Examining increasingly fluid notions of masculinity over the past six decades, this book offers a culturally diverse collection of work from some of the world's most celebrated photographers. This photographic exploration draws together the work of approximately fifty artists of different ethnicities, generations, and gender identities to look at how ideas of masculinity have evolved since the 1960s. Each of its six themed chapters features bold and arresting work by artists such as Richard Avedon, John Coplans, Robert Mapplethorpe, Herb Ritts, Collier Schorr, Larry Sultan, Wolfgang Tillmans, and David Wojnarowicz, who are all renowned for their depictions of masculinity and its tropes. Others, including Rotimi Fani-Kayode, Masahisa Fukase, Adi Nes, Hank Willis Thomas, and Akram Zaatari, offer ethnically and culturally diverse perspectives. A number of female artists--Laurie Anderson, Annette Messager, Tracey Moffatt, and Marianne Wex--explore the uncomfortable and invasive nature of the male gaze and younger artists such as Sam Contis, Andrew Moisey, Paul Mpagi Sepuya, and Elle Pérez, offer a 21st-century perspective of maleness through the lens of identity and global politics. Each chapter in the book opens with an essay by a key thinker in the fields of art, history, culture, and queer studies. Spanning decades and continents, this exploration shows how increasingly difficult it is to define masculinity.

The official publication celebrating Magnum Photos’ 70th anniversary with a fresh and insightful view of Magnum’s history and archive, accompanying a landmark exhibition showing in New York at the International Center of Photography in 2017 before touring worldwide In this landmark photography publication and accompanying exhibition celebrating the 70th anniversary of the renowned photo agency, Clément Chéroux and Clara Bouveresse demonstrate how Magnum Photos owes its preeminence to the ability of its photographers to encompass and navigate the points between photography as art object and photography as documentary evidence. Magnum Manifesto is organized into three parts: Part 1, Human Rights and Wrongs (1947-1968), views the Magnum archive through a humanist lens, focusing on postwar ideals of commonality and utopianism. Part 2, An Inventory of Differences (1969-1989), shows a world fragmenting, with a focus on subcultures, minorities, and outsiders. Part 3, Stories About Endings (1990-present day), charts the ways in which Magnum photographers have captured—and continue to capture—a world in flux and under threat. Featuring both group and individual projects, this volume includes magazine spreads, newspaper features, and letters, putting some of the world’s most recognizable images in creative context. Magnum Manifesto is an expertly curated, essential collection of images and commentary.

A compelling reportage by one of the most important photographers of Magnum Photos.

"Featuring approximately 250 works by over thirty artists from across the African continent, Snap Judgements presents a range of highly individual artistic responses to the unprecedented changes now taking place in Africa and provides new insight into the increasing role of the visual arts within the global cultural community. In addition to introducing audiences to the multiple imaginations and voices that constitute today's African artists, the book explores ways that this body of photo-based art arises from the dialectic of African aesthetic values and Western influences."--BOOK JACKET.

In spring 2016, Sohrab Hura traveled the lower Mississippi with Postcards from America, a loosely collaborative documentary project conceived in 2011 by Alec Soth and Jim Goldberg and funded by Pier 24 Photography. Hura's trip down the levees had been shortly preceded by his father's journey on the river itself, on a commercial ship navigating up to New Orleans from the Gulf of Mexico. The work that resulted, The Levee, embodies the artist's impressions of place through the prism of his relationship with his father. The first museum exhibition dedicated to Hura's work, The Levee: A Photographer in the American South (October 5, 2019-February 2, 2020) celebrates the Cincinnati Art Museum's acquisition of the complete eighty-three-picture suite.Co-published with Candor Arts and enabled in part by the support of Peter and Betsy Niehoff, The Levee: A Photographer in the American South includes original scholarship by exhibition curator Nathaniel M. Stein and contributions from photographers Jim Goldberg, An-My Lê, Alec Soth, and Mikhael Subotzky and writer Chris Klatell. It is the first major publication about Sohrab Hura and one of few to document the history of Postcards from America.