SOON TO BE A MAJOR MOTION PICTURE. Jennifer Hosten went to the 1970 Miss World pageant on a lark, representing the tiny Caribbean island of Grenada, and came home with the crown and a place in history. What was supposed to be a light-hearted affair, with a parade of the world's most beautiful women vying for the attention of the judges and comedian/host Bob Hope, turned out to be the most controversial, politically-charged, and consequential pageant ever. Women's liberation activists blew up a BBC broadcast truck and stormed London's Royal Albert Hall in an attempt to sabotage the show, which they deemed a "cattle market." They threw rotten vegetables in the auditorium and hit Bob Hope with a flour bomb. When order was restored, Jennifer Hosten made history as the first women of colour to win the title. The broadcast introduced its massive audience to both a militant new brand of feminism and a new ideal of beauty, one in which the whole world could share. Ms. Hosten followed her triumph with a successful career as a diplomat and public servant in Grenada and Canada. Her book tells the stories of the epochal 1970 contest and her life with grace and an amused modesty. Her story has been purchased by the makers of The Crown and is the basis for Misbehavior, a 2020 film starring Keira Knightley. Rising British actress Gugu Mbatha-Raw, who plays Jennifer Hosten, is contributing a foreword to the book.

Over fifty years after Jamaican and Trinidadian independence, Imagining Caribbean womanhood examines the links between beauty and politics in the Anglophone Caribbean, providing a first cultural history of Caribbean beauty competitions, spanning from Kingston to London. It traces the origins and transformation of female beauty contests in the British Caribbean from 1929 to 1970, through the development of cultural nationalism, race-conscious politics and decolonisation. The beauty contest, a seemingly marginal phenomenon, is used to illuminate the persistence of racial supremacy, the advance of consumer culture and the negotiation of race and nation through the idealised performance of cultured, modern beauty. Modern Caribbean femininity was intended to be politically functional but also commercially viable and subtly eroticised. The lively discussion surrounding beauty competitions, examined in this book, reveals that femininity was used to shape ideas about Caribbean modernity, citizenship, and political and economic freedom. This cultural history of Caribbean beauty competitions will be of value to scholarship on beauty, Caribbean studies, postcolonial studies, gender studies, ‘race’ and racism studies and studies of the body.

This study assesses the possible impact of a NAFTA on the Commonwealth or English-speaking countries of the Caribbean. The theory and practice of free trade are discussed, as well as the Enterprise for the Americas Initiative and the question of regional integration among the Caribbean countries. Written by a former diplomat and political scientist with considerable knowledge of the region, this text includes important primary and secondary research. Most notable are the views of leading regional personalities from both the public and private sectors in the Caribbean and North America.

Protests at the Miss World contest in 1970 attracted headlines around the world. This book portrays the new and vibrant women's liberation movement of the 70s. It tells how women protested inside and outside the Albert Hall, who they were, what took them into the women's liberation movement, how they organised, why they were protesting and of women's arrests and trials. Misbehaving gives us the story of the protesters against Miss World Contest in the words of the rebels themselves. Through the wonderful diversity of their personal and political life stories it does something more. By chronicling the influences that led them to take action, it vividly reveals how an extraordinary range of sources contributed to the emergence of a movement for Women's Liberation.

A Washington Post style editor’s fascinating and irresistible look back on the Miss America pageant as it approaches its 100th anniversary. The sash. The tears. The glittering crown. And of course, that soaring song. For all its pomp and kitsch, the Miss America pageant is indelibly written into the American story of the past century. From its giddy origins as a summer’s-end tourist draw in Prohibition-era Atlantic City, it blossomed into a televised extravaganza that drew tens of millions of viewers in its heyday and was once considered the highest honor that a young woman could achieve. For two years, Washington Post reporter and editor Amy Argetsinger visited pageants and interviewed former winners and contestants to unveil the hidden world of this iconic institution. There She Was spotlights how the pageant survived decades of social and cultural change, collided with a women’s liberation movement that sought to abolish it, and redefined itself alongside evolving ideas about feminism. For its superstars—Phyllis George, Vanessa Williams, Gretchen Carlson—and for those who never became household names, Miss America was a platform for women to exercise their ambitions and learn brutal lessons about the culture of fame. Spirited and revelatory, There She Was charts the evolution of the American woman, from the Miss America catapulted into advocacy after she was exposed as a survivor of domestic violence to the one who used her crown to launch a congressional campaign; from a 1930s winner who ran away on the night of her crowning to a present-day rock guitarist carving out her place in this world. Argetsinger dissects the scandals and financial turmoil that have repeatedly threatened to kill the pageant—and highlights the unexpected sisterhood of Miss Americas fighting to keep it alive.

This ground-breaking history of the UK Women's Liberation Movement examines the movement's shape and strategy as well as the conditions that gave rise to it. Through personal stories of key activists, the politics of experience is sympathetically evaluated in the context of iconic moments of the movement. It urges today's activists to engage anew with feminist memory in shaping new political futures.

In the vein of Where'd You Go, Bernadette, this whip-smart romantic comedy is as incisive as it is funny—and refuses to be thwarted by convention. After getting dumped by her husband, a woman sets out to prove her worth by entering a 'best housewife' pageant in 1970 Palm Springs.