Miles from Nowhere is the story of Barbara and Larry Savage’s sometimes dangerous, often zany, but ultimately rewarding 23,000-mile bicycle odyssey, which took them through 25 countries in two years. Along the way, these near-neophyte cyclists on their ten-speeds encountered warm-hearted strangers eager to share food and shelter, bicycle-hating drivers who ran them off the road, various wild animals (including an attack camel), rock-throwing Egyptians, overprotective Thai policeman, motherly New Zealanders, meteorological disasters, bodily indignities, and great personal joys. The stress of traveling together constantly tested yet strengthened the young couple's relationship and as their trip ends, you'll find yourself yearning for Barbara and Larry to jump back on their bikes and keep pedaling. Originally published in 1983, Miles from Nowhere has provided inspiration for legions of modern travel-adventurers and writers.

Fleeing her 1980s Bronx family home in the wake of her unfaithful father's abandonment and her mother's mental illness, Korean teen Joon struggles through an adolescence marked by homeless shelters, addiction, and demeaning jobs.

"You have lost everything, yes?" Everything? Henry thought; he considered the word. Had he lost everything? Fleeing New Orleans as Hurricane Katrina approaches, Henry Garrett is haunted by the ruins of his marriage, a squandered inheritance, and the teaching job he inexplicably quit. He pulls into a small Virginia town after three days on the road, hoping to silence the ceaseless clamor in his head. But this quest for peace and quiet as the only guest at a roadside motel is destroyed when Henry finds himself at the center of a bizarre and violent tragedy. As a result, Henry winds up stranded at the ramshackle motel just outside the small town of Marimore, and it's there that he is pulled into the lives of those around him: Latangi, the motel's recently widowed proprietor, who seems to have a plan for Henry; Marge, a local secretary who marshals the collective energy of her women's church group; and the family of an old man, a prisoner, who dies in a desperate effort to provide for his infirm wife. For his previous novels John Gregory Brown has been lauded for his "compassionate vision of human destiny" as well as his "melodic, haunting, and rhythmic prose." With A Thousand Miles From Nowhere, he assumes his place in the tradition of such masterful storytellers as Flannery O'Connor and Walker Percy, offering to readers a tragicomic tour de force about the power of art and compassion and one man's search for faith, love, and redemption. "John Gregory Brown is a writer I've long admired, and this new novel is his best book yet. A Thousand Miles from Nowhere is a marvelous depiction of one man's stumbling journey from despair toward a hard-won redemption."-Ron Rash

"In this splendid book a gifted observer and a terrific idea have come together in a real love match. In 1990, a century after the census bureau's famous observation of the frontier's imminent end, Dayton Duncan set out in an aging GMC Suburban to visit a large sampling of counties outside Alaska that have fewer than two persons per square milethe bureau's old standard for places still in a frontier condition. There are 132 such counties. All are in the West. . . . The result of his tour is an insightful and entertaining book, troubling and funny and consistently illuminating. . . . Much of the book's charm comes from Duncan's sketches of people who choose to live 'miles from nowhere'ranchers in the Nebraska sandhills, a New Mexican bar owner, a priest and United Parcel Service driver along the Texas-Mexico border, and the descendant of a Seminole Negro army scout in west Texas. In them he finds characteristics associated with the mythic frontier. . . . Great fun to read."Montana Born and raised in a small town in Iowa, Dayton Duncan has been a reporter, humor columnist, editorial writer, chief of staff to a governor, and deputy press secretary for presidential campaigns. He lives in Walpole, New Hampshire. His books include Out West: An American Journey, also available in a Bison Books edition.

“[A] compulsively readable biography . . . Essential for fans of Yoakam and lovers of good music writing.” ―Library Journal From his formative years playing pure hardcore honky-tonk for mid-’80s Los Angeles punk rockers through his subsequent surge to the top of the country charts, Dwight Yoakam has enjoyed a singular career. An electrifying live performer, superb writer, and virtuosic vocalist, he’s successfully bridged two musical worlds that usually have little use for each other: commercial country and its alternative/Americana/roots-rocking counterpart. Defying the label “too country for rock, too rock for country,” Yoakam has triumphed while many of his peers have had to settle for cult acceptance. Four decades into his career, he’s sold more than twenty-five million records and continues to tour regularly. Now award-winning music journalist Don McLeese offers the first musical biography of this acclaimed artist. Tracing the seemingly disparate influences in Yoakam’s music, McLeese shows how he’s combined rock and roll, rockabilly, country, blues, and gospel into a seamless whole. In particular, McLeese explores the essential issue of “authenticity” and how it applies to Yoakam, as well as to country music and popular culture in general. Drawing on wide-ranging interviews with Yoakam and his management, while also benefiting from the perspectives of others closely associated with his success (including producer-guitarist Pete Anderson, partner throughout Yoakam’s most popular and creative decades), Dwight Yoakam pays tribute to the musician who has established himself as a visionary beyond time, an artist who could title an album Tomorrow’s Sounds Today and deliver it.

The voices of Great Plains homesteaders soar from deeply personal letters, diary entries, and vivid photographs, revealing the promise and hardship of early life on the American grasslands.

Chelsea Morris has always been responsible, dependable, and focused on her dreams of fashion design—a dream that will officially begin come fall, when she leaves for college in New York City. And as she settles into her role as the lead designer for the local summer stock theater group, she decides to make the most of her last summer in North Carolina. But with her best friend Emily busy working late and spending time with Zander, and tensions with Chelsea’s boyfriend, Todd, running high, the summer she envisioned seems to be falling flat. Then Dylan joins the latest summer production. There’s something about the college boy that makes her feel free and alive, and soon she’s broken up with Todd, and is sneaking out late to meet Dylan at parties and breaking rules at the playhouse. But before she knows it, her exciting nights are interfering with her job, her role on the play, as well as her relationship with Emily and with her parents. Worse, Chelsea finds herself feeling more and more estranged from God. As the summer becomes wilder than she ever dreamed, Chelsea must decide if her heart is leading her in the right direction after all.