A witty, engaging murder mystery featuring Jane Austen as an intrepid sleuth—the second installment in the Miss Austen Investigates series. 1797: A broken-hearted Jane Austen travels to Kent to look after her brother Neddy’s children and further her writing. She soon realizes it’s imperative she uncovers the true identity of a mysterious young woman claiming to be a shipwrecked foreign princess before the interloper can swindle Neddy’s adoptive mother out of her fortune and steal the much-anticipated inheritance all the Austens rely on.

A witty, engaging murder mystery featuring Jane Austen as an intrepid amateur sleuth—the first in a series. Jane Austen—sparkling, spirited, and incredibly clever—is suddenly thrust into a mystery when a milliner’s dead body is found locked inside a cupboard in the middle of a ball. When Jane’s brother Georgy is found with some jewelry belonging to the deceased, the local officials see it as an open-and-shut case: one which is likely to end with his death. Jane is certain that he is innocent, and there is more to the murder than meets the eye. Her investigations send her on a journey through local society, as Jane’s suspect list keeps on growing— and her keen observational skills of people will be put to the test to solve the crime and save her brother. Featuring the same lively wit, insightful social commentary, and relatable characters that have made Jane Austen books into perennial classics, this first entry in the Miss Austen Investigates series is perfect for anyone who enjoyed The Dante Club by Matthew Pearl or other historical mystery books based on real people, as well as fans looking to add to their Jane Austen collection.

ECPA award winner 2023 - Best fiction cover Set in the early industrial revolution and the great canal building age, a young Jane Austen takes on the role of detective as she seeks to solve the mysterious events at the Oxford canal terminus. Nearing completion, convicts work on completing the wharf overseen by the charming secretary Mr George, who shows Jane around. A rude convict Gardiner does not make a good impression though. When Gardiner goes missing and canal funds turn up short, an exciting manhunt ensues but Jane begins to expect something suspicious about the secretary and the reasons why Gardiner was in prison. Were Jane's first impressions very wrong about the relative merits of the convict and the secretary? With the ever-present Austen spirit, Jane with notebook in hand, boldly overcomes the obstacles to finding the truth and exposes some intriguing secrets. Inspired by Austen's third novel Pride and Prejudice.

Intrepid amateur sleuth Jane Austen returns in this new novel from the author of Miss Austen Investigates When Jane Austen arrives at Rowling House to visit her wealthy brother, Neddy, she hopes that some time away will distract her from her broken heart and the dashing Tom Lefroy’s lacklustre proposal. Little does she know that her sister-in-law Elizabeth has other plans: to help Jane come out to society and find a respectable husband of good status and wealth. Meanwhile, when a mysterious foreign princess is taken in by Mrs. Knight, Neddy’s adoptive mother, Jane and her family fear that Neddy’s inheritance could be at risk, jeopardizing them all. Jane is determined to unmask the beleaguered princess as a con artist and reveal her true identity. But when Jane’s sleuthing leads her to believe that Neddy is involved in an unspeakable crime, she must try to save a traumatized young woman. And she must do it without destroying her wealthy brother, whom all the Austens rely on.

"If you have a Jane Austen-would-have-been-my-best-friend complex, look no further . . . [Barron] has painstakingly sifted through the famed author's letters and writings, as well as extensive biographical information, to create a finely detailed portrait of Austen's life—with a dash of fictional murder . . . Some of the most enjoyable, well-written fanfic ever created."—O Magazine May 1816: Jane Austen is feeling unwell, with an uneasy stomach, constant fatigue, rashes, fevers and aches. She attributes her poor condition to the stress of family burdens, which even the drafting of her latest manuscript—about a baronet's daughter nursing a broken heart for a daring naval captain—cannot alleviate. Her apothecary recommends a trial of the curative waters at Cheltenham Spa, in Gloucestershire. Jane decides to use some of the profits earned from her last novel, Emma, and treat herself to a period of rest and reflection at the spa, in the company of her sister, Cassandra. Cheltenham Spa hardly turns out to be the relaxing sojourn Jane and Cassandra envisaged, however. It is immediately obvious that other boarders at the guest house where the Misses Austen are staying have come to Cheltenham with stresses of their own—some of them deadly. But perhaps with Jane’s interference a terrible crime might be prevented. Set during the Year without a Summer, when the eruption of Mount Tambora in the South Pacific caused a volcanic winter that shrouded the entire planet for sixteen months, this fourteenth installment in Stephanie Barron’s critically acclaimed series brings a forgotten moment of Regency history to life.

This book illuminates Jane Austen’s exploration of masculinity through the courtship romance genre in the socially, politically and culturally turbulent Romantic era. Austen scrutinises, satirises, censures and ultimately rewrites dominant modes of masculinity through the courtship romance plot between her heroines and male protagonists. This book reveals that Austen pioneers and celebrates a new vision of masculinity that could complement the Romantic desire for agency, individualism and selfhood embodied in her heroines. Rewriting desirable masculinity as an internalised, psychologically complex and authentic gender identity – a model of manhood that drives the ongoing appeal and cultural power of her men in the twenty-first century – Austen explores both the challenges and the opportunities for male selfhood, romantic love and feminine agency. Jane Austen’s Men is among the first full-length works to explore Austen's male protagonists as textual constructions of masculinity. Sarah Ailwood reveals the depth of Austen's engagement with her predecessors and contemporaries, including Mary Wollstonecraft, Jane West and Jane Porter, on critical questions of masculinity and its relationship to femininity and narrative form. This book illuminates in new ways Jane Austen’s ambitions for the novel, and the political power of the courtship romance genre in the Romantic era.

"When Lord Wrexford discovers the body of a gifted inventor in a dark London alley, he promptly alerts the watchman and lets the authorities handle the matter. But Wrexford soon finds himself drawn into the murder investigation when the inventor's widow begs for his assistance, claiming the crime was not a random robbery. It seems her husband's designs for a revolutionary steam-powered engine went missing the night of his death. The plans could be worth a fortune ... and very dangerous in the wrong hands"--Amazon.com