Migration, Mobility and Sojourning in Cross-cultural Films: Interculturing Cinema draws on existing scholarship on global movements and intercultural communication in cinema to analyze six cross-cultural films. Ishani Mukherjee and Maggie Griffith Williams locate key themes that tie into the complexity and implications of global movements, including migrants’ experiences of culture-shock, cultural assimilation and/or integration, cultural identities in transition, social mobility and movements, and the short-term intercultural impact that sojourners experience in unfamiliar cultural space. Mukherjee and Williams explore how intercultural communication functions in the storytelling and in the formation of character relationships in these films, arguing that the depictions of migration, mobility, and the resulting intercultural communications are complex and stressful moments of conflict that lead to mixed results. Scholars of film studies, communication, migrant studies, sociology, and cultural studies will find this book particularly useful.

This book showcases the online activism of women’s groups around the world in the post-#MeToo era, and presents an overview of the diversity of its current expressions. The focus of this book extends beyond campaigns against rape culture to include women’s struggles on other political and environmental issues, such as the campaign against the radical right-wing in Austria. Moreover, the book's chapters highlight the genuine complexity of the efforts of women activists who are not only challenging the patriarchal order within male-controlled digital platforms but are also challenging the hegemonic voices within the women's movements. The book’s case studies attest to the proliferation of digital campaigns aimed not only against discrimination of women but against discrimination based on their color, age, ethnicity, and nationality. The internet helps them to voice their agenda and strive for social change as well as to create both connective and collective identities.

Images have become an integral part of the political regulation of migration: they help produce categories of legality versus illegality, foster stereotypes, and mobilize political convictions. Yet how are we to understand the relationship between these images and the political in the discourse surrounding migration? How can we, as anthropologists, migration scholars, or documentary filmmakers visually represent people who are excluded from political representation? And how can such visual representations gain political momentum? This volume not only considers the images that circulate with reference to migrants or draw attention to those that accompany, show, or conceal them. The book explores the phenomena of migration with the help of images. It offers an in-depth analysis of the documentary approaches of Ursula Biemann, Renzo Martens, Bouchra Khalili, Silvain George, Raphael Cuomo and Maria Iorio, Alex Rivera, and Rania Stepha, which evoke the particularities of migrant lifeworlds and examine urgent questions regarding the interrelations between politics and poetics, mobility and mediation, and the ethics of probability and possibility. The author also discusses his own cinematic practice in the making of Tell Me When (2011), A Tale of Two Islands (2012), and Intimate Distance (2015), a trilogy of films that explore the potential to communicate the bodily, spatial, and temporal dimensions of the experience of migration.

This title explores the close and vital relationship between the contemporary media and immigration. Drawing on newspapers, magazines, film, television and photography, the contributors examine the effects of mass media on migration behaviour and ethnic identity. Using examples from a range of countries, Media and Migration illustrates how the media intervenes to affect the reception migrants receive, how it stimulates prospective migrants to move and how it plays a dynamic role in the cultural politics and cultural identity of diasporic communities.

Migration has rapidly become a fundamental component of modern life and increasingly determines who we are and how we define ourselves. This text explains the phenomena of mobility and displacement through essays, films, photography and audio recordings.

Projecting Migration is an integrated book/DVD-ROM anthology, comprising contributions from scholars/practitioners working across transnational locations as diverse as the US/Mexico border, southern Africa, Lebanon and Ireland, and different media formats - documentary film, video, photography, radio and new media. It provides a timely foregrounding of audiovisual practice-based scholarship as a transdisciplinary engagement with the material and embodied dimensions of migration, together with the changing conditions of place and locality. This volume gives prominence to collaborative research processes conducted across the arts, humanities and social sciences, and the fieldwork practices surrounding the assemblage and dissemination of documentary media. Thematically, the contributors address economic and forced migration, border crossings, uprootings, diasporic history and memory, migration and childhood, the transnational family, post-conflict landscapes, migrant youth culture and photographic archives of migration; the DVD-ROM offers the reader a viewing source of selective media content referenced in the chapters. Book jacket.