Although Paradise Lost is one of the greatest poems in the English language, it is also among the most difficult and intimidating, especially to unsophisticated readers. One of the most accessible critical studies of Paradise Lost—and one frequently recommended by those teaching Milton—is Anne Ferry's Milton's Epic Voice.

Inside "Paradise Lost" opens up new readings and ways of reading Milton's epic poem by mapping out the intricacies of its narrative and symbolic designs and by revealing and exploring the deeply allusive texture of its verse. David Quint’s comprehensive study demonstrates how systematic patterns of allusion and keywords give structure and coherence both to individual books of Paradise Lost and to the overarching relationship among its books and episodes. Looking at poems within the poem, Quint provides new interpretations as he takes readers through the major subjects of Paradise Lost—its relationship to epic tradition and the Bible, its cosmology and politics, and its dramas of human choice. Quint shows how Milton radically revises the epic tradition and the Genesis story itself by arguing that it is better to create than destroy, by telling the reader to make love, not war, and by appearing to ratify Adam’s decision to fall and die with his wife. The Milton of this Paradise Lost is a Christian humanist who believes in the power and freedom of human moral agency. As this indispensable guide and reference takes us inside the poetry of Milton’s masterpiece, Paradise Lost reveals itself in new formal configurations and unsuspected levels of meaning and design.

This book studies the interplay of theology and poetics in the three great epics of early modern England, the Faerie Queene, Paradise Lost, and Paradise Regained. Bond examines how Spenser and Milton adapted the pattern of dual heroism developed in classical and Medieval works. Challenging the opposition between 'Calvinist,' 'allegorical' Spenser and 'Arminian,' 'dramatic' Milton, this book offers a new understanding of their doctrinal and literary affinities within the European epic tradition.

Written during the crucial first phase of English empire-building in the New World, Paradise Lost registers the radically divided attitudes toward the settlement of America that existed in seventeenth-century Protestant England. Evans looks at the relationship between Milton's epic and the pervasive colonial discourse of Milton's time. Evans bases his analysis on the literature of exploration and colonialism. The primary sources on which he draws range from sermons about the New World justifying colonization and exhorting virtue among colonists to promotional pamphlets designed to lure people and investment into the colonies. Evans's research allows him to create a richly textured picture of anxiety and optimism, guilt and moral certitude. The central question is whether Milton supported England's colonization or covertly attempted to subvert it. In contrast to those who attribute to Paradise Lost a specific political agenda for the American colonies, Evans maintains that Milton reflects the complexity and ambivalence of attitudes held by English society. Analyzing Paradise Lost against this background, Evans offers a new perspective on such fundamental issues as the narrator's shifting stance in the poem, the unique character of Milton's prelapsarian paradise, and the moral and intellectual status of Adam and Eve before and after the fall. From Satan's arrival in Hell to the expulsion from the garden of Eden, Milton's version of the Genesis myth resonates with the complex thematics of Renaissance colonialism.