First published in the summer of 1557 - as the protestant martyrs’ pyres blazed across England - Songes and Sonettes, written by the ryght honorable Lorde Henry Haward late Earle of Surrey, and other (more generally known as Tottel’s Miscellany) is widely regarded as the first anthology of English poetry responsible for introducing Italianate verse forms to England. Yet those scholars who have paid attention to the book usually dismiss its literary quality and regard its chief accomplishment as paving the way for the Golden Age of Elizabethan verse to come. As Professor Warner makes clear, however, there is much more historical significance to the Miscellany than merely being a precursor to Shakespeare and Sidney. Drawing upon a wealth of historical, textual and literary evidence, this new study recasts the Miscellany as a peculiar phenomenon of the reign of Mary I. Placing it in the context of its European counterparts and its competition in the London book market, Warner argues that at heart the Miscellany was a collaborative project between the printer, Richard Tottel and law students from the Inns of Court, and represented a timely response to the religious, political and social upheavals of the English Reformation and Counter-Reformation. Analysing from both a literary and historical perspective, this study reconnects the Miscellany with the social, cultural, literary and religious milieu in which it was created. Warner thus reveals not only the distinctiveness of the book’s design compared to other English verse works for sale in 1557, but its function as a patriotic retort to Continental collections of verse -including one that put into print a selection of satirical songs and sonnets written by the Spanish caballeros who found themselves reluctant attendants at the court of Mary I.

Brian Vale is a naval historian with degrees from Keele and King’s College London. A life-long member of the Society for Nautical Research and the Navy Records Society, he has long specialised in Anglo-South American maritime history. His books include Independence or Death! British sailors and Brazilian Independence, A Frigate of King George, The Audacious Admiral Cochrane and Cochrane in the Pacific: Fortune and Freedom in Spanish America.

"Fundamentally alters the received wisdom that tends to award Paris a far more central place in the making of Joyce the modernist."--John McCourt, author of The Years of Bloom: James Joyce in Trieste 1904-1920 "In readings equally attentive to text, avant-text, and context, this book shows us how many roads in Joyce's life and work led to London. Yet the first city of the British Empire is also decentered here, enmeshed by Joyce with Dublin through the place names, cartographies, and imperial history the two cities shared. Loukopoulou has written the atlas of their entanglement, a Londub A to Z."--Paul K. Saint-Amour, author of Tense Future: Modernism, Total War, Encyclopedic Form The effect of Dublin--and other cities such as Trieste, Zurich, and Paris--on James Joyce and his works has been studied extensively, but few Joyceans have explored the impact of London on the trajectory of his literary career. In Up to Maughty London, Eleni Loukopoulou offers the first sustained account of Joyce's engagement with the imperial metropolis. She considers both London's status as a matrix for political and cultural formations and how the city is reimagined in Joyce’s work. Loukopoulou examines newly discovered or largely neglected material, including newspaper and magazine articles, anthology contributions, radio broadcasts, sound recordings, and other writings published and unpublished. She also assesses the promotion of Joyce's work in London’s literary marketplace. London emerges not just as a setting for his writings but as a key cultural and publishing vector for the composition and dissemination of his work. Eleni Loukopoulou is an independent scholar living in London. A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles