A collection of poems by Spanish author Miguel Hernandez which includes both the English and Spanish translations of the text.

Miguel Hernández is, along with Antonio Machado, Juan Ramón Jiménez, and Federico García Lorca, one of the greatest Spanish poets of the twentieth century. This volume spans the whole of Hernández’s brief writing life, and includes his most celebrated poems, from the early lyrics written in traditional forms, such as the moving elegy Hernández wrote to his friend and mentor Ramon Sijé (one of the most famous elegies ever written in the Spanish language), to the spiritual eroticism of his love poems, and the heart-wrenching, luminous lines written in the trenches of war. Also included in this edition are tributes to Hernández by Federico García Lorca, Pablo Neruda (interviewed by Robert Bly), Rafael Alberti, and Vicente Aleixandre. Pastoral nature, love, and war are recurring themes in Hernández’s poetry, his words a dazzling reminder that force can never defeat spirit, that courage is its own reward.

This book is about studying the reflections of the poems of Miguel Hernandez; a great Spanish poet of the 20th century in the Quit India Movement and Spanish Civil War. It contains the translations of some selected poems written by Hernandez which have been taken from five of his different books (Anthologies). Readers can explore the areas where the two great movements of India and Spain coincide.

Imprisoned in Franco's jails, Miguel Hernandez died from untreated TB in 1942 at the age of 31. His passionate and bittersweet work is a dazzling reminder that force can never defeat spirit. Bilingual edition with testaments by Lorca, Neruda and other leading poets, and a comprehensive illustrated introduction by Willis Barnstone.

The Second Ku Klux Klan’s success in the 1920s remains one of the order’s most enduring mysteries. Emerging first as a brotherhood dedicated to paying tribute to the original Southern organization of the Reconstruction period, the Second Invisible Empire developed into a mass movement with millions of members that influenced politics and culture throughout the early 1920s. This study explores the nature of fraternities, especially the overlap between the Klan and Freemasonry. Drawing on many previously untouched archival resources, it presents a detailed and nuanced analysis of the development and later decline of the Klan and the complex nature of its relationship with the traditions of American fraternalism.

This book explores the idea that art can enact small-scale resistances against the status quo in the social domain. These acts, which we call “little resistances,” determine the limited yet potentially powerful political impact of art. From different angles, seventeen authors consider the spaces where art events occur as “political spaces,” and explore how such spaces host events of disagreements in migratory culture. The newly coined word “migratory” refers to the sensate traces of the movements of migration that characterize contemporary culture. In other words, movement is not an exceptional occurrence in an otherwise stable world, but a normal, generalized process in a world that cannot be grasped in terms of any given notion of stability. Thus the book offers fresh reflections on art’s power to move people, in the double sense of that verb, and shows how it helps to illuminate migratory culture’s contributions to this process.

Published by Boydell & Brewer Inc.