Composites are versatile engineered materials composed of two or more constituent materials which, when combined, lead to improved properties over the individual components whilst remaining separate on a macroscopic level. Due to their versatility, composite materials are used in a variety of areas ranging from healthcare and civil engineering to spacecraft technology. Composites forming technologies reviews the wealth of research in forming high-quality composite materials.The book begins with a concise explanation of the forming mechanisms and characterisation for composites, as well as covering modelling and analysis of forming techniques. Further chapters discuss the testing and simulation of composite materials forming. The book also considers forming technologies for various composite material forms including thermoset and thermoplastic prepreg, moulding compounds and composite/metal laminates.With its distinguished editor and array of international contributors, Composites forming technologies is an essential reference for engineers, researchers and academics involved with the production and use of composite materials. - Reviews the wealth of research in forming high-quality composite materials - Includes a concise explanation of the forming mechanisms and charaterisation for composites - Considers forming technologies for various composite material forms

During the past decade, the use of geotextiles has increased significantly in a wide range of civil engineering applications: road construction, coastal engineering, stabilization of slopes and retaining structures, reinforcement of foundations, drainage etc. This work focuses on the factors which determine the level of long-term performance of these materials such as their mechanical and physical properties and physico-chemical ageing processes. (It includes contributions to an international seminar held at Saint-Remy-les-Chevreuse, France, in November 1986)

With over 110,000 entries, this is the world's largest and most updated French-English medical dictionary.

Drucker skillfully traces the development of this critical position, suggesting a methodology closer to the actual practices of the early avant-garde artists based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Drucker explores the context for experimental typography in terms of printing, handwriting, and other practices concerned with the visual representation of language. Her book concludes with a brief look at the ways in which experimental techniques of the early avant-garde were transformed in both literary work and in applications to commercial design throughout the 1920s and early 1930s.