Be enriched by the understanding of Mary as a Jewish woman and nourished by the Magnificat in a new edition of this classic of woman's spirituality.

The author offers an interpretation of Mary that is theologically sound, spiritually empowering, ethically challenging, socially liberating, and ecumenically fruitful. She construes the image of Mary so as to be a source of blessing rather than blight for women's lives in both religious and political terms.

Elizabeth Johnson takes the 13 gospel appearances of Mary of Nazareth and creates a rich, deep Marian identity from this complex mosaic. Dangerous Memories is taken from her acclaimed Truly Our Sister: A Theology of Mary in the Communion of Saints (0-8264-1473-7), with the addition of a new introduction and a short annotated bibliography.

The twelve essays in this volume explore, through various approaches, not only the biblical portraits of Mary but also both "the quest for the historical Mary" and the understandings of those portraits through the centuries. Valerie Abrahamsen, Jorunn Jacobsen Buckley, John Dominic Crossan, Mary F. Foskett, Beverly Roberts Gaventa, Deirdre Good, Jorunn Økland, Jane Schaberg, George H. Tavard, John van den Hengel, Pieter W. van der Horst, and George T. Zervos offer contributions that address such topics as the understandings of sexuality, the divine feminine, soteriology, first-century social history, christology, Protestant, Catholic, and Orthodox hermeneutics, ecumenical and interfaith relations, and the meaning of "virginity." Volume 10 of the Feminist Companions to the Bible Series>

This interdisciplinary volume of text and art offers new insights into various unsolved mysteries associated with Mary Magdalene, Mary of Bethany, Mary the Mother of Jesus, and Miriam the sister of Moses. Mariamic traditions are often interconnected, as seen in the portrayal of these women as community leaders, prophets, apostles and priests. These traditions also are often inter-religious, echoing themes back to Miriam in the Hebrew Bible as well as forward to Maryam in the Qur'an. The chapters explore questions such as: which biblical Mary did the author of the Gospel of Mary intend to portray-Magdalene, Mother, or neither? Why did some writers depict Mary of Nazareth as a priest? Were extracanonical scriptures featuring Mary more influential than the canonical gospels on the depiction of Maryam in the Qur'an? Contributors dig deep into literature, iconography, and archaeology to offer cutting edge research under three overarching topics. The first section examines the question of "which Mary?" and illustrates how some ancient authors (and contemporary scholars) may have conflated the biblical Marys. The second section focuses on Mary of Nazareth, and includes research related to the portrayal of Mary the Mother of Jesus as a Eucharistic priest. The final section, “Recovering Receptions of Mary in Art, Archeology, and Literature,” explores how artists and authors have engaged with one or more of the Marys, from the early Christian era through to medieval and modern times.

Is Christianity a bland, domesticated religion, unthreatening and easy to grasp? Or is it the most exotic, unexpected, and uncanny of religious paths? For the mystics and saints -- and for Robert Barron who discovered Christianity through them -- it is surely the strangest way. "At its very center, " writes Barron, "is a God who comes after us with a reckless abandon, breaking open his own heart in love in order to include us in the rhythm of his own life." What could be more compelling?