Mirroring Evil: Nazi Imagery/Recent Art features the work by thirteen internationally recognized artists who use imagery from the Nazi era to explore the nature of evil. Their works are a radical departure from previous art about the Holocaust, which centered on tragic images of victims. Instead, these artists dare to invite the viewer into the world of the perpetrators. The viewer, therefore, faces an unsettling moral dilemma: How is one to react to these menacing and indicting images, drawn from a history that can never be forgotten? The artists represented in Mirroring Evil impel us to examine what these images of Nazism might mean in our lives today. Essays in the catalogue explore themes of moral ambiguity in makers and viewers of art, institutional responsibility in exhibiting controversial artworks, and the complicated issues of representing or even imagining the perpetrators. Entries about the individual artworks discuss in greater depth the artistic, ethical, and historical complexity of the images that the artists dare to engage.

Love and sacrifice is all about wishing and acting accordingly so that the person you love is happy and safe.It is because when we love someone or something we want to see that our loved ones are happy and safe,no matter what happens.Their happiness brings happiness to us and so is their sadness.Sometimes,we do things that we dont want and make us sad.Just because the person we love want it.This book wouldn't be possible without the coauthors and the ones who have put in their hardwork to make this book a success.The compiler is thankful to JEC PUBLICATIONS for this opportunity and CHAITANYA SRIVASTAVA sir for his constant support and guidence without whom this book wouldn't have been possible.

Dark Mirrors is a wide-ranging study of two central figures in early Jewish demonology—the fallen angels Azazel and Satanael. Andrei A. Orlov explores the mediating role of these paradigmatic celestial rebels in the development of Jewish demonological traditions from Second Temple apocalypticism to later Jewish mysticism, such as that of the Hekhalot and Shi'ur Qomah materials. Throughout, Orlov makes use of Jewish pseudepigraphical materials in Slavonic that are not widely known. Orlov traces the origins of Azazel and Satanael to different and competing mythologies of evil, one to the Fall in the Garden of Eden, the other to the revolt of angels in the antediluvian period. Although Azazel and Satanael are initially representatives of rival etiologies of corruption, in later Jewish and Christian demonological lore each is able to enter the other's stories in new conceptual capacities. Dark Mirrors also examines the symmetrical patterns of early Jewish demonology that are often manifested in these fallen angels' imitation of the attributes of various heavenly beings, including principal angels and even God himself.

Mirror, Mirror: A Twisted Tale poses the question, what if the Evil Queen poisoned the prince? Following her beloved mother's death, the kingdom falls into the hands of Snow White's stepmother, commonly referred to as "the Evil Queen" by those she rules. Snow keeps her head down at the castle, hoping to make the best of her situation. But when new information about her parents resurfaces and a plot to kill her goes haywire, everything changes for Snow. With the help of a group of wary dwarfs, a kind prince she thought she'd never see again, and a mysterious stranger from her past, Snow embarks on a quest to stop the Evil Queen and take back her kingdom. But can she stop an enemy who knows her every move and will stop at nothing to retain her power... including going after the ones Snow loves?

Sarah Vida is a witch and a vampire hunter — and a loner. Christopher Ravena is a vampire trying to pass as a normal high school student who wants to know Sarah better. Drawn to him despite her better judgment, Sarah’s forced to admit that there’s room for gray in her otherwise black-and-white world of good versus evil — until she meets Nikolas, Christopher’s twin and one of the most hunted vampires in history.

This collection provides readers with a comprehensive overview of postwar representations of Nazism in popular culture, documenting and critiquing their enormous impact and importance. From Charlie Chaplin's The Great Dictator to the depiction of Nazis in the Raiders of the Lost Ark to other various literature, comic books, video games, television programs, and pop music, Nazism has maintained a constant presence in popular culture after World War II. Why are representations of Nazism—which are often used to depict the ultimate expression of human evil—so entrenched in our culture? Each chapter in this book examines this multifaceted topic from different angles, highlighting the different incidences of Nazistic representations in the post-1945 period. The diverse subject matter in this text ranges from analysis of recent allo-historical novels, to the music of the "neo-folk" movement, to fetishes and pornography. Readers will gain insight on how the imagery and symbology of Nazism in popular culture has changed over time and understand how the disconnect between representations of Nazism and the historical record have developed, particularly with regard to the genocide that resulted from Nazi politics.

Why exactly is the wicked Queen so nasty, particularly to Snow White? Perhaps it has something to do with the creepy-looking man in the magic mirror who's not just some random spooky visage...