A collection of stories originally published in the 1950s through the 1970s focuses on the sexual experiences of women.

A Midsummer Night's Dream is perhaps the best-loved of Shakespeare's plays, and certainly the one that children are likely to encounter first; its mixture of aristocrats, workers, and fairies meeting in a wood outside Athens has a magic of its own. Simple and engaging on the surface, it isnonetheless a highly original and sophisticated work, remarkable for both its literary and its theatrical mastery. The fact that it is one of the very few of Shakespeare's plays not to draw on a narrative source suggests the degree to which it reflects his deepest imaginative concerns.In his Introduction, defining the play in both the literary and theatrical traditions to which it belongs, Peter Holland pays particular attention to dreams and dreamers, tracing the materials out of which Shakespeare constructs his world of night and shadows in the strange but enchanting amalgam hemakes of them. Both here and in the detailed commentary he draws freely upon the play's extensive performance history to illustrate the wide range of interpretations of which it is capable.

Written in the 1590s'reportedly for a wedding party attended by Queen Elizabeth I?A Midsummer Night's Dream has all the charm of an afternoon frolic in the countryside. Fairies and magical potions add to the delight as love is turned upside down. Shakespeare moves us with the imagery and rhythms of his verse, and we revel in the sharpness of his insight into life, love, and the human condition. Memorable characters abound, playfulness and mischief control the plot, and the play-within-a-play remains one of the great scenes in English comedy.To make A Midsummer Night's Dream more accessible for the modern reader, our Prestwick House Literary Touchstone Edition includes a glossary of the more difficult words, as well as convenient sidebar notes to enlighten the reader on aspects that may be confusing or overlooked. In doing this, it is our intention that the reader may more fully enjoy the beauty of the verse, the wisdom of the insights, and the impact of the play.

“In the pure poetry and intoxication of words, Shakespeare never rose higher than he rises in this play.” —G. K. Chesterton This Norton Critical Edition includes: • Shakespeare’s most popular comedy—with its unforgettable love triangles, woodland fairies, and magic—based on Grace Ioppolo’s conflated text (Q1 with F1 variants) and accompanied by her introduction, note on the text, and explanatory annotations. • Five illustrations. • Seven sources for the play, including those by Geoffrey Chaucer, Plutarch, and Lucius Apuleius. • Fifteen wide-ranging critical assessments, including ones by Jan Kott, Margo Hendricks, and Peter Brook. • Adaptations of A Midsummer Night’s Dream by Robert Cox and Henry Purcell and Elkanah Settle. • A Selected Bibliography. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts, and criticism—helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

This book will show how the A Midsummer Night's Dream participates in a widespread 1590s concern with mutability; often, as here, expressed through moon-imagery, and associated with representation of the ageing Virgin queen.

National Bestseller Under the Tuscan Sun meets Diary of a Bookseller in this charming memoir by an Italian poet recounting her experience opening a bookshop in a village in Tuscany. Alba Donati was used to her hectic life working as a book publicist in Italy—a life that made her happy and allowed her to meet prominent international authors—but she was ready to make a change. One day she decided to return to Lucignana, the small village in the Tuscan hills where she was born. There she opened a tiny but enchanting bookshop in a lovely little cottage on a hill, surrounded by gardens filled with roses and peonies. With fewer than 200 year-round residents, Alba’s shop seemed unlikely to succeed, but it soon sparked the enthusiasm of book lovers both nearby and across Italy. After surviving a fire and pandemic restrictions, the “Bookshop on the Hill” soon became a refuge and destination for an ever-growing community. The locals took pride in the bookshop—from Alba’s centenarian mother to her childhood friends and the many volunteers who help in the day-to-day running of the shop. And in short time it has become a literary destination, with many devoted readers coming from afar to browse, enjoy a cup of tea, and find comfort in the knowledge that Alba will find the perfect read for them. Alba’s lifelong love of literature shines on every page of this unique and uplifting book. Formatted as diary entries with delightful lists of the books sold at the shop each day, this inspirational story celebrates reading as well as book lovers and booksellers, the unsung heroes of the literary world.

A Midsummer’s Night Dream was written and first performed in the mid 1590’s. Shakespeare used the device of magic extensively in this early comedy. There are four separate but intertwined plots. The main plot is the marriage of Duke Theseus of Athens to Hippolyta, the Amazonian queen. Theseus is looking forward to his wedding and has ordered his master of the revels to prepare a wonderful wedding feast. While Theseus waits, he is approached by Egeus, father of Hermia. Egeus wants Hermia to marry Demetrius, who loves Hermia. Hermia, however, wants to marry Lysander. Under Athenian law, a woman must marry according to her father’s wishes. This annotated edition includes a biography and critical essay.