When we read about the profundity and complexity of the Buddhist tradition, we are hard pressed to imagine how the earliest Japanese priests propagated this tradition and how the common people accepted it. Kyokai's collection of 'miraculous stories throw much light on this.

This is the first collection of Buddhist legends in Japan, and these stories form the repertoire of miraculous events and moral examples that later Buddhist priests used for preaching to the people. As Kyokai describes his own intentions, "By editing these stories of miraculous events I want to pull the people forward by the ears, offer my hand to lead them to good, and show them how to cleanse their feet of evil" (p.222). Nakamura's book is actually two works in one: first an introduction to the Nihon ryoiki, and then an annotated translation. The introduction analyzes the life of the author and the influence of earlier writings, and provides a valuable synthesis of the world view reflected in the work. The annotated translation renders the more than one hundred stories into English narrative, with copious notes. Difficult terms are identified in the text with the original Chinese characters, while historical matters and Buddhist technical terms are explained in the footnotes.

"This is an exciting exploration of the world of Buddhist attitudes towards religious texts, from Indian scriptures to Japanese medieval tales. Its emphasis on discursive strategies—how Buddhist texts function and what they expect of their readers/users (especially, the connection between books, their content, and their readers' bodies)—is a welcome new perspective."—Fabio Rambelli, author of Buddhist Materiality "Miracles of Book and Body is fluidly written and engaging. This book brings the reader to an awareness of the range and foci of medieval 'popular' readings of sutra literature, and Eubanks provides an important perspective to interpreting these narratives that is original and stimulating."—Thomas W. Hare, author of Zeami: Performance Notes "Charlotte Eubanks' sophisticated, insightful and readable study of the physicalities of sutra texts and sutra recitation makes sense of some of the strangest phenomena in medieval Japan. By disentangling the literal and metaphorical meanings in Buddhist setsuwa, Eubanks explains such things as how memorizing a text is an embodiment thereof, how texts can become sentient beings, and why the scroll is an appropriate format for recording dharma. Her work is both important and engaging."—Margaret H. Childs, University of Kansas "Drawing on an impressive range of Mahayana scriptures and medieval Japanese didactic tales, Eubanks unpacks recurrent tropes correlating text and flesh to reveal surprising connections among the literary, material, and ritual dimensions of Buddhist textual culture. Elegantly written and theoretically astute, this volume will be welcomed not only by specialists in Buddhist literature but also by readers interested in broader issues of text-based religious practice."—Jacqueline Stone, author of Original Enlightenment and the Transformation of Medieval Japanese Buddhism