"Winner of the James Holly Hanford Prize given by the Milton Society of America An exporation into the mind of John Milton that probes deeper than previous biographical studies, John Shawcross's award-winning text examines the psychological underpinnings of Milton's decision to become a poet, the homoerotic dimensions of his personality, and his relationships with his father and mother. John T. Shawcross is professor emeritus of English at the University of Kentucky and the author and editor of many books. See other books in the series Studies in the English Renaissance.

Published annually by Duquesne University Press as an important forum for Milton scholarship and criticism, Milton Studies focuses on various aspects of John Milton's life and writing, including biography; literary history; Milton's work in its literary, intellectual, political, or cultural contexts; Milton's influence on or relationship to other writers; and the history of critical response to his work. The eleven essays in Milton Studies 54 offer new and groundbreaking perspectives on topics of current scholarly interest. Contributors examine Milton's angelic narrators, Adam's nativity and vitalism, Miltonic authorship, gender, and music in Comus, satanic self-fashioning, Areopagitica and religion in the public sphere, Edenic worship and iconoclasm, the process of theology in De doctrina Christiana, Milton's reworking of epic hospitality, Limbo and the Lucretian swerve, and early black women writers' uses of Milton. Hardcover is un-jacketed.

While Johnson charged that Milton "unhappily perplexed his poetry with his philosophy," Stephen M. Fallon argues that the relationship between Milton's philosophy and the poetry of Paradise Lost is a happy one. The author examines Milton's thought in light of the competing philosophical systems that filled the vacuum left by the repudiation of Aristotle in the seventeenth century. In what has become the classic account of Milton's animist materialism, Fallon revises our understanding of Milton's philosophical sophistication. The book offers a new interpretation of the War in Heaven in Paradise Lost as a clash of metaphysical systems, with free will hanging in the balance.

Examines the relationship between the manuscript evidence of Milton's thinking and its representation in his printed works

Published annually by Duquesne University Press as an important forum for Milton scholarship and criticism, Milton Studies focuses on various aspects of John Milton's life and writing, including biography; literary history; Milton's work in its literary, intellectual, political, or cultural contexts; Milton's influence on or relationship to other writers; and the history of critical response to his work. The eight essays in this volume offer a variety of fresh subjects and cutting-edge approaches to Milton's prose and poetry. Topics in this issue include Macbeth and the uncanny in The Tenure of Kings and Magistrates; murmuring, blindness, and the service of God in Sonnet 19; the androgyny of Milton's epic self-presentation; the politics of heavenly and infernal triumphs in Paradise Lost; the literary history of satanic envy; Milton's fully dramatic (and sometimes unreliable) narrator in Paradise Lost; the fetishism of Milton's body in the biographical and critical heritage; and John Collier's provocative screenplay adaptation of Paradise Lost. Hardcover is un-jacketed.

Firmly grounded in literary studies but drawing on religious studies, translation studies, drama, and visual art, Milton among Spaniards is the first book-length exploration of the afterlife of John Milton in Spanish culture, illuminating underexamined Anglo-Hispanic cultural relations. This study calls attention to a series of powerful engagements by Spaniards with Milton’s works and legend, following a general chronology from the eighteenth to the early twenty-first century, tracing the overall story of Milton’s presence from indices of prohibited works during the Inquisition, through the many Spanish translations of Paradise Lost, to the author’s depiction on stage in the nineteenth-century play Milton, and finally to the representation of Paradise Lost by Spanish visual artists. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.

This nine volume set presents in easily accessible format the extensive information now available about John Milton. It has grown to be a study of English civilization of Milton's time and a history of literary and political matters since then.