Missionary Stew follows political fundraiser Draper Haere on a quest to uncover the secret behind a right-wing coup in an unnamed Central american country. He seeks the information in order to get dirt on his boss's opponent in the 1984 US Presidential election. Haere's pursuit of the truth repeatedly puts Haere's life in danger, as the powers-that-be stop at nothing to keep the episode buried. Along the way, Haere carries on an affair with the wife of his candidate and enlists the aid of Morgan Citron, an almost-Pullitzer winning journalist who has recently been released from an African prison where the prisoners where fed human flesh--the titular missionary stew. Together, Citron and Haere face up against cocaine traffickers, Latin American generals, corrupt US officials, and Citron's estranged, tabloid-publisher mother.

This set reissues 10 books on T. S. Eliot originally published between 1952 and 1991. The volumes examine many of Eliot’s most respected works, including his Four Quartets and The Waste Land. As well as exploring Eliot’s work, this collection also provides a comprehensive analysis of the man behind the poetry, particularly in Frederick Tomlin’s T. S. Eliot: A Friendship. This set will be of particular interest to students of literature.

A descriptive and informative guide to more than 100 sites of literary significance in the greater St. Louis area, Literary St. Louis: A Guide includes historical and biographical information, maps, literary anecdotes, and photographs. Edited by William H. Gass and Lorin Cuoco, the volume includes selections by T. S. Eliot, Mark Twain, Sara Teasdale, Fannie Hurst, William S. Burroughs, Tennessee Williams, Kate Chopin, Thomas Wolfe, and many others who have helped define American literature over the past 150 years. This book is indispensable for understanding the region's rich literary landscape.

Culture Is Our Business is Marshall McLuhan's sequel to The Mechanical Bride: Folklore of Industrial Man. Returning to the subject of advertising newly armed with the electric sensibility that informed The Gutenberg Galaxy, Understanding Media, and The Medium Is the Massage, McLuhan takes on the mad men (a play on the ad men of Madison Avenue) of the sixties. Approaching commercial messages as unacknowledged art forms and cultural artifacts, McLuhan delivers a series of probes that pick apart their meanings and underlying values, their paradoxes and paralogisms, and their overt function as persuasion and propaganda. Through humor, satire, and a poetic sensibility, he provides us with a serious exploration of the consumer culture that emerged out of the electronic media environment. In keeping with the participatory ethos of the Internet that McLuhan so clearly anticipated, this is a book that is meant to open the door to further study, reflection, and discussion, and to encourage the development of critical reception on the part of the reader.

What do we call a pro-military dogma, wrapped in patriotism? Warocracy. According to George Fouke, Ph.D., retired professor of political studies, Warocracy is a post World War II mindset about power-Who has it? Who wants it? How will it be used? Damn the Warocracy! explores this new ideology about the rise of misplaced power. It does not foster Democratic, Republican, Independent or any other political party. It focuses on a democratic society with the expectation of voter privilege and responsibility. Damn the Warocracy! asks the big question. What to live for and what to die for? The political and historical trends that have shaped the Great Generation are now taking form for the New Generation to restore the positive use of political power. Fouke, using humor and skill, informs and educates the reader about the mistakes of the past, their continuing impact, and future alternatives. He addresses the moral and political crossroads faced by the New Generation with an intensity born from his early life experiences of diversity in religion, culture, values, and political views. Professor Fouke believes in America and challenges the next generation to think independently and become morally proactive in the political arena.

Contents: Meet John Wesley; A Tale of Two Villages; A Nursery Epic; Student and Missionary; A Prayer Meeting and What Came of It; The Very Soul That Over England Flamed; How They Sang a New Day into Britain; Men of Mighty Stature; Methodism Crosses the Atlantic; The Birth of a Church; The Afterglow; The End of the Long Trail; Methodism in the New Republic; Methodism's Man on Horseback; Camp-Meeting Days; The Winning of the West; The Missionary Spirit; Methodist Breaks and Fractures; Southern Methodism; Through the Civil War and Beyond; A Spiritual Forty-Niner; The Tale of the Years in Many Lands; Forming a World Parish; High Hours in a Church's History; The Battlefields of Reform; The Unification of American Methodism; and Methodism Since World War I.

Human and animal subjectivity converge in a historically unprecedented way within modernism, as evolutionary theory, imperialism, antirationalism, and psychoanalysis all grapple with the place of the human in relation to the animal. Drawing on the thought of Jacques Derrida and Georges Bataille, Carrie Rohman outlines the complex philosophical and ethical stakes involved in theorizing the animal in humanism, including the difficulty in determining an ontological place for the animal, the question of animal consciousness and language, and the paradoxical status of the human as both a primate body and a "human" mind abstracting itself from the physical and material world. Rohman then turns to the work of Joseph Conrad, D. H. Lawrence, H. G. Wells, and Djuna Barnes, authors who were deeply invested in the relationship between animality and identity. The Island of Dr. Moreau embodies a Darwinian nightmare of the evolutionary continuum; The Croquet Player thematizes the dialectic between evolutionary theory and psychoanalysis; and Women in Love, St. Mawr, and Nightwood all refuse to project animality onto others, inverting the traditional humanist position by valuing animal consciousness. A novel treatment of the animal in literature, Stalking the Subject provides vital perspective on modernism's most compelling intellectual and philosophical issues.