"Land of Smoke is one of my favourite books by one of my favourite Argentinian authors." – Samanta Schweblin, author of Seven Empty Houses Dazzling, hallucinatory short stories by a rediscovered Argentinian contemporary of García Márquez, whose groundbreaking novel January is being published in English for the first time Resplendent with otherworldly imagery and beguiling prose, Land of Smoke presents a uniquely compelling voice in Latin American literature. An old man wakes up one morning to find that his beloved garden, the envy of all his neighbours, is floating away with him on board. A young woman moves to Buenos Aires, bringing with her a replacement head. A meek German missionary leaves Paraguay for the Pampas, completely unprepared for what he will encounter there. Dazzling and hallucinatory, the stories collected here recall the masters of magical realism ­– but with Gallardo’s distinctive, idiosyncratic slant.

Este libro es el resultado de un trabajo de investigación sobre la relación entre la religión, el poder y la represión sexual. Nace la idea de un interrogante: ¿por qué todos los regímenes autoritarios e incluso los códigos penales en las democracias, a pesar de que la declaración de derechos de éstas proclaman la libertad de conciencia y la libertad moral, reprimen la libertad sexual? ¿En esta investigación se llega a una conclusión fundamental: que la moral religiosa es la conciencia de clase de la clase dominante. Una moral que se presenta como interclasista y que está al servicio de la lógica de la dominación. Una moral que, fundamentada en la exaltación del sacrificio como purificación, es sadomasoquista y que utiliza la represión del placer sexual para controlar la vida privada y pública de cada individuo, desde su nacimiento hasta su muerte. Porque todo individuo reprimido es un individuo dominado.

The first-ever collection of Latin American science fiction in English.

This vivid exposé of corruption and political tyranny in the Dominican Republic rang so true to the reality that the President of that country went on television to denounce the book. Sención's novel follows the lives of three seminary students who suffer from church-state oppression. The book also gives a chilling portrait of Dr. Ramos, a sinister autocrat, who manages to survive six terms as president of his country through manipulation and tyranny.

Since its U.S. debut a quarter-century ago, this brilliant text has set a new standard for historical scholarship of Latin America. It is also an outstanding political economy, a social and cultural narrative of the highest quality, and perhaps the finest description of primitive capital accumulation since Marx. Rather than chronology, geography, or political successions, Eduardo Galeano has organized the various facets of Latin American history according to the patterns of five centuries of exploitation. Thus he is concerned with gold and silver, cacao and cotton, rubber and coffee, fruit, hides and wool, petroleum, iron, nickel, manganese, copper, aluminum ore, nitrates, and tin. These are the veins which he traces through the body of the entire continent, up to the Rio Grande and throughout the Caribbean, and all the way to their open ends where they empty into the coffers of wealth in the United States and Europe. Weaving fact and imagery into a rich tapestry, Galeano fuses scientific analysis with the passions of a plundered and suffering people. An immense gathering of materials is framed with a vigorous style that never falters in its command of themes. All readers interested in great historical, economic, political, and social writing will find a singular analytical achievement, and an overwhelming narrative that makes history speak, unforgettably. This classic is now further honored by Isabel Allende's inspiring introduction. Universally recognized as one of the most important writers of our time, Allende once again contributes her talents to literature, to political principles, and to enlightenment.

The marriage of philosophy and fiction in the first third of Spain's twentieth century was a fertile one. It produced some truly notable offspring—novels that cross genre boundaries to find innovative forms, and treatises that fuse literature and philosophy in new ways. In her illuminating interdisciplinary study of Spanish fiction of the "Silver Age," Roberta Johnson places this important body of Spanish literature in context through a synthesis of social, literary, and philosophical history. Her examination of the work of Miguel de Unamuno, Pio Baroja, Azorin, Ramon Perez de Ayala, Juan Ramon Jimenez, Gabriel Miro, Pedro Salinas, Rosa Chacel, and Benjamin Jarnes brings to light philosophical frictions and debates and opens new interpersonal and intertextual perspectives on many of the period's most canonical novels. Johnson reformulates the traditional discussion of generations and "isms" by viewing the period as an intergenerational complex in which writers with similar philosophical and personal interests constituted dynamic groupings that interacted and constantly defined and redefined one another. Current narratological theories, including those of Todorov, Genette, Bakhtin, and Martinez Bonati, assist in teasing out the intertextual maneuvers and philosophical conflicts embedded in the novels of the period, while the sociological and biographical material bridges the philosophical and literary analyses. The result, solidly grounded in original archival research, is a convincingly complete picture of Spain's intellectual world in the first thirty years of this century. Crossfire should revolutionize thinking about the Generation of '98 and the Generation of '14 by identifying the heterogeneous philosophical sources of each and the writers' reactions to them in fiction.

This unique, timely book of original essays sets the stage for a new materialist feminist debate on the analysis, ethics and politics of love. The contributors raise questions about social power and domination, situating their research in a materialist feminist perspective that investigates love historically, in order to understand changing ideologies, representations and practices. The essays range from studies of particular representations and examples of love - feminist translation, mass media images and internet love blogs - to feminist theories of love and marriage, to ethical and political theories describing, critiquing or advocating the use of love in groups as a radical force. They break new ground in bringing together questions of gendered interests in love, temporal dimensions of loving practices and the politics of love in radical transformations of society.