Delano Roosevelt's Works Progress Administration, the Federal Writers' Project was initiated to allow employment opportunity to those associated with the arts during the Great Depression. The American Guide Series became the most successful venture, offering jobs to writers nationwide as each state endeavored to produce a comprehensive guidebook. Under the direction of Charles van Ravenswaay, former director of the Missouri Historical Society, Missouri: A Guide to the "Show Me" State was first published in 1941. Now, in a classic reprint, Missouri Historical Society Press restores this guidebook to its original splendor and returns it to the bookshelves. With a current road map included with the book, travelers can compare sights and tours described in the antiquated guide and see how they have developed or disappeared. As Walter A. Schroeder and Howard W. Marshall describe in the updated introduction, "The `unmarked, dirt road, impassable when wet, ' that we encounter in reading the WPA guide is no longer a hurdle to be negotiated in order to reach an out-of-the-way site." Due to nearly thirty thousand additional miles of paved roadway and endless gas station and motel chains, every corner of Missouri is now easily accessible. And, as Missouri Historical Society President Robert R. Archibald states in the foreword, "If you are the kind of traveler who has no intention of stirring from a comfortable chair near the reading lamp, this reprint is really all the equipment you require for a fascinating journey through the Missouri of the past."

""Excellent."" -- The Reader's Review ""Anybody contemplating the study and pursuit of folklore... will benefit from reading this presentation thoroughly to determine your place in this most exciting scholastic world."" -- Come-All-Ye This is the most complete and up-to-date study of folklore and folklore methodologies available. The authors describe the pervasiveness of folklore, including its uses in literature, films, television, cartoons, comic strips, advertising, and other media in a variety of cultures.

Play Me Something Quick and Devilish explores the heritage of traditional fiddle music in Missouri. Howard Wight Marshall considers the place of homemade music in people’s lives across social and ethnic communities from the late 1700s to the World War I years and into the early 1920s. This exceptionally important and complex period provided the foundations in history and settlement for the evolution of today’s old-time fiddling. Beginning with the French villages on the Mississippi River, Marshall leads us chronologically through the settlement of the state and how these communities established our cultural heritage. Other core populations include the “Old Stock Americans” (primarily Scotch-Irish from Kentucky, Tennessee, North Carolina, and Virginia), African Americans, German-speaking immigrants, people with American Indian ancestry (focusing on Cherokee families dating from the Trail of Tears in the 1830s), and Irish railroad workers in the post–Civil War period. These are the primary communities whose fiddle and dance traditions came together on the Missouri frontier to cultivate the bounty of old-time fiddling enjoyed today. Marshall also investigates themes in the continuing evolution of fiddle traditions. These themes include the use of the violin in Westward migration, in the Civil War years, and in the railroad boom that changed history. Of course, musical tastes shift over time, and the rise of music literacy in the late Victorian period, as evidenced by the brass band movement and immigrant music teachers in small towns, affected fiddling. The contributions of music publishing as well as the surprising importance of ragtime and early jazz also had profound effects. Much of the old-time fiddlers’ repertory arises not from the inherited reels, jigs, and hornpipes from the British Isles, nor from the waltzes, schottisches, and polkas from the Continent, but from the prolific pens of Tin Pan Alley. Marshall also examines regional styles in Missouri fiddling and comments on the future of this time-honored, and changing, tradition. Documentary in nature, this social history draws on various academic disciplines and oral histories recorded in Marshall’s forty-some years of research and field experience. Historians, music aficionados, and lay people interested in Missouri folk heritage—as well as fiddlers, of course—will find Play Me Something Quick and Devilish an entertaining and enlightening read. With 39 tunes, the enclosed Voyager Records companion CD includes a historic sampler of Missouri fiddlers and styles from 1955 to 2012. A media kit is available here: press.umsystem.edu/pages/PlayMeSomethingQuickandDevilish.aspx

A Blues Bibliography, Second Edition is a revised and enlarged version of the definitive blues bibliography first published in 1999. Material previously omitted from the first edition has now been included, and the bibliography has been expanded to include works published since then. In addition to biographical references, this work includes entries on the history and background of the blues, instruments, record labels, reference sources, regional variations and lyric transcriptions and musical analysis. The Blues Bibliography is an invaluable guide to the enthusiastic market among libraries specializing in music and African-American culture and among individual blues scholars.