"A radiant debut."—Emily Henry, #1 New York Times bestselling author of Book Lovers THE NEW YORK TIMES BESTSELLER! Named One of the Hottest Reads of Summer 2022 by Today ∙ Parade ∙ PopSugar ∙ USA Today ∙ SheReads ∙ BuzzFeed ∙ BookBub ∙ Bustle ∙ and more! Six summers to fall in love. One moment to fall apart. A weekend to get it right. They say you can never go home again, and for Persephone Fraser, ever since she made the biggest mistake of her life a decade ago, that has felt too true. Instead of glittering summers on the lakeshore of her childhood, she spends them in a stylish apartment in the city, going out with friends, and keeping everyone a safe distance from her heart. Until she receives the call that sends her racing back to Barry’s Bay and into the orbit of Sam Florek—the man she never thought she’d have to live without. For six summers, through hazy afternoons on the water and warm summer nights working in his family’s restaurant and curling up together with books—medical textbooks for him and work-in-progress horror short stories for her—Percy and Sam had been inseparable. Eventually that friendship turned into something breathtakingly more, before it fell spectacularly apart. When Percy returns to the lake for Sam’s mother’s funeral, their connection is as undeniable as it had always been. But until Percy can confront the decisions she made and the years she’s spent punishing herself for them, they’ll never know whether their love might be bigger than the biggest mistakes of their past. Told over the course of six years and one weekend, Every Summer After is a big, sweeping nostalgic story of love and the people and choices that mark us forever.

Arguably the single most influential literary work of the European Middle Ages, the Roman de la Rose of Guillaume de Lorris and Jean de Meun has traditionally posed a number of difficulties to modern critics, who have viewed its many interruptions and philosophical discussions as signs of a lack of formal organization and a characteristically medieval predilection for encyclopedic summation. In Fortune's Faces, Daniel Heller-Roazen calls into question these assessments, offering a new and compelling interpretation of the romance as a carefully constructed and far-reaching exploration of the place of fortune, chance, and contingency in literary writing. Situating the Romance of the Rose at the intersection of medieval literature and philosophy, Heller-Roazen shows how the thirteenth-century work invokes and radicalizes two classical and medieval traditions of reflection on language and contingency: that of the Provençal, French, and Italian love poets, who sought to compose their "verses of pure nothing"in a language Dante defined as "without grammar," and that of Aristotle's discussion of "future contingents" as it was received and refined in the logic, physics, theology, and epistemology of Boethius, Abelard, Albert the Great, and Thomas Aquinas.Through a close analysis of the poetic text and a detailed reconstruction of the logical and metaphysical concept of contingency, Fortune's Faces charts the transformations that literary structures (such as subjectivity, autobiography, prosopopoeia, allegory, and self-reference) undergo in a work that defines itself as radically contingent. Considered in its full poetic and philosophical dimensions, the Romance of the Rose thus acquires an altogether new significance in the history of literature: it appears as a work that incessantly explores its own capacity to be other than it is.

Sarah Fortune is bored to death - but few know, and less would guess, how the beautiful and successful redheaded solicitor escapes the stultifying tedium of her career. Since the death of her unfaithful husband, Sarah has found a practical way of transforming the lives of lonely men that also suits her warm and defiant nature. Kind, witty and obese lawyer Malcolm Cook is the first to benefit from Sarah's generosity - he shrugs off years of weight and loneliness. But then she meets Charles Tysall, an important client of the firm, whose charisma and enormous wealth conceal an implacable will and a misogynist's mad obsession.

A comprehensive survey of mirror-imagery in English literature from the thirteenth to the end of the seventeenth century.

Carrie was the daughter of the human governor of the colony planet Keiss. Kusac was the son and the heir of the Sholan Clan Lord. Both were telepaths and the bond they formed was compounded equally of love and mind power. Now they were about to be thrust into an interstellar conflict, as factions on both their worlds sought to use their powers for their own ends.

“An entertaining tale rich in schadenfreude as bad things happen to a hapless billionaire” (Kirkus Reviews, starred review). Jay Gladstone was born to privilege. He is a civic leader and a generous philanthropist, as well as the owner of an NBA team. But in today’s New York, even a wealthy man’s life can spin out of control, no matter the money or influence he possesses. Jay sees himself as a moral man, determined not to repeat his father’s mistakes. He would rather focus on his unstable second marriage and his daughter, Aviva, than worry about questions of race or privilege. However, he moves through a sensitive and aware world: that of Dag Maxwell, the black star forward, and white police officer Russell Plesko, who makes a decision that has resonating consequences—particularly for a DA whose hopes for a future in politics will rest on an explosive prosecution. Set during Barack Obama’s presidency, this artful novel illuminates contemporary America and does not shy away from questions about our scalding social divide—why is conversation about race so fraught, to what degree is the justice system impartial, and does great wealth inoculate those who have it?—and explores the aftermath of unforgivable errors and the unpredictability of the court of public opinion. “Greenland takes a Dickensian delight in letting the plot sprawl with parallels, digressions, false leads, and twists.” —Kirkus Reviews (starred review) “A wild and funny page-turner of a novel that grabs you and doesn’t let go.” —Larry David

This Is A New Release Of The Original 1899 Edition.