This book explores misogyny across media ranging from political and editorial cartoons to news, sport, film, television, social media (especially Twitter), and journalistic organizations that address gender inequities.

Misogyny across Global Media argues that, although women’s experiences under misogyny are by no means universal, patriarchal social and institutional systems facilitate gender-based hostility across the globe. Contributors demonstrate how systemic misogyny and power inequities are at the root of women’s suffering at the hands of misogyny, with consequences ranging from sexual harassment to rape and even murder. This book provides an interdisciplinary overview of systemic misogyny worldwide, analyzing specific cases such as the controversial Child Marriage Act in Bangladesh, sexual harassment in India’s Bollywood culture, rape culture among military forces in Jammu and Kashmir, the murder of female students in Kenya, and femicide in Turkey. This collection discusses how misogyny creates a clash of cultures between men and women, the powerful and the oppressed, and the conservative and the liberal, and uncovers the evils that are perpetrated against women worldwide as a result of systemic misogyny. Scholars of gender studies, media studies, and cultural studies will find this book particularly useful.

Misogyny is a hot topic, yet it's often misunderstood. What is misogyny, exactly? Who deserves to be called a misogynist? How does misogyny contrast with sexism, and why is it prone to persist - or increase - even when sexist gender roles are waning? This book is an exploration of misogyny in public life and politics by the moral philosopher and writer Kate Manne. It argues that misogyny should not be understood primarily in terms of the hatred or hostility some men feel toward all or most women. Rather, it's primarily about controlling, policing, punishing, and exiling the "bad" women who challenge male dominance. And it's compatible with rewarding "the good ones," and singling out other women to serve as warnings to those who are out of order. It's also common for women to serve as scapegoats, be burned as witches, and treated as pariahs. Manne examines recent and current events such as the Isla Vista killings by Elliot Rodger, the case of the convicted serial rapist Daniel Holtzclaw, who preyed on African-American women as a police officer in Oklahoma City, Rush Limbaugh's diatribe against Sandra Fluke, and the "misogyny speech" of Julia Gillard, then Prime Minister of Australia, which went viral on YouTube. The book shows how these events, among others, set the stage for the 2016 US presidential election. Not only was the misogyny leveled against Hillary Clinton predictable in both quantity and quality, Manne argues it was predictable that many people would be prepared to forgive and forget regarding Donald Trump's history of sexual assault and harassment. For this, Manne argues, is misogyny's oft-overlooked and equally pernicious underbelly: exonerating or showing "himpathy" for the comparatively privileged men who dominate, threaten, and silence women. ^l

This volume examines the effects of Donald Trump’s presidency on journalistic practices, rhetoric, and discourses. Rooted in critical theory and cultural studies, it asks what life may be like without Trump, not only for journalism but also for American society more broadly. The book places perspectives and tensions around the Trump presidency in one spot, focusing on the underlying ideological forces in tensions around media trust, Trumpism, and the role of journalism in it all. It explores how journalists dealt with racist rhetoric from the White House, relationships between the Office of the President and social media companies, citizens, and journalists themselves, while questioning whether journalism has learned the right lessons for the future. More importantly, chapters on liberal media "bias," the First 100 Days of the Biden Presidency, gender, and race, and how journalists should adopt measures to "reduce harm" hint as to where politics and journalism may go next. Reshaping the scholarly and public discourse about where we are headed in terms of the presidency and publics, social media, and journalism, this book will be an important resource for scholars and graduate students of journalism, media studies, communication studies, political science, race and ethnic studies and sociology.

The 2016 election year may be remembered as a year to forget, but for American women in politics and feminists alike it was unforgettably distressing—a flash point illuminating both the true state of play for women in public life and feminist politics in the early twenty-first century. Wolf Whistle Politics is a book that tries to account for, contextualize, and even make some sense out of this trying political chapter in American history. With an introduction by Naomi Wolf and pieces by leading journalists and essayists ranging from Lindy West’s “Donald and Billy on the Bus,” to Amy Davidson’s “What Wendy Davis Stood For,” and Rhon Manigault-Bryant’s “Open Letter to White, Liberal Feminists,” this collection comprises the best political reporting and socio-historical analysis on everything from the contentious meaning of a potential first female president to the misogynist overtones of Hillary Rodham Clinton’s electoral defeat by Donald Trump; from rape culture to reproductive rights; Pantsuit Nation to poor women of color; media double standards to hashtag activism. Together these pieces form a constellation aptly symbolized by the lascivious “wolf whistle,” a demeaning, sexually loaded catcall which, unlike the racial “dog whistle,” has nothing subtle or covert about it. Wolf Whistle Politics shines a bright light on the complex relationship between women and politics today, reflecting on what we lost, what we won, and what we can do to move forward.

"Not Normal: Art in the Age of Trump" is a visual protest of the Trump administration featuring 142 artists with over 350 works. Artists around the United States are raging against Donald Trump in visual protest. Not Normal: Art in the Age of Trump documents this artistic movement in a curated collection that features the work of 142 artists. Their outrage is evidenced in full Technicolor on subjects ranging from racism, the Covid pandemic, xenophobia, immigration, promotion of hatred and violence, mistrust of science and facts, misogyny and of course, a narcissism that puts our entire country and world at great risk. While the subject matter is serious, the art is alive with color and detail and is delivered with an irreverent sense of humor. About the Author: Karen M. Gutfreund is an independent curator and artist. Actively promoting the work of activist and feminist artists with national touring exhibitions, she has produced over thirty-five to date, managing all aspects from curation, artist and project management along with installation. She has worked in the Painting & Sculpture Department at MoMA, the Andre Emmerick Gallery, The Knoll Group, the John Berggruen Gallery, and is an art consultant to both corporations and individuals. Gutfreund served as the National Exhibitions Director for the Women's Caucus for Art, is a member of ArtTable, the Northern California Representative for The Feminist Art Project (TFAP), and curator for UniteWomen.org. She is currently writing a book on DIY Exhibitions.To support artists and creative endeavors, Gutfreund has pledged to donate proceeds of this publication to The Soze Foundation Artist + Activist Relief Fund and the participating artists in the catalog.

Rhetoric of Masculinity: Male Body Image, Media, and Gender Role Stress/Conflict lends depth and global nuance to discourse associated with the masculinity concept as it brings to bear on males' self-image, role in society, media representations of them, and the gender role stress/conflict experienced when they fail to measure up to social standards associated with what it means to be manly. Even though the concept of masculine gender role stress/conflict has received substantial scholarly attention in psychology, social learning effects of masculinity as it plays out in media warrant further study given that representations offer audiences restrictive male gender roles that may contribute to toxic masculinity. Men and boys are taught to be self-sufficient, to act tough, to be muscular, heterosexual, and to use aggression to resolve conflicts. Such contexts provide restrictive images that can result in self harm and an inflexible social milieu. Scholars and students of communication, rhetoric, and gender studies will find this book particularly interesting.