The writing of women's history has witnessed a huge increase in recent decades. In the past, the focus of some of this work was the representation of the “heroine” or the “grand dame”. Recent theoretical writing, particularly as relating to historical anthropology, has focussed on a more “rounded” view of women’s historical representation and experience, however. This book explores aspects of Western visual culture and the cultures of so-called “marginal” groups, groups which have, as yet, seen little light shed on them. By analysing the discursive and “hidden” histories of a range of women artists who worked on the periphery of “mainstream” society or whose representational subjects were deemed “marginal” (Travellers, Roma (Gypsies and Circus people)), it is possible to come to some new conclusions regarding the historical relationships that have existed between different cultures and peoples. Such a process can generate a better understanding of the shifting power dynamic as between diverse historical phenomena. It is through such explorations also that we can enable the historical recovery and emergence of new identities in an increasingly multicultural world.

The writing of women's history has witnessed a huge increase in recent decades. In the past, the focus of some of this work was the representation of the â oeheroineâ or the â oegrand dameâ . Recent theoretical writing, particularly as relating to historical anthropology, has focussed on a more â oeroundedâ view of womenâ (TM)s historical representation and experience, however. This book explores aspects of Western visual culture and the cultures of so-called â oemarginalâ groups, groups which have, as yet, seen little light shed on them. By analysing the discursive and â oehiddenâ histories of a range of women artists who worked on the periphery of â oemainstreamâ society or whose representational subjects were deemed â oemarginalâ (Travellers, Roma (Gypsies and Circus people)), it is possible to come to some new conclusions regarding the historical relationships that have existed between different cultures and peoples. Such a process can generate a better understanding of the shifting power dynamic as between diverse historical phenomena. It is through such explorations also that we can enable the historical recovery and emergence of new identities in an increasingly multicultural world.

The Willow's Whisper brings the voices of 35 poets from the Irish and Native American communities together in one compilation. This collection of poems provides an aesthetic commentary on the potential which is beyond and within the everyday. From Gabriel Rosenstock and Biddy Jenkinson to N. Scott Momaday and Karenne Wood, mother-earth comes to life through each sound and syllable, and reawakens our senses to the world at its most beautiful and evocative. This volume will aid us to reconnect ...

The study of 'divided societies' has focused, historically, on either ethnic divides in colonial (or post-colonial) societies or on developed Western democracies which have ethnic power-sharing Government structures. The study of divided societies emerged historically at a moment when there was a growing interest in the study of immigration and inter-ethnic relations in developed industrial nations. These two sets of literature―on divided societies and on immigration and inter-ethnic relations―have developed largely in isolation from each other. Both sets of literature have also tended to focus on inter-ethnic relations, and have paid much less attention to migration. This edited collection sets out to fill this gap in the literature through examining migration and ethnic division. The case studies examined include developed industrial nations (Canada and Norway), a post-colonial country (Kenya) and three cases which feature regularly in the 'divided societies' literature (Bosnia, Northern Ireland and Israel). Taken together, these case-studies suggest ways in which migration intersects with and complicates ethnic divides in 'divided societies'. This book was published as a special issue of Ethnopolitics.

With the Treaty of Versailles, the Western nation-state powers introduced into the East Central European region the principle of national self-determination. This principle was buttressed by frustrated native elites who regarded the establishment of their respective nation-states as a welcome opportunity for their own affirmation. They desired sovereignty but were prevented from accomplishing it by their multiple dispossession. National elites started to blame each other for this humiliating condition. The successor states were dispossessed of power, territories, and glory. The new nation-states were frustrated by their devastating condition. The dispersed Jews were left without the imperial protection. This embarrassing state gave rise to collective (historical) and individual (fictional) narratives of dispossession. This volume investigates their intended and unintended interaction. Contributors are: Davor Beganović, Vladimir Biti, Zrinka Božić-Blanuša, Marko Juvan, Bernarda Katušić, Nataša Kovačević, Petr Kučera, Aleksandar Mijatović, Guido Snel, and Stijn Vervaet.

Part anthropological history and part memoir, this book is a unique study of the polity of the colonial-princely state of Kanker in central India. The author, a scion of the erstwhile ruling family of Kanker, delves into the oral accounts given in the ancestral deity practices of the mixed tribe-caste communities of the region to highlight popular narratives of its historical polity. As he struggles with his own dilemmas as ethnographer-king, what comes into view is a polity where the princely state is drawn out amidst a terrain of gods and spirits as much as that of law courts and magistrates, and political power is divided, contested and shared between the raja/state and the people. This study constitutes not only an intervention in the larger debate on the relationship between state formations and tribal peoples, but also on the very nature of history as a knowledge practice, especially the understandings of power, authority and sovereignty in it. Combining intensive ethnography, complementary archival work and crucial theoretical questions engaging social scientists worldwide, the author charts an unusual explanatory path that can allow us to obtain a meaningful understanding of societies/peoples that have historically been marginalized and seen as different. This book will be of interest to students and researchers of history, anthropology, politics, religion, tribal society and Modern South Asia.

Material culture studies is an interdisciplinary field that examines the relationships between people and their things: the production, history, preservation, and interpretation of objects. It draws on theory and practice from disciplines in the social sciences and humanities, such as anthropology, archaeology, history, and museum studies. Written by leading international scholars, this Handbook provides a comprehensive view of developments, methodologies and theories. It is divided into five broad themes, embracing both classic and emerging areas of research in the field. Chapters outline transformative moments in material culture scholarship, and present research from around the world, focusing on multiple material and digital media that show the scope and breadth of this exciting field. Written in an easy-to-read style, it is essential reading for students, researchers and professionals with an interest in material culture.