Theosophical Path was a periodical run by the Theosophical Society in the United States. In the 1920-s, Katherine Tingley was the chief editor of the journal. About that time, she met William Gribbon, an English writer of adventure fiction writing under the pen name Talbot Mundy. Tingley introduced him to the theosophical ideas, which strongly influenced Mundy's worldview. He published several articles on Theosophy from 1923 to 1929 in Theosophical Path. This book represents a collection of his Theosophy articles published in the journal.

This is a collection of all the poems Transtromer has written over the past 40 years. His poems are often explorations of the borderland between sleep and waking, between the conscious and the dreaming states."

As if convinced that all divination of the future is somehow a re-visioning of the past, Kwame Dawes reminds us of the clairvoyance of haunting. The lyric poems in City of Bones: A Testament constitute a restless jeremiad for our times, and Dawes’s inimitable voice peoples this collection with multitudes of souls urgently and forcefully singing, shouting, groaning, and dreaming about the African diasporic present and future. As the twentieth collection in the poet’s hallmarked career, City of Bones reaches a pinnacle, adding another chapter to the grand narrative of invention and discovery cradled in the art of empathy that has defined his prodigious body of work. Dawes’s formal mastery is matched only by the precision of his insights into what is at stake in our lives today. These poems are shot through with music from the drum to reggae to the blues to jazz to gospel, proving that Dawes is the ambassador of words and worlds.

Drawing upon intersections of astronomy and mathematics, history, literature, and lived experience, the poems in Open Interval locate the self in the interval between body and name.