The first middle grade novel from Julie Murphy, #1 New York Times bestselling author of Dumplin’ (now a popular Netflix film), is a funny, heartwarming story perfect for fans of Rebecca Stead, Ali Benjamin, and Holly Goldberg Sloan. Four starred reviews! Patricia “Sweet Pea” DiMarco wasn’t sure what to expect when her parents announced they were getting a divorce. She never could have imagined that they would have the “brilliant” idea of living in nearly identical houses on the same street. In the one house between them lives their eccentric neighbor Miss Flora Mae, the famed local advice columnist behind “Miss Flora Mae I?” Dividing her time between two homes is not easy. And it doesn’t help that at school, Sweet Pea is now sitting right next to her ex–best friend, Kiera, a daily reminder of the friendship that once was. Things might be unbearable if Sweet Pea didn’t have Oscar—her new best friend—and her fifteen-pound cat, Cheese. Then one day Flora leaves for a trip and asks Sweet Pea to forward her the letters for the column. And Sweet Pea happens to recognize the handwriting on one of the envelopes. What she decides to do with that letter sets off a chain of events that will forever change the lives of Sweet Pea DiMarco, her family, and many of the readers of “Miss Flora Mae I?”

From the author of the New York Times bestselling novel Fish in a Tree! Carley uses humor and street smarts to keep her emotional walls high and thick. But the day she becomes a foster child, and moves in with the Murphys, she's blindsided. This loving, bustling family shows Carley the stable family life she never thought existed, and she feels like an alien in their cookie-cutter-perfect household. Despite her resistance, the Murphys eventually show her what it feels like to belong--until her mother wants her back and Carley has to decide where and how to live. She's not really a Murphy, but the gifts they've given her have opened up a new future. "Hunt's writing is fearless and One For The Murphys is a story that is at once compassionate, thought-provoking and beautifully told. From the first page, I was drawn into Carley's story. She is a character not to be missed or forgotten." —Jacqueline Woodson, National Book Award-winning author of Brown Girl Dreaming Winner of the Tassy Walden Award for New Voice in Children's Literature

When a 10-foot tall purported "petrified man" is unearthed from a backyard in upstate New York in 1869, the discovery immediately turns into a spectacle of epic proportions. News of the giant spreads like wildfire, and well over a thousand people come to view him in the first five days alone!Everyone has their own idea of his true origin: Is he an ancient member of the local Onandaga Indian tribe? Is he a biblical giant like Goliath? Soon the interests of world-renowned scientists and people from around the globe are piqued as arguments flare over who he is, where he came from, and if he is real--or just a hoax. In a riveting account of how the Cardiff Giant mystery snowballed into one of America’s biggest money-making spectacles--and scams--Jim Murphy masterfully explores the power of 19th-century media and the unexpected ripple effect that a single corrupt mastermind can produce when given a stage.

Disruptive classroom behavior, failing grades, truancy, and violence are serious problems that require effective strategies to promote change. This cutting-edge publication presents a practical and empirically based approach to resolving these problems that is responsive to the time constraints and large caseloads of helping professionals. Murphy's techniques make the best use of every counseling opportunity by focusing on solutions that respect the client and utilize his or her own individual resources.

The first book devoted entirely to women in bluegrass, Pretty Good for a Girl documents the lives of more than seventy women whose vibrant contributions to the development of bluegrass have been, for the most part, overlooked. Accessibly written and organized by decade, the book begins with Sally Ann Forrester, who played accordion and sang with Bill Monroe's Blue Grass Boys from 1943 to 1946, and continues into the present with artists such as Alison Krauss, Rhonda Vincent, and the Dixie Chicks. Drawing from extensive interviews, well-known banjoist Murphy Hicks Henry gives voice to women performers and innovators throughout bluegrass's history, including such pioneers as Bessie Lee Mauldin, Wilma Lee Cooper, and Roni and Donna Stoneman; family bands including the Lewises, Whites, and McLains; and later pathbreaking performers such as the Buffalo Gals and other all-girl bands, Laurie Lewis, Lynn Morris, Missy Raines, and many others.

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