Exhibition of Castro Leñero's artistic production from 1995 to 2005, a collection of paper and oil paintings full of chromatic lines and symbols around the concept of house as a living space, expressed in his figurative style.

What is the effect of a nation? In this age of globalization, is it dead, dying, or only dormant? The essays in this groundbreaking volume use the arts in Mexico to move beyond the national and the global to look at the activity of a community continually re-creating itself within and beyond its own borders. Mexico is a particularly apt focus, partly because of the vitality of its culture, partly because of its changing political identity, and partly because of the impact of borders and borderlessness on its national character. The ten essays collected here look at a wide range of aesthetic productions -- especially literature and the visual arts -- that give context to how art and society interact. Steering a careful course between the nostalgia of nationalism and the insensitivity of globalism, these essays examine modernism and postmodernism in the Mexican setting. Individually, they explore the incorporation of historical icons, of vanguardism, and of international influence. From Diego Rivera to Elena Garro, from the Tlateloco massacre to the Chiapas rebellion, from mass-market fiction to the film "Aliens," the contributors view the many sides of Mexican life as relevant to the creation of a constantly shifting national culture. Taken together, the essays look both backward and forward at the evolving effect of the Mexican nation.

Abstracts of journal articles, books, essays, exhibition catalogs, dissertations, and exhibition reviews. The scope of ARTbibliographies Modern extends from artists and movements beginning with Impressionism in the late 19th century, up to the most recent works and trends in the late 20th century. Photography is covered from its invention in 1839 to the present. A particular emphasis is placed upon adding new and lesser-known artists and on the coverage of foreign-language literature. Approximately 13,000 new entries are added each year. Published with title LOMA from 1969-1971.

This volume traces a genealogy of the varied conceptions and functions of alphabetic writing in Hispanic cultures of the pre-modern and early colonial periods. The historical junctures selected are those at which the written word (in grammatical, historical and legal discourse) assumed increased ideological importance for bolstering different kinds of 'imperial' power. In effect,Companion to Empire posits a constellation of historical scenarios, rather than a singular mythical origin, in which the alliance between writing and imperium might be discerned. The corpus of primary texts considered in the volume derives from works by foundational figures in the history of pre-modern language theories (Isidore of Seville, Alfonso X the Wise, Antonio de Nebrija) and from those identified with the early transatlantic expansion of alphabetic writing (Peter Martyr D'Anghiera, Bernardino de Sahagún, Nuño Beltrán de Guzmán). By reading these canonical texts against the grain, the author avoids the totalizing gesture of histories of the language, and instead focuses upon the relationship between prestige written languages, the creation of a 'literate mentality' and the need to consolidate imperium on both sides of the Atlantic.Companion to Empire will thus be of interest to those adopting a 'post-philological' approach to Hispanic Studies, as well as those interested in medieval and transatlantic imperium studies.