The stakes for George Gordon Meade could not have been higher. After his stunning victory at Gettysburg in July of 1863, the Union commander spent the following months trying to bring the Army of Northern Virginia to battle once more and finish the job. The Confederate army, robbed of much of its offensive strength, nevertheless parried Meade's moves time after time. Although the armies remained in constant contact during those long months of cavalry clashes, quick maneuvers, and sudden skirmishes, Lee continued to frustrate Meade's efforts. Meanwhile, in Washington, D.C., Meade's political enemies launched an all-out assault against his reputation and generalship. Even the very credibility of his victory at Gettysburg came under assault. Pressure mounted for the army commander to score a decisive victory and prove himself once more. Smaller victories, like those at Bristoe Station and Rappahannock Station, did little to quell the growing clamor--particularly because out west, in Chattanooga, another Union general, Ulysses S. Grant, was once again reversing Federal misfortunes. Meade needed a comparable victory in the east. And so, on Thanksgiving Day, 1863, the Army of the Potomac rumbled into motion once more, intent on trying again to bring about the great battle that would end the war. The Great Battle Never Fought: The Mine Run Campaign, November 26-December 2 1863 recounts the final chapter of the forgotten fall of 1863--when George Gordon Meade made one final attempt to save the Union and, in doing so, save himself.

The first book-length study of two overlooked engagements that helped turned the tide of a pivotal Civil War battle. By May of 1863, the stone wall at the base of Marye’s Heights above Fredericksburg, Virginia, loomed large over the Army of the Potomac, haunting its men with memories of slaughter from their crushing defeat there the previous December. They would assault it again with a very different result the following spring. This time the Union troops wrested the wall and high ground from the Confederates and drove west into the enemy’s rear. The inland drive stalled in heavy fighting at Salem Church. Chancellorsville’s Forgotten Front is the first book to examine Second Fredericksburg and Salem Church and the central roles they played in the final Southern victory. Authors Chris Mackowski and Kristopher D. White have long appreciated the pivotal roles these engagements played in the Chancellorsville campaign, and just how close the Southern army came to grief—and the Union army to stunning success. Together they seamlessly weave their extensive newspaper, archival, and firsthand research into a compelling narrative to better understand these combats, which usually garner little more than a footnote to the larger story of Stonewall Jackson’s march and fatal wounding. Chancellorsville’s Forgotten Front offers a thorough examination of the decision-making, movements, and fighting that led to the bloody stalemate at Salem Church, as Union soldiers faced the horror of an indomitable wall of stone—and an undersized Confederate division stood up to a Union juggernaut.

A vivid account of “one of the most shocking episodes in organized labor’s blood-soaked history” (Steve Halvonik, Pittsburgh Post-Gazette). In the early hours of New Year’s Eve 1969, in the small soft coal mining borough of Clarksville, Pennsylvania, longtime trade union insider Joseph “Jock” Yablonski and his wife and daughter were brutally murdered in their old stone farmhouse. Behind the assassination was the corrupt president of the United Mine Workers of America (UMWA), Tony Boyle, who had long embezzled UMWA funds, silenced intra-union dissent, and served the interests of Big Coal companies—and would do anything to maintain power. The most infamous crimes in the history of American labor unions, the Yablonski murders catalyzed the first successful rank-and-file takeover of a major labor union in modern US history. Blood Runs Coal is an extraordinary portrait of one of the nation’s major unions on the brink of historical change.

“A comprehensive guide.” —Artspace. “Whether you are new to the business or a seasoned gallerist, it is always wise to remember the essentials.” —Leigh Conner, director, Conner Contemporary Art Aspiring and new art gallery owners can find everything they need to plan and operate a successful art gallery with How to Start and Run a Commercial Art Gallery. This new edition has been updated to mark the changes in market and technology over the past decade. Edward Winkleman and Patton Hindle draw on their years of experience to explain step by step how to start your new venture. From finding the ideal locale and renovating the space to writing business plans and securing start-up capital, this helpful guide has it all. Chapters detail how to: Manage cash flow Grow your new business Hire and manage staff Attract and retain artists and clients Represent your artists Promote your gallery and artists online Select the right art fair And more How to Start and Run a Commercial Art Gallery, Second Edition, also includes sample forms, helpful tips from veteran collectors and dealers, a large section on art fairs, and a directory of art dealer associations.

The stakes for George Gordon Meade could not have been higher. After his stunning victory at Gettysburg in July of 1863, the Union commander spent the following months trying to bring the Army of Northern Virginia to battle once more and finish the job. The Confederate army, robbed of much of its offensive strength, nevertheless parried Meade’s moves time after time. Although the armies remained in constant contact during those long months of cavalry clashes, quick maneuvers, and sudden skirmishes, Lee continued to frustrate Meade’s efforts. Meanwhile, in Washington, D.C., Meade’s political enemies launched an all-out assault against his reputation and generalship. Even the very credibility of his victory at Gettysburg came under assault. Pressure mounted for the army commander to score a decisive victory and prove himself once more. Smaller victories, like those at Bristoe Station and Rappahannock Station, did little to quell the growing clamor—particularly because out west, in Chattanooga, another Union general, Ulysses S. Grant, was once again reversing Federal misfortunes. Meade needed a comparable victory in the east. And so, on Thanksgiving Day, 1863, the Army of the Potomac rumbled into motion once more, intent on trying again to bring about the great battle that would end the war. The Great Battle Never Fought: The Mine Run Campaign, November 26-December 2 1863 recounts the final chapter of the forgotten fall of 1863—when George Gordon Meade made one final attempt to save the Union and, in doing so, save himself.

"ABSORBING...COMPELLING...HIGHLY SATISFYING." --San Francisco Chronicle "TRULY ENGAGING...Campbell has a storyteller's ear for dialogue and the visual sense of painting a picture and a place....There's a steam that keeps the story moving as the characters, and later their children, wrestle through racial, personal and cultural crisis." --Los Angeles Times Book Review "REMARKABLE...POWERFUL." --Time "YOUR BLUES AIN'T LIKE MINE is rich, lush fiction set in rural Mississippi beginning in the mid-'50s. It is also a haunting reality flowing through Anywhere, U.S.A., in the '90s....There's love, rage and hatred, winning and losing, honor, abuse; in other words, humanity....Campbell now deserves recognition as the best of storytellers. Her writing sings." --The Indianapolis News "EXTRAORDINDARY." --The Seattle Times "A COMPELLING NARRATIVE...Campbell is a master when it comes to telling a story." --Entertainment Weekly YOUR BLUES AIN'T LIKE MINE won the NAACP Image Award for Best Literary Work of Fiction