Nobel laureate poet Czeslaw Milosz personal selection of 300 of the world's greatest poems written throughout the ages and around the world.

Andrzej Franaszek’s award-winning biography of Czeslaw Milosz—winner of the Nobel Prize in Literature—recounts the poet’s odyssey through WWI, the Bolshevik revolution, the Nazi invasion of Poland, and the USSR’s postwar dominance of Eastern Europe. This edition contains a new introduction by the translators, along with maps and a chronology.

Milosz's poems move forward while attending to his past, and deal with how his Lithuania, and Europe at large, maintain their habit of partial memory and forgetting. In these poems, such as the sequence Lithuania. After Fifty-Two Years, Wanda (about the painter Wanda Telakowska), Sarajevo, Translating Anna Swir on an Island in the Caribbean, visible worlds exist and sensations of body and soul exist in memory, a living resource and not a nostalgia. Milosz remains aware of suffering but aware too, of the poet's duty to celebrate. Facing the River does not have the tone of finality, but of a restless seeking which finds.

Collects five decades of essays by the Nobel Prize-winning writer, covering topics including war, human nature, faith, communism, and Polish culture.

Nobel laureate Czeslaw Milosz's most recent collection Second Space marks a new stage in one of the great poetic pilgrimages of our time. Few poets have inhabited the land of old age as long or energetically as Milosz, for whom this territory holds both openings and closings, affirmations as well as losses. "Not soon, as late as the approach of my ninetieth year, / I felt a door opening in me and I entered / the clarity of early morning," he writes in "Late Ripeness." Elsewhere he laments the loss of his voracious vision -- "My wondrously quick eyes, you saw many things, / Lands and cities, islands and oceans" -- only to discover a new light that defies the limits of physical sight: "Without eyes, my gaze is fixed on one bright point, / That grows large and takes me in." Second Space is typically capacious in the range of voices, forms, and subjects it embraces. It moves seamlessly from dramatic monologues to theological treatises, from philosophy and history to epigrams, elegies, and metaphysical meditations. It is unified by Milosz's ongoing quest to find the bond linking the things of this world with the order of a "second space," shaped not by necessity, but grace. Second Space invites us to accompany a self-proclaimed "apprentice" on this extraordinary quest. In "Treatise on Theology," Milosz calls himself "a one day's master." He is, of course, far more than this. Second Space reveals an artist peerless both in his capacity to confront the world's suffering and in his eagerness to embrace its joys: "Sun. And sky. And in the sky white clouds. / Only now everything cried to him: Eurydice! / How will I live without you, my consoling one! / But there was a fragrant scent of herbs, the low humming of bees, / And he fell asleep with his cheek on the sun-warmed earth."

Czesław Miłosz (1911-2004) felt that part of his role as a poet and critic was to bear witness to bloodshed and terror as well as to beauty. He survived the Soviet invasion of his beloved Lithuania, escaped to Nazi-occupied Warsaw where he joined the Socialist resistance, then witnessed the Holocaust and the razing of the Warsaw Ghetto. After persecution and censorship triggered his defection in 1951, he found not relief but the anguish of solitude and obscurity. In the years of loneliness and labor, Miłosz continued writing poems and essays, learning to love his privacy and preoccupations and enjoying the devotion of his students at the University of California, Berkeley. International fame came like lightning when Miłosz won the 1980 Nobel Prize for Literature. Czesław Miłosz: Conversations collects pieces from a wide range of sources over twenty-five years and includes an unpublished interview between Miłosz and his friend and fellow Nobel Laureate poet Joseph Brodsky. This volume acquaints us with a man whose work, life, and thought defy easy characterization. He is a sensualist with a scholar's penchant for history, as likely to celebrate Heraclitus as the hooks on a woman's corset. He is a devout but doubting Catholic, and a thinker tinged with a heretical sensibility. Cynthia L. Haven is a literary critic for the San Francisco Chronicle and a regular contributor to the Washington Post Book World, the Times Literary Supplement, and the Los Angeles Times Book Review. Her work also has been published in Civilization, the Georgia Review, the Kenyon Review, and the Cortland Review.