A thousand years ago, village farmers in the Mimbres Valley of what is now southwestern New Mexico created stunning black-on-white pottery. Mimbres pottery has added a fascinating dimension to southwestern archaeology, but it has also led to the partial or total destruction of most Mimbres sites. The Mimbres Foundation, in one of the few modern investigations of a Mimbres pueblo, excavated the Mattocks site, containing about 180 surface rooms in addition to pit structures. Mimbres Life and Society details the Mattocks site’s architecture and artifacts, and it includes 160 figures, showing more than 400 photographs of painted vessels from the site. Mimbres pueblos, as early examples of people using surface room blocks, are ideal for investigating questions about how and why people moved from earlier subterranean pit structures to aboveground room blocks. The authors consider the number of households living at the site before and after the transition, as well as the lack of evidence for subsistence intensification and population growth as causes of this transition. These analyses suggest that each room block on the site housed a single family as opposed to multiple families, the more common interpretation. There were not necessarily more households on the site during the Classic period than earlier. Patricia A. Gilman and Steven A. LeBlanc spent five seasons excavating at the Mattocks site and many more analyzing and writing about Mattocks site data. They note that subtle social differences among people were at play, and they emphasize that the Mattocks site may be unique among Mimbres pueblos in many aspects. Mimbres Life and Society reveals broad-ranging implications for southwestern archaeologists and anyone interested in understanding the ancient Southwest and early village societies.

This book offers a detailed account of the archaeological excavation of one of the last possible Mimbres Classic pueblos, including photography of the painted black-on-white pottery--Provided by publisher.

Following two decades of excavations and research at the NAN Ranch Ruin in southwestern New Mexico, Harry Shafer offers new information and interpretations of the rise and disappearance of the ancient Mimbres culture that thrived in the area from about A.D. 600 to 1140. The NAN Ranch site gives evidence of a fascinating restructuring of Mimbres culture and society, owing to the introduction of irrigation agriculture in the late ninth century. The social restructuring that accompanied this shift in technology resulted in changes that are visible in architecture, mortuary practices, and ceramic decoration. The NAN Ranch ruin has yielded the largest body of evidence ever gathered at a single Mimbres site and thus offers the clearest picture to date of who the ancient Mimbreños were in relation to their Anasazi and Hohokam neighbors to the north and east. Shafer introduces us to the Mimbres people, gives a history of archaeological research in the Mimbres Valley, and traces the occupation of the NAN Ranch site from pithouses to classic pueblo to abandonment. Social customs, subsistence, biological information, and the symbolism of the distinctive Mimbres designs in their ceramics, pottery, stone artifacts, textiles, and jewelry are all addressed in this comprehensive survey.

In the early 1970s, understanding of the Mimbres region as a whole was in its infancy. In the following decades, thanks to dedicated work by enterprising archaeologists and nonprofit organizations, our understanding of the Mimbres region has become more complex, nuanced, and rich. New Perspectives on Mimbres Archaeology brings together these experts in a single volume for the first time. The contributors discuss current knowledge of the people who lived in the Mimbres region of the southwestern United States and how our knowledge has changed since the Mimbres Foundation, directed by Steven A. LeBlanc, began the first modern archaeological investigations in the region. Many of these authors have spent decades conducting the fieldwork that has allowed for a broader understanding of Mimbres society. Focusing on a variety of important research topics of interest to archaeologists—including the social contexts of people and communities, the role of ritual and ideology in Mimbres society, evidence of continuities and cultural change through time, and the varying impacts of external influences throughout the region—New Perspectives on Mimbres Archaeology presents recent data on and interpretations of the entire pre-Hispanic sequence of occupation. Additional contributions include a history of nonprofit archaeology by William H. Doelle and a concluding chapter by Steven A. LeBlanc reflecting on his decades-long work in Mimbres archaeology and outlining important areas for the next wave of research.

The enchanting pottery created by the Mimbres people of southwestern New Mexico is considered by many scholars to be unique among all the ancient art traditions of North America. Distinguished by their elaborate hand-painted black-on-white designs, Mimbres vessels have inspired artists and collectors, and many insist that they are unrivaled in several millennia of pottery making. While the attention to the extraordinary Mimbres painted pottery is well merited, the focus on its artistry alone has obscured other equally remarkable achievements and compelling questions about this unique and sophisticated society. Was the society as truly egalitarian as it has often been suggested? Was the pottery produced by specialists? How did Mimbres architecture—among the first to break living spaces into apartment-style room blocks—reflect the relationships among individuals, families, and communities? Did aggregate housing units translate into social equality, or did subtle hierarchies exist? Tracing the way technology evolved in ceramic decoration, architecture, and mortuary practices, this collection of eight original contributions brings new insights into previously unexplored dimensions of Mimbres society. The contributors also provide vivid examples of how today’s archaeologists are linking field data to social theory.

A distinguished scholar of Southwestern Native arts for over thirty years, J.J. Brody here returns to his early work on the Mimbres ceramic tradition, which established him as the leading authority on the arts of this ancient people. The Mimbres cultural florescence between A.D. 1000 and A.D. 1140 remains one of the most visually astonishing and anthropologically intriguing questions in Southwest prehistory. In this revised edition, Dr. Brody incorporates the extensive fieldwork done on Mimbres sites since the original publication in 1977, updating his discussion of village life, the larger world in which the Mimbres people lived, and how the art that they practiced illuminates these wider issues. He addresses human and animal iconography, the importance of perspective and motion in perceiving Mimbres artistry, and the technology used to produce the ceramics. Placing the study of ancient art and artifacts in the present, he notes the impact of the antiquities market on archaeological and artistic research.

Outgrowth of a symposium at the 2006 Society for American Archaeology meetings in San Juan, and of a seminar at the Amerind Foundation. Cf. pref.