When wealthy Mississippi cotton planter Isaac Ross died in 1836, his will decreed that his plantation, Prospect Hill, should be liquidated and the proceeds from the sale be used to pay for his slaves' passage to the newly established colony of Liberia in western Africa. Ross's heirs contested the will for more than a decade, prompting a deadly revolt in which a group of slaves burned Ross's mansion to the ground. But the will was ultimately upheld. The slaves then emigrated to their new home, where they battled the local tribes and built vast plantations with Greek Revival-style mansions in a region the Americo-Africans renamed “Mississippi in Africa.” In the late twentieth century, the seeds of resentment sown over a century of cultural conflict between the colonists and tribal people exploded, begetting a civil war that rages in Liberia to this day. Tracking down Prospect Hill's living descendants, deciphering a history ruled by rumor, and delivering the complete chronicle in riveting prose, journalist Alan Huffman has rescued a lost chapter of American history whose aftermath is far from over.

Mississippi to Africa captures Collier's fourteen-year journey in unearthing the buried history of his maternal grandmother's family - a journey that took him back seven generations, from northern Mississippi to the Piedmont hills of South Carolina, and even back to a specific people and region in West Africa where his ancestry undoubtedly began. Trekking the paths of his ancestors and their displaced relatives before Emancipation (1863), this emotion-filled journey traversed down an intricate paper trail of federal, state, and local records, other public records, and oral histories, presented in a narrative style to inspire, entice, and propel readers into the fascinating world of genealogy and historical discoveries. Collier also uncovered the ways in which his ancestors ingeniously retained aspects of their African heritage. DNA technology confirmed his research findings and verified ancestral ties. The reader will gain many research tips and techniques along the journey.

In the years immediately following the Civil War_the formative years for an emerging society of freed African Americans in Mississippi_there was much debate over the general purpose of black schools and who would control them. From Cotton Field to Scho

The story of Rose and Cicero learning to survive, falling in love in a grim time and refusing to become victims of the free enterprise spin put on freedom following the Civil War.

Colonial Mississippi: A Borrowed Land offers the first composite of histories from the entire colonial period in the land now called Mississippi. Christian Pinnen and Charles Weeks reveal stories spanning over three hundred years and featuring a diverse array of individuals and peoples from America, Europe, and Africa. The authors focus on the encounters among these peoples, good and bad, and the lasting impacts on the region. The eighteenth century receives much-deserved attention from Pinnen and Weeks as they focus on the trials and tribulations of Mississippi as a colony, especially along the Gulf Coast and in the Natchez country. The authors tell the story of a land borrowed from its original inhabitants and never returned. They make clear how a remarkable diversity characterized the state throughout its early history. Early encounters and initial contacts involved primarily Native Americans and Spaniards in the first half of the sixteenth century following the expeditions of Columbus and others to the large region of the Gulf of Mexico. More sustained interaction began with the arrival of the French to the region and the establishment of a French post on Biloxi Bay at the end of the seventeenth century. Such exchanges continued through the eighteenth century with the British, and then again the Spanish until the creation of the territory of Mississippi in 1798 and then two states, Mississippi in 1817 and Alabama in 1819. Though readers may know the bare bones of this history, the dates, and names, this is the first book to reveal the complexity of the story in full, to dig deep into a varied and complicated tale.

From Timbuktu to the Mississippi Delta explores how West African standards of aesthetics and sociocultural traits have moved into mainstream American culture and become social norms. I was curious to know why African Americans (and the country as a whole, for that matter) began clapping on beats two and four, and why we'd get dirty looks if we were caught clapping on the wrong beat. I had a desire to know why the identity of the music of our nation, with its majority population of European descent, had the musical textures, bent pitches, and blue notes of Africa. I wondered why a sense of swing developed here that was closer in syncopation to African culture than to the classical music of Vienna or the Paris Opera. And finally, I wanted to know why our nation's youth moved suggestively on the dance floor with their hips-movements that are closer in aesthetics to African dance than to ballet. The journey began on the banks of the mighty Niger River. Pascal Bokar Thiam, Ed.D., is on the faculty of the University of San Francisco, California, and the French American International School where he teaches jazz and world music courses in the Performing Arts Division. He is a jazz guitarist and vocalist of Senegalese and French background. His CD Savanna Jazz Club, which combines the music of Charlie Parker and Dizzy Gillespie with Senegalese rhythms, made the top 40 of U.S. jazz radio stations nationwide. He is the owner of the award-winning Savanna Jazz Club of San Francisco. His areas of interest include jazz education, social justice, and diversity.

Between 1927 and 1962, the Huffman family, among other friends gathered repeatedly at the Ten Point Deer Club in Issaquena County, Mississippi. For more than three decades Florence photographed the camp and its visitors. In a skillful integration of Alan Huffman's text with his grandmother's vintage photographs, here is a vivid record of the last wooded stronghold of the Mississippi Delta. 100 photos.