Basing our psychospiritual development on the model of the tree a symbol of the continuity of life Stephanie Sorrell shows how we may understand the rhythms and cycles of the tree and integrate them into our vision in a conscious way.

Shakespeare has been dubbed the greatest psychologist of all time. This book seeks to prove that statement by comparing the playwright's fictional characters with real-life examples of violent individuals, from criminals to political actors. For Gilligan and Richards, the propensity to kill others, even (or especially) when it results in the killer's own death, is the most serious threat to the continued survival of humanity. In this volume, the authors show how humiliated men, with their desire for retribution and revenge, apocryphal violence and political religions, justify and commit violence, and how love and restorative justice can prevent violence. Although our destructive power is far greater than anything that existed in his day, Shakespeare has much to teach us about the psychological and cultural roots of all violence. In this book the authors tell what Shakespeare shows, through the stories of his characters: what causes violence and what prevents it.

This book brings the insights of psychoanalysis to bear on drama in the western dramatic tradition. Plays which are discussed in detail include works by Shakespeare, Ibsen, Chekhov, Wilde, and Beckett among others. The authors seek to show that the subtle understanding of conscious and unconscious emotions achieved by psychoanalytic practice can bring new ways of understanding classic works of drama. The argument of the book, set out in its introduction and exemplified in its discussion of individual dramatists and plays, is that western drama has represented the central tensions of societies as crises in the relationships of gender and generation, through dramatic explorations of the inner life of families. This is the common theme which links the book's analysis of Medea, Macbeth and A Midsummer Night's Dream amongst others. The value of this book lies in the originality of its analysis of individual plays, and the subtlety with which it brings psychoanalytic and sociological insights together.

Richard Rorty is one of the most influential, controversial and widely-read philosophers of the twentieth century. In this GuideBook to Philosophy and the Mirror of Nature Tartaglia analyzes this challenging text and introduces and assesses: Rorty's life and the background to his philosophy the key themes and arguments of Philosophy and the Mirror of Nature the continuing importance of Rorty's work to philosophy. Rorty and the Mirror of Nature is an ideal starting-point for anyone new to Rorty, and essential reading for students in philosophy, cultural studies, literary theory and social science.

In the mid-1990s, astronomers made history when they began to find planets orbiting stars in the Milky Way. More than eight hundred planets have been found since then, yet none of them is anything like Earth and none could support life. Now, armed with more powerful technology, planet hunters are racing to find a true twin of Earth. Science writer Michael Lemonick has unique access to these exoplaneteers, as they call themselves, and Mirror Earth unveils their passionate quest. Unlike competitors in other races, Geoff Marcy, Bill Borucki, David Charbonneau, Sara Seager, and others actually consult and cooperate with one another. But only one will be the first to find Earth's twin. Mirror Earth tells the story of their competition.

Issued in conjunction with the exhibition of the same name held at the McMullen Museum of Art, Boston College, September 10-December 10, 2017.