Re-read Book 2 in the romantic suspense series Operation: Midnight by New York Times bestselling author Linda Castillo. Special Agent Jake Vanderpol swore he'd buried all tender feelings for Leigh Michaels. Until he learned that the arms dealer she'd testified against six years ago had escaped. Suddenly the memories were back…memories of urgent kisses in hiding. But after what happened, would she trust him to save her? Danger just exploded from her past with the same raw male power that first drew Leigh to her former agent-protector. Then Jake used her as bait to get his man, and she'd fled into witness protection. Now a killer wants revenge. But who will shield her heart from the only man she'd ever let touch her—body and soul? Originally published in 2005.

AGENT-PROTECTOR AND THEN SOME Special Agent Jake Vanderpol swore he'd buried all tender feelings for Leigh Michaels. Until he learned that the arms dealer she'd testified against six years ago had escaped. Suddenly the memories were back…memories of urgent kisses in hiding. But after what happened, would she trust him to save her? Danger just exploded from her past with the same raw male power that first drew Leigh to her former agent-protector. Then Jake used her as bait to get his man, and she'd fled into witness protection. Now a killer wants revenge. But who will shield her heart from the only man she'd ever let touch her—body and soul?

Explore wonderful stories about a group of fairy ponies and a little girl called Holly, full of magic and adventure! This highly collectible series includes six books that provide huge girl appear with the irresistible combination of ponies, fairies, and a magical secret world. The Fairy Ponies series is part of the Usborne Reading Programme developed with reading experts at the University of Roehampton.

Rowdy Carousals makes important interventions in nineteenth-century theatre history with regard to the Bowery Boy, a raucous, white, urban character most famously exemplified by Mose from A Glance at New York in 1848. The book's examination of working-class whiteness on stage, in the theatre, and in print culture invites theatre historians and critics to check the impulse to downplay or ignore questions about race and ethnicity in discussion of the Bowery Boy and further explores links between the Bowery Boy's rowdyism in the nineteenth century and the resurgence of white supremacy in the early twenty-first century.

Even today, my thoughts of Vietnam are positive. I have incredibly fond memories of spending one year in that theater with some incredible people. My feelings about the Vietnam War mesh exactly with what Michael Norman wrote in his book These Good Men: Friendships Forged From War-even though Norman's heroes served in the U.S. Marine Corps and mine served in the First Air Cav. In recalling his tour in Vietnam, Norman wrote: "I did not pick these men. They were delivered by fate and the U.S. Marine Corps. But I know them in a way I know no other men. I have never since given anyone such trust. They were willing to guard something more precious than my life. They would have carried my reputation, the memory of me. It was part of the bargain we all made, the reason we were so willing to die for one another."