A guide to the habits of the animals and plants based on a recent fauna survey of Uluru-Kata National Park including a list of Anagu names and pronunciation guide.

Australian Deserts: Ecology and Landscapes is about the vast sweep of the Outback, a land of expanses making up three-quarters of the continent – the heart of Australia. Steve Morton brings his extensive first-hand knowledge and experience of arid Australia to this book, explaining how Australian deserts work ecologically. This book outlines why unpredictable rainfall and paucity of soil nutrients underpin the nature of desert ecosystems, while also describing how plants and animals came to be desert dwellers through evolutionary time. It shows how plants use uncertain rainfall to provide for persistence of their populations, alongside outlines of the dominant animals of the deserts and explanations of the features that help them succeed in the face of aridity and uncertainty. Richly illustrated with the photographs of Mike Gillam, this fascinating and accessible book will enhance your understanding of the nature of arid Australia.

In Remote Avant-Garde Jennifer Loureide Biddle models new and emergent desert Aboriginal aesthetics as an art of survival. Since 2007, Australian government policy has targeted "remote" Australian Aboriginal communities as at crisis level of delinquency and dysfunction. Biddle asks how emergent art responds to national emergency, from the creation of locally hunted grass sculptures to biliterary acrylic witness paintings to stop-motion animation. Following directly from the unprecedented success of the Western Desert art movement, contemporary Aboriginal artists harness traditions of experimentation to revivify at-risk vernacular languages, maintain cultural heritage, and ensure place-based practice of community initiative. Biddle shows how these new art forms demand serious and sustained attention to the dense complexities of sentient perception and the radical inseparability of art from life. Taking shape on frontier boundaries and in zones of intercultural imperative, Remote Avant-Garde presents Aboriginal art "under occupation" in Australia today.

For children; Pitjantjatjara translation of Alices adventures in wonderland, in which animals and activities are appropriate to Central Australia.

This new reference is a collection of words that are associated in different ways with South Australia--those in the book's title represent both the oldest and the newest cultures in the state.

A Pitjantjatjara translation of the tale that transforms Carrolls creatures into more familiar species for Central Australia, so that the White Rabbit becomes a White Kangaroo with dilly bag and digging sticks.

Landscape has long had a submerged presence within anthropology, both as a framing device which informs the way the anthropologist brings his or her study into 'view', and as the meaning imputed by local people to their cultural and physical surroundings. A principal aim of this volume follows from these interconnected ways of considering landscape: the conventional, Western notion of 'landscape' may be used as productive point of departure from which to explore analgous ideas; local ideas can in turn reflexively by used to interrogate the Western construct. The Introduction argues that landscape should be conceptualized as a cultural process: a process located between place and space, inside and outside, image and representation. In the chapters that follow, nine noted anthropologists and an art historian exemplify this approach, drawing on a diverse set of case studies. These range from an analysis of Indian calendar art to an account of Israeli nature tourism, and from the creation of a metropolitan "gaze" in nineteenth-century Paris to the soundscapes particular to the Papua New Guinea rainforests. The anthropological perspectives developed here are of cross-disciplinary relevance; geographers, art historians, and archaeologists will be no less interested than anthropologists in this re-envisaging of the notion of landscape.