On the life of The Mother (La Mère), 1878-1973, disciple of Sri Aurobindo, 1872-1950.

“With a seeker’s profound curiosity, a journalist’s keen eye, and a potent combination of honesty, courage, intelligence, and tender-heartedness, Mark Matousek as written a beautiful book that is at once a spiritual autobiography and an exploration of one of the most mystical beings of our time.” —Dani Shapiro, author of Hourglass Mark Matousek was a nonbeliever when he met Mother Meera in 1985. Yet, in her presence, he experienced inexplicable occurrences that forced him to challenge his worldview. Mother Meera, born Kamala Reddy is believed by her thousands of devotees to be an embodiment of the Divine Mother. But who is Mother Meera, really? Now, in this deeply moving and wise book, Matousek takes us as close as possible to this extraordinary woman. Is divine incarnation truly possible, he asks, as most of the world’s religions insist? Speaking to members of her inner circle, working at her school for the poor in India, and interviewing the elusive master herself, Matousek takes the reader on a mysterious quest into the “unseen world” where the divine and human intersect.

A gorgeous memoir about the 17 year estrangement of the author and her homeless schizophrenic mother, and their reunion.

Offers the true-life story of Helen Delaney Martini, a woman who reared baby Bengal tigers, as well as other exotic animals, in her small Bronx apartment with the assistance of her zoo keeper husband.

NATIONAL BESTSELLER • A “beautiful and eye-opening” (Jacqueline Woodson), “hilarious and heart-rending” (Celeste Ng) graphic memoir about American identity, interracial families, and the realities that divide us, from the acclaimed author of The Sleepwalker’s Guide to Dancing. ONE OF THE TEN BEST BOOKS OF THE YEAR: Chicago Tribune, The New York Public Library, Publishers Weekly • ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, Time, BuzzFeed, Esquire, Literary Journal, Kirkus Reviews “How brown is too brown?” “Can Indians be racist?” “What does real love between really different people look like?” Like many six-year-olds, Mira Jacob’s half-Jewish, half-Indian son, Z, has questions about everything. At first they are innocuous enough, but as tensions from the 2016 election spread from the media into his own family, they become much, much more complicated. Trying to answer him honestly, Mira has to think back to where she’s gotten her own answers: her most formative conversations about race, color, sexuality, and, of course, love. Written with humor and vulnerability, this deeply relatable graphic memoir is a love letter to the art of conversation—and to the hope that hovers in our most difficult questions. LONGLISTED FOR THE PEN/OPEN BOOK AWARD “Jacob’s earnest recollections are often heartbreaking, but also infused with levity and humor. What stands out most is the fierce compassion with which she parses the complexities of family and love.”—Time “Good Talk uses a masterful mix of pictures and words to speak on life’s most uncomfortable conversations.”—io9 “Mira Jacob just made me toss everything I thought was possible in a book-as-art-object into the garbage. Her new book changes everything.”—Kiese Laymon, New York Times bestselling author of Heavy

Mira doesn't like her hair. It curls at the front. It curls at the back. It curls everywhere! She wants it to be straight and smooth, just like her Mama's. But then something unpredictable happens . . . and Mira will never look at her mama's hair the same way again! A delightful celebration of natural hair and the courage it takes to be yourself.

"At age twenty-eight, Mira Ptacin discovered she was pregnant. Though it was unplanned, she soon embraced the pregnancy and became engaged to Andrew, the father. Five months later, an ultrasound revealed birth defects that would give the child no chance of survival outside the womb. Mira was given three options: terminate her pregnancy, induce early delivery, or wait and inevitably miscarry. Mira's story is woven together with the story of her mother, who emigrated from Poland, also at the age of twenty-eight, and adopted a son, Julian. Julian would die tragically, bringing her an unimaginable grief. A memoir about loss and self-preservation, grief and recovery, and mothers and daughters, [this book] is [an] ... examination of free will, love, and the fierce bonds of family"--