Miracle tales, in which people are rewarded for piety or punished for sin through the intervention of the Virgin Mary, were a popular literary form all through the Middle Ages. Milagros de Nuestra Sehora, a collection of such stories by the Spanish secular priest Gonzalo de Berceo, is a premier example of this genre; it is also regarded as one of the four most important texts of medieval Spain. Difficulties in translating this work have made it unavailable in English except in fragments; now Spanish-language scholars Richard Terry Mount and Annette Grant Cash have made the entire work accessible to English readers for the first time. Berceo's miracle tales use the verse form cuaderna via (fourfold way) of fully rhymed quatrains—which Berceo may even have invented—and are told in the language of the common man. They were written to be read aloud, most likely to an audience of pilgrims, and are an outstanding example of oral religious narrative. The total work comprises twenty-five miracles, preceded by a renowned Introduction that celebrates the Virgin in rich symbolic allegory. Mount and Cash's translation is highly readable, yet it retains the original meaning and captures Berceo's colloquial style and medieval nuances. An introduction placing the miracles in their medieval context and a bibliography complement the text.

'The Miracles of the Virgin Mary', written c. 1135 by the Benedictine monk and historian William of Malmesbury (d. 1143), is important on several counts. It belongs to the first wave of collected miracles of the Virgin, produced by English Benedictine monks in the 1120s and '30s. These collections were to be influential across Europe because the stories in them were not connected with a particular shrine, but international. Although only two copies of William's collection survive in anything like its complete and original plan, in a dismembered form it too was influential across Europe and through the rest of the medieval period.

Accessible, heartwarming and miraculous stories of people, famous and ordinary, and their remarkable encounters with the Virgin Mary.

Medieval miracle stories from a major pilgrim destination in 12c France. In the second half of the twelfth century Rocamadour developed an international reputation as a centre of devotion to the Virgin Mary, drawing pilgrims from Spain, Italy, Germany, England and the Latin East as well as France, as witnessed by the 126 miracle stories written there in 1172-3, here translated for the first time. Reflecting and enhancing Rocamadour's status (aristocratic figures feature prominently), they throw light on many of the dangers faced by medieval men and women: illness and injury; imprisonment; warfare; arbitrary justice; and natural disasters. In his introduction Marcus Bull identifies issues which the collection helps to elucidate, and assesses thevalue of the text as source material, particularly in view of the lack of other chronicles from southern France for the period. He makes comparisons with other texts, such as the miracle collection compiled at the shrine of Thomas Becket at Canterbury, and argues that the monks of Rocamadour asserted their importance through the miracles, in the face of competition from neighbouring monastic communities. MARCUS BULL is Andrew W. Mellon Distinguished Professor of Medieval and Early Modern Studies at the University of North Carolina, Chapel Hill.

During the Middle Ages, Mary was the most powerful of saints, and the combination of her humanity and her proximity to the divine captured the medieval imagination. Her importance is nowhere more clearly reflected than in the genre of “Miracles of the Virgin,” short narrative accounts of Mary’s miraculous intercessory powers. These stories tend to fit a basic narrative pattern in which Mary saves a devoted believer from spiritual or physical danger—but beneath this surface simplicity, the Miracles frequently evoke fine or revealing theological, social, and cultural distinctions. They are remarkably various in tone, ranging from the darkly serious to the comically scandalous, and many display anti-Semitism to a greater degree or with greater punch than do other medieval genres. Mary herself takes on a variety of characteristics, appearing as dominant and persuasive more often than she appears as gentle and maternal. This volume offers a small but representative sampling of what survives of this literature in the English language. The Middle English has been helpfully glossed and annotated, and is lightly modernized for ease of reading; one particularly challenging story is translated in facing-page format. The “In Context” sections provide relevant biblical passages and medieval versions of the Christian prayers frequently evoked in the miracles; additional samples of Marian poetry and medieval illustrations of Marian miracles are also included.

Come explore the miraculous with "Miracle Hunter" Michael O'Neill! O'Neill, a graduate of Stanford University, member of the Mariological Society of America, and host of the television series "Miracle Hunters", takes you on an amazing tour of miracles large and small, and answers some of our most burning questions: Are miracles all that important? What do miracles have to do with me? How does the Church determine if a miracle is valid? What do miracle cures have to do with canonization? Do saints perform miracles? What are apparitions and why do they appear? What's a "Eucharistic miracle"? Can statues, icons, or effigies really be miraculous? What about incorruptibles and stigmata? Thoroughly researched and documented, Exploring the Miraculous will enlighten and fascinate, but most of all will guide us to Christ, who is the center of our lives and the true object of our faith.

100 true stories of approved miraculous statues, paintings and images of Our Lady. Spans almost 2,000 years. These images have spoken, brought cures, given off fragrance, wept blood or tears, etc. Includes Our Lady of Guadalupe, Akita, Pompeii, Prompt Succor, Czestochowa, Perpetual Help, Montserrat, etc. Gives renewed confidence in Mary's care for us her children. Great for the entire family!