Is there a Latin American thought? What distinguishes it from the thought of other regions, particularly from European thought? What are its main expressions in political, cultural, and social life? How has it evolved historically? As the Mexican philosopher Leopoldo Zea Aguilar stated: "hardly any other society has so zealously sought for the features of its own identity." In Misplaced Ideas?, Elías J. Palti examines how Latin American identity has been conceived across different epochs and diverse conceptual contexts. Palti approaches these ideas from a historical-intellectual perspective, unraveling the theoretical foundations on which the very interrogation on Latin American identity has been forumulated and re-formulated. While he does not endorse or refute any particular perspective, Palti discloses the historical and contingent nature of their foundations. Ultimately, Misplaced Ideas? highlights the problematic dynamics of the circulation of ideas in peripheral regions of Western culture, which raises, in turn, broader theoretical questions regarding the ways of approaching complex historical-intellectual processes.

Misplaced Ideas spans the 19th and 20th centuries, and examines the life and work of Brazil's most influential novelist, Machado de Assis, as well as Brazilian film, poetry, theatre and music. Among the themes that run through the text are the dangers of nationalism, the West's attraction for exotic backwardness and the notion of Third World literature.

Design, Displacement, Migration: Spatial and Material Histories gathers a collection of scholarly and creative voices—spanning design, art, and architectural history; design studies; curation; poetry; activism; and social sciences––to interrogate the intersections of design and displacement. The contributors foreground objects, spaces, visual, and material practices and consider design’s role in the empire, the state, and various colonizing regimes in controlling the mass movement of people, things, and ideas across borders, as well as in social acts that resist forced mobility and immobility, or enact new possibilities. By consciously surfacing echoes, rhymes, and dissonances among varied histories, this volume highlights local specificity while also accounting for the vectors of displacement and design across borders and histories. Design, Displacement, Migration: Spatial and Material Histories shows displacement to be a lens for understanding space and materiality and vice versa, particularly within the context of modernity and colonialism. This book will be of interest to scholars working in design history, design studies, architectural history, art history, urban studies, and migration studies.

DIVA translation of Schwarz's study of the work of Brazilian novelist Machado de Assis (1839-1908)./div

In the late 1960s, Brazilian artists forged a watershed cultural movement known as Tropic¡lia. Music inspired by that movement is today enjoying considerable attention at home and abroad. Few new listeners, however, make the connection between this music and the circumstances surrounding its creation, the most violent and repressive days of the military regime that governed Brazil from 1964 to 1985. With key manifestations in theater, cinema, visual arts, literature, and especially popular music, Tropic¡lia dynamically articulated the conflicts and aspirations of a generation of young, urban Brazilians. Focusing on a group of musicians from Bahia, an impoverished state in northeastern Brazil noted for its vibrant Afro-Brazilian culture, Christopher Dunn reveals how artists including Caetano Veloso, Gilberto Gil, Gal Costa, and Tom Z© created this movement together with the musical and poetic vanguards of Sao Paulo, Brazil's most modern and industrialized city. He shows how the tropicalists selectively appropriated and parodied cultural practices from Brazil and abroad in order to expose the fissure between their nation's idealized image as a peaceful tropical "garden" and the daily brutality visited upon its citizens.

"The author of this book attempts to study the Malay conception of the hero as projected by the ruling class… The readers would benefit greatly from the book. They would attain a better understanding of Malay politics and cultural life. This is the first attempt made to study the conception of the hero in Malay society… the way the author tackles the problem makes interesting reading. Anyone aspiring to have a better understanding of Malay society cannot afford to neglect the book" - Foreword by Syed Hussein Alatas. "[A] constant response [to this book] had been to place the burden of anointing heroes on the book, grudging it for its criticisms of socially or popularly acknowledged heroes. The writer is often chided ‘who do you think then should be Malay heroes?’. Such retort always impressed me how the process of social evaluation remain closed to many, hence their lack of self-introspection. They feel it is a question of finding and installing heroes in a detached manner, little realizing their values, ideals and humanity is very much bound with the process. "This book is not so much on heroes as on hero worshippers. It studies heroes to the extent they reflect the values and ideals of their worshippers themselves. It is not really addressed towards resolving the debate which personality should be heralded as Malay heroes, be it Hang Tuah, Hang Jebat or anybody else for that matter. The interest of the book remains primarily an examination of Malay values and ideals, the sense of cultural identity. The book examines the social-historical forces that had shaped those values and ideals, as reflected in group dynamics and ideologies, as well as the vested interests involved" - Preface by Shaharuddin Maaroof.

In this original study, Jorge A. Nállim chronicles the decline of liberalism in Argentina during the volatile period between two military coups—the 1930 overthrow of Hipólito Yrigoyen and the deposing of Juan Perón in 1955. While historians have primarily focused on liberalism in economic or political contexts, Nállim instead documents a wide range of locations where liberalism was claimed and ultimately marginalized in the pursuit of individual agendas. While critics have positioned the rhetoric of liberalism during this period as one of decadence or irrelevance, Nállim instead shows it to be a vital and complex factor in the metamorphosis of modern history in Argentina and Latin America as well.