The Mirour de l'Omme (The Mirror of Mankind) is an encyclopedia of moral topics, including a vivid allegory of the Seven Deadly Sins. Author John Gower (1330-1408) was a poet, personal friend of Chaucer, and the most prominent member of his literary circle.

The monograph series Oxford Studies in Medieval Literature and Culture showcases the plurilingual and multicultural quality of medieval literature and actively seeks to promote research that not only focuses on the array of subjects medievalists now pursue - in literature, theology, and philosophy, in social, political, jurisprudential, and intellectual history, the history of art, and the history of science - but also that combines these subjects productively. It offers innovative studies on topics that may include, but are not limited to, manuscript and book history; languages and literatures of the global Middle Ages; race and the post-colonial; the digital humanities, media and performance; music; medicine; the history of affect and the emotions; the literature and practices of devotion; the theory and history of gender and sexuality, ecocriticism and the environment; theories of aesthetics; medievalism. The Arts of Disruption: Allegory and Piers Plowman offers a series of new readings of the allegorical poem Piers Plowman: but it is also a book about allegory. It argues not just that there are distinctively disruptive 'arts' that occur in allegory, but that allegory, because it is interested in the difficulty of making meaning, is itself a disruptive art. The book approaches this topic via the study of five medieval allegorical narrative structures that exploit diegetic conflict and disruption. Although very different, they all bring together contrasting descriptions of spiritual process, in order to develop new understanding and excite moral or devotional change. These five structures are: the paradiastolic 'hypocritical figure' (such as vices masked by being made to look like 'adjacent' virtues), personification debate, violent language and gestures of apophasis, narratives of bodily decline, and grail romance. Each appears in a range of texts, which the book explores, along with other connected materials in medieval rhetoric, logic, grammar, spiritual thought, ethics, medicine, and romance iconography. These allegorical narrative structures appear radically transformed in Piers Plowman, where the poem makes further meaning out of the friction between them. Much of the allegorical work of the poem occurs at the points of their intersection, and within the conceptual gaps that open up between them. Ranging across a wide variety of medieval allegorical texts, the book shows from many perspectives allegory's juxtaposition of the heterogeneous and its questioning of supposed continuities.

Many of the leading figures of the Reformation and many of their most able opponents came from among the ranks of the Franciscan Order. This Order became the focus of attack in a pamphlet war waged against it in 1523 by converts to the Reformation. These criticisms were based on arguments by Luther in his Judgement on Monastic Vows, and the pamphlets provided an important channel for these views. Luther’s arguments were also reinforced by criticisms of the mendicant orders drawn from medieval polemical and satirical literature. The campaign of 1523 brought together both Reformation and pre-Reformation anticlerical themes. In this book Geoffrey Dipple looks at the perception of the Franciscan order in the 15th and 16th centuries, placing the attacks firmly in the context of late medieval inter-clerical rivalries. He looks particularly at the anticlerical polemics of one of the primary participants - Johann Eberlin von Günzburg - the most vocal of the Franciscan’s critics.

This is a comprehensive reference guide to Shakespeare's literary knowledge. An A-Z of nearly 200 entries covers the full range of writers and texts that influenced Shakespeare's work from classical to contemporary. Entries for all major sources feature surveys of their place in Shakespeare's time, sample excerpts, detailed discussion of their relationship to the plays and poems, and full bibliography.