Once I started, I couldn't stop. It felt like falling down the stairs.... Meet David Gould: abandoned by his girlfriend, pushing the deadline for his first book, tormented by writer's block, and obsessed with the impossibly sexy, overwhelmingly alive diaries young people keep online. Outside it's a beautiful, Brooklyn summer. But inside his apartment David is sleeping in, screening calls, draining beer after beer, and dreaming of Miss Misery -- aka twenty-two-year-old provocateur Cath Kennedy -- a total stranger with impeccable music taste and an enviable nightlife. Now meet David Gould online. Here, in his fictional diary, he's a downtown DJ and an inveterate night owl, drinking and charming countless girls until the sun comes up. But when Miss Misery moves to New York City and begins canoodling with an insufferable hipster, David's diary mysteriously begins updating itself. The reason? David Gould has a doppelgänger, an obnoxious shadow set on claiming David's newly glamorous life as his own. Even worse for David, the phone calls from his editor are becoming increasingly desperate, and the voice mails from his girlfriend -- an ocean away -- are becoming more and more distant. And then there are all of the instant messages from seventeen-year-old Ashleigh Bortch, an emo kid in Salt Lake City with an inappropriate crush on David and a knack for showing up at precisely the wrong time. Forced out of his apartment, David Gould is facing the fight of his life. With humor, heart, and a vibrant, genre-jumping soundtrack, Andy Greenwald captures the essence of what it means to be young and struggling with identity in the new century. From cyberspace to nightclub bathrooms, from New York City to Utah, Miss Misery is a fast-paced, funny story about the timeless need to become the main character in your own life.

From the Laws of Mount Misery: There are no laws in psychiatry. Now, from the author of the riotous, moving, bestselling classic, The House of God, comes a lacerating and brilliant novel of doctors and patients in a psychiatric hospital. Mount Misery is a prestigious facility set in the rolling green hills of New England, its country club atmosphere maintained by generous corporate contributions. Dr. Roy Basch (hero of The House of God) is lucky enough to train there *only to discover doctors caught up in the circus of competing psychiatric theories, and patients who are often there for one main reason: they've got good insurance. From the Laws of Mount Misery: Your colleagues will hurt you more than your patients. On rounds at Mount Misery, it's not always easy for Basch to tell the patients from the doctors: Errol Cabot, the drug cowboy whose practice provides him with guinea pigs for his imaginative prescription cocktails . . . Blair Heiler, the world expert on borderlines (a diagnosis that applies to just about everybody) . . . A. K. Lowell, née Aliyah K. Lowenschteiner, whose Freudian analytic technique is so razor sharp it prohibits her from actually speaking to patients . . . And Schlomo Dove, the loony, outlandish shrink accused of having sex with a beautiful, well-to-do female patient. From the Laws of Mount Misery: Psychiatrists specialize in their defects. For Basch the practice of psychiatry soon becomes a nightmare in which psychiatrists compete with one another to find the best ways to reduce human beings to blubbering drug-addled pods, or incite them to an extreme where excessive rage is the only rational response, or tie them up in Freudian knots. And all the while, the doctors seem less interested in their patients' mental health than in a host of other things *managed care insurance money, drug company research grants and kickbacks, and their own professional advancement. From the Laws of Mount Misery: In psychiatry, first comes treatment, then comes diagnosis. What The House of God did for doctoring the body, Mount Misery does for doctoring the mind. A practicing psychiatrist, Samuel Shem brings vivid authenticity and extraordinary storytelling gifts to this long-awaited sequel, to create a novel that is laugh-out-loud hilarious, terrifying, and provocative. Filled with biting irony and a wonderful sense of the absurd, Mount Misery tells you everything you'll never learn in therapy. And it's a hell of a lot funnier.

DigiCat Publishing presents to you this special edition of "Grandeur and Misery of Victory" by Georges Clemenceau. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Barry Moser is generally and justly regarded as the most important book artist of the past quarter-century, a tradition begun in this country by N.C. Wyeth, extended by Rockwell Kent, and furthered by artists as diverse as Jim Dine and Leonard Baskin. Moser's watercolors, woodcuts, and wood engravings have informed and adorned more than a hundred books, many of them central to the English-speaking canon, by writers such as Melville, Shelley, Welty, and Twain. In all his efforts, it is his preoccupation with the character of the creator that is manifest and dominant. Here, in a selection of one hundred portraits, fifty of them created especially for this book, we see the full range of his genius in portrayals of writers (Dante, Dickens, O'Connor, Willard, Oates), musicians and composers (Chopin, Handel, Wagner), artists (Whistler, Rembrandt, Shahn), and even politicians (Lincoln, King, Webster).