An interdisciplinary study of Clement of Alexandria's Christian reception of the Classical miscellany genre, in comparison with Roman authors.

Excerpt from Miscellanies, Aesthetic and Literary: To Which Is Added the Theory of Life In Coleridge's Table Talk, under the date Jan. 1, 1834, we find the following remark: - "I exceedingly regret the loss of those essays on beauty, which I wrote in a Bristol newspaper. I would give much to recover them." Coleridge's son-in-law and editor, Henry Nelson Coleridge, appends a note to this passage in his first edition, of 1835: - "I preserve the conclusion of this passage, in the hope of its attracting the attention of some person who may have local or personal advantages in making a search for these essays, upon which Mr. C. set a high value. He had an indistinct recollection of the subject, but told me that, to the best of his belief, the Essays were published in the Bristol Mercury, a paper belonging to Mr. Gutch. The years in which the inquiry should be made, would be, I presume, 1807 and 1808." As Coleridge was in Bristol in 1807, his nephew's guess is reasonable; but it is strange that Coleridge himself should have been so oblivious, even though now in a dying condition, of 1813-14, when he stayed so long in Bristol, and delivered so many lectures. However, Cottle of Bristol evidently took the hint. He found the Essays in Felix Farley's Bristol Journal, for 1814. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.