"Though the work of Mikhail Bakhtin (1895-1975) has been widely appropriated in the various humanities and social science fields, his thought has not yet been widely utilized in biblical studies. This book presents both the wide-ranging elements of his complex thought and also sketches the context of the life from which it emerged. It also offers access to the conversation going on in circles beyond the study of religion, specifically philosophy, anthropology, and literary studies." "Bakhtin's interest in matters specifically literary as well as more broadly cultural make him a theorist helpful to biblical scholars seeking to renegotiate the sometimes disparate realms of language and history. Bakhtin's careful attention to details of language shared by narrator and characters as well as his far-reaching sense of what happens when language is reused repeatedly within the tradition make his ideas stimulating within the vortex of current biblical discourse. His insistence that the multiplicity of voices decenters control from any single speaking or interpreting position challenges a number of positions in theology and hermeneutics, while his sense that the author does not disappear from the work of art challenges recent suppositions of language theory and linguistics."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

This volume offers a meeting between genre theory in biblical studies and the work of Mikhail Bakhtin, who continues to be immensely influential in literary criticism. Here Bakhtin comes face to face with a central area of biblical studies: the question of genre. The essays range from general discussions of genre through the reading of specific biblical texts to an engagement with Toni Morrison and the Bible. --From publisher's description.

An innovative collection of inner-biblical, intertextual, and intercontextual dialogues Essays from a diverse group of scholars offer new approaches to biblical intertextuality that examine the relationship between the Hebrew Bible, art, literature, sociology, and postcolonialism. Eight essays in part 1 cover inner-biblical intertextuality, including studies of Genesis, Judges, and Qoheleth, among others. The eight postbiblical intertextuality essays in part 2 explore Bakhtinian and dialogical approaches, intertextuality in the Dead Sea Scrolls, canonical critisicm, reception history, and #BlackLivesMatter. These essays on various genres and portions of the Hebrew Bible showcase how, why, and what intertextuality has been and presents possible potential directions for future research and application. Features: Diverse methods and cases of intertextuality Rich examples of hermeneutical theory and interpretive applications Readings of biblical texts as mutual dialogues, among the authors, traditions, themes, contexts, and lived worlds

People are moving to the margins of the Catholic Church. As one dialogue partner states, "I left the Church to beat the rush." Yet, another remarks, "I just wonder. I have to ask, who's on the margins? I'm not sure." Let Your Voice Be Heard details original practical theology research that endeavors to understand the dynamics on the margins of the Roman Catholic Church in dialogue with fifty dialogue partners from across the United States. Practical theology, the theology of marginality of Jung Young Lee, reciprocal ethnography, and the communication theory of Mikhail Bakhtin join in a cross-disciplinary dialogue. In conversation with dialogue partners, Joan Hebert Reisinger seeks the reasons why Catholics over the age of twenty-one who were once active and involved in the Catholic Church find themselves on the margins of the Church and how they understand their own marginality. The dialogue partners speak of new ways of being Church emerging on the margins. This emerging Church is marked by inclusive relationships that include dialogue that does not seek agreement or consensus, a critical and thoughtful recalling of memories and narratives of the Catholic faith tradition, and appropriation of these in new and creative ways.

Formerly known by its subtitle “Internationale Zeitschriftenschau für Bibelwissenschaft und Grenzgebiete”, the International Review of Biblical Studies has served the scholarly community ever since its inception in the early 1950’s. Each annual volume includes approximately 2,000 abstracts and summaries of articles and books that deal with the Bible and related literature, including the Dead Sea Scrolls, Pseudepigrapha, Non-canonical gospels, and ancient Near Eastern writings. The abstracts – which may be in English, German, or French - are arranged thematically under headings such as e.g. “Genesis”, “Matthew”, “Greek language”, “text and textual criticism”, “exegetical methods and approaches”, “biblical theology”, “social and religious institutions”, “biblical personalities”, “history of Israel and early Judaism”, and so on. The articles and books that are abstracted and reviewed are collected annually by an international team of collaborators from over 300 of the most important periodicals and book series in the fields covered.

In Job the Unfinalizable, Seong Whan Timothy Hyun reads Job 1-11 through the lens of Bakhtin’s dialogism and chronotope to hear each different voice as a unique and equally weighted voice. The distinctive voices in the prologue and dialogue, Hyun argues, depict Job as the unfinalizable by working together rather than quarrelling each other. As pieces of a puzzle come together to make the whole picture, all voices in Job 1-11 though each with its own unique ideology come together to complete the picture of Job. This picture of Job offers readers a different way to read the book of Job: to find better questions rather than answers.

This book follows a reader’s logic of association through a series of overlapping constructs in biblical prescription of things prized and lofty—holy hair, unblemished beasts, sacred edibles, wholesome wombs, pristine precincts, esteemed ethnicities and, as unlikely as it seems, dismembered members. Thoroughly intersectional in disposition, Bernon Lee uncovers not just the precariousness of the contrived dichotomies through the identity-building sacred texts, but also the complexities and contentions of a would-be decolonizing hermeneutic bristling with its own tensions and temptations. This volume is an intertextual odyssey through law and ritual from impassioned positions fraught with ambivalence, reticence, and anxiety.