In the late 1980's, a new teacher finds out that she is open to blackmail from some potentially compromising photographs. Nothing much actually happened, but she knows that they could be perceived in a very negative way if they were taken out of context – which someone is threatening to do. She needs to find a way to deal with those concerned and retrieve the evidence. Good luck

Single female in love with the boss. Please return favor… This is the ad secretary Jane Dobson secretly wanted to place in "The Personal Touch!" column. Instead, shy but sexy Charles Warren had her tracking down his old college girlfriend with the goal of proposing. If he figures this is in Jane's job description, he is sorely mistaken! Charles is secretly attracted to Jane, but is clueless about her feelings. Until the day she gets conked on the head by a plaster cupid—and he's there for the fallout! Suddenly Jane's now convinced that he's her fiancé and they are passionately in love. Worse, she wants to start the honeymoon…early. Of course, she's mistaken. But is this a mistake any red-blooded, loving man would want to correct?

A male novelist finds himself in a web of lies and aliases in his quest to get published. PhD candidate Mitch Samuel's life isn't going exactly according to plan: his girlfriend just dumped him (to be fair, he did forget to pick her up at the airport), his estranged father has landed in the hospital, and his literary masterpiece-one part Shakespeare, one part Steinbeck, and all parts lyrical epic-has been rejected for the umpteenth time. However, after a chance encounter at Starbucks with the queen of women's fiction- Katharine Longwell-who seems to take a liking to him, he senses an opportunity for literary riches, if not reputation. After telling her that his (imaginary) female cousin is an aspiring chick-lit author, he secures a promise from her that she'll help his "cousin" get published. The only problem is, Mitch needs a manuscript, and fast. Unfortunately, try as he might to get inside a woman's head by reading Vogue and Cosmo, watching Oxygen and Oprah, nothing seems to work. That's when his roommate Bradley suggests that he try a dance class at the studio where Bradley's sister Marie takes lessons. Self-conscious about his own skills, and unwilling to reveal his true intentions, Mitch attends the first class under an alias: Jason Gallagher, pharmaceutical rep. What could go wrong? Nothing, except that Mitch/Jason quickly finds himself hooked on dancing, and on the charming Marie. Who has no idea who he really is. Or that he knows her brother. Or why he's there. Suddenly, his novel-writing project is becoming a lot more than he bargained for...

This book describes the architecture of microprocessors from simple in-order short pipeline designs to out-of-order superscalars.

A wide-ranging anthology of essays that examine the uses, purposes and influence of religious language. It is said that words are like people: One can encounter them daily yet never come to know their true selves. This volume examines what words are—how they exist—in religious phenomena. Going beyond the common idea that language merely describes states of mind, beliefs, and intentions, the book looks at words in their performative and material specificity. The contributions in this volume examine and employ a number of linguistic and semiotic ideologies. They develop the insight that our implicit assumptions about language guide the way we understand and experience religious phenomena. They also explore the possibility that insights about the particular status of religious utterances may in turn influence the way we think about words in our language.

Of Angie Estes, the poet and critic Stephanie Burt has written that she “has created some of the most beautiful verbal objects in the world.” In The Allure of Grammar, Doug Rutledge gathers insightful responses to the full range of Estes’s work—from a review of her first chapbook to a reading of a poem appearing in her 2018 book, Parole—that approach these beautiful verbal objects with both intellectual rigor and genuine awe. In addition to presenting an overview of critical reactions to Estes’s oeuvre, reviews by Langdon Hammer, Julianne Buchsbaum, and Christopher Spaide also provide a helpful context for approaching a poet who claims to distrust narrative. Original essays consider the craft of Estes’s poetry and offer literary analysis. Ahren Warner uses line breaks to explore a postmodern analysis of Estes’s work. Mark Irwin looks at her poetic structure. Lee Upton employs a feminist perspective to explore Estes’s use of italics, and B. K. Fischer looks at the way she uses dance as a poetic image. Doug Rutledge considers her relationship to Dante and to the literary tradition through her use of ekphrasis. An interview with Estes herself, in which she speaks of a poem as an “arranged place . . . where experience happens,” adds her perspective to the mix, at turns resonating with and challenging her critics. The Allure of Grammar will be useful for teachers and students of creative writing interested in the craft of non-narrative poetry. Readers of contemporary poetry who already admire Estes will find this collection insightful, while those not yet familiar with her work will come away from these essays eager to seek out her books.

Two decades after the third edition of Lilienfeld's Foundations of Epidemiology advanced the teaching of epidemiology, this completely revised fourth edition offers a new and innovative approach for future generations of students in population health. Authored by two longtime educators in epidemiology, this all-new Foundations frames the field's fundamental concepts within a mix of classic examples and recent case studies, as well the inclusion of recently developed measures now finding commonplace usage in the field. The result is a comprehensive introduction to modern epidemiology accessible to readers of all backgrounds and interests. Features in this new Foundations include: - Coverage of all the fundamentals of epidemiology, including measuring health status, characteristics of outbreaks, design and construct of epidemiologic studies - Exercises to check understanding - Chapters devoted to clinical epidemiology, fieldwork, evidence-based medicine, and evidence-based public health contextualize epidemiology and its place in medicine and society Devoid of the digressions and inaccessibility that characterize many other introductory epidemiology texts, this new Foundations of Epidemiology will inform thinking and learning in the population sciences for decades to come. It is affordable, comprehensive, and enjoyable to read, one not likely to sit on the shelf collecting dust but to be consulted over time as one would when seeking guidance from a wise friend or mentor.