Welsh poet Stan Morton has chosen this selection of poems mainly from those written in the last decade of the 20th century and second millennium but waited until 2015 before publication. A miner's son with a first degree in Modern Foreign Languages and a Ph.D. in Applied Linguistics his work shows both the distinct influences of the poetry he has studied in English, Welsh, French and Spanish and an acute awareness of the structure of language. Having moved from the industrial heartlands of North East Wales to the rural beauty of the Vale of Clwyd he treats both landscapes and communities with deep affection. Each poem is treated individually according to its subject, the whole collection presenting a great diversity of style and format. His concerns are those of contemporary individuals caught between a sometimes horrific past and an uncertain future in a world of indescribable natural beauty.

The final volume in Manuel Castells' trilogy is devoted to processes of global social change induced by interaction between networks and identity.

In the year 999, when Ben Attar, a Moroccan Jewish merchant, takes a second wife, he commits an act whose unforeseen consequences will forever alter his family, his relationships, his business-his life. In an attempt to forestall conflict and advance his business interests at the same time, Ben Attar undertakes his annual journey to Europe with both his first wife and his new wife. The trip is the beginning of a profound human drama whose moral conflicts of fidelity and desire resonate with those of our time. Yehoshua renders the medieval world of Jewish and Christian culture and trade with astonishing depth and sensuous detail. Through the trials of a medieval merchant, the renowned author explores the deepest questions about the nature of morality, character, codes of human conduct, and matters of the heart.

Bestselling historian and broadcaster Tom Holland gives a thrilling panoramic account of the birth of the new Western Europe in the year 1000 'An exhilarating sweep across European history either side of the year 1000; riveting' ALLAN MASSIE, SPECTATOR 'I relished the blood and thunder narrative - the work of a great storyteller at his best' DOMINIC SANDBROOK, EVENING STANDARD 'A splendid, highly coloured canvas' NORMAN STONE, GUARDIAN In AD 900, few would have guessed that the splintering kingdoms of Europe were candidates for future greatness. Hemmed in by implacable enemies and an ocean, there were many who feared that they were nearing the time when the Antichrist would appear, heralding the world's end. Instead there emerged a new civilisation. It was the age of Otto the Great and William the Conqueror, of Viking sea-kings, of hermits, monks and serfs. It witnessed the spread of castles, the invention of knighthood, and the founding of the papal monarchy. It was a momentous achievement: for this was nothing less than the founding of the modern West.

Suspending the distinction between headline news and high theory, Avital Ronell examines the diverse figures of finitude in our modernity: war, guerrilla video, trauma TV, AIDS, music, divorce, sadism, electronic tagging, rumor. Her essays address such questions as, How do rumors kill? How has video become the conscience of TV? How have the police come to be everywhere, even where they are not? Is peace possible? “[W]riting to the community of those who have no community—to those who have known the infiniteness of abandonment,” her work explores the possibility, one possibility among many, that “this time we have gone too far”: “One last word. It is possible that we have gone too far. This possibility has to be considered if we, as a species, as a history, are going to get anywhere at all.”

Volume seven of the Antichrist Septenate takes up issues crucial to our understanding of the final events preceding the return of our Lord and Savior Jesus Christ

An in-depth exploration of documentary forgery at the turn of the first millennium Forgery and Memory at the End of the First Millennium takes a fresh look at documentary forgery and historical memory in the Middle Ages. In the tenth and eleventh centuries, religious houses across Europe began falsifying texts to improve local documentary records on an unprecedented scale. As Levi Roach illustrates, the resulting wave of forgery signaled major shifts in society and political culture, shifts which would lay the foundations for the European ancien régime. Spanning documentary traditions across France, England, Germany and northern Italy, Roach examines five sets of falsified texts to demonstrate how forged records produced in this period gave voice to new collective identities within and beyond the Church. Above all, he indicates how this fad for falsification points to new attitudes toward past and present—a developing fascination with the signs of antiquity. These conclusions revise traditional master narratives about the development of antiquarianism in the modern era, showing that medieval forgers were every bit as sophisticated as their Renaissance successors. Medieval forgers were simply interested in different subjects—the history of the Church and their local realms, rather than the literary world of classical antiquity. A comparative history of falsified records at a crucial turning point in the Middle Ages, Forgery and Memory at the End of the First Millennium offers valuable insights into how institutions and individuals rewrote and reimagined the past.