This collection of lectures, broadcasts, reviews, and articles (several of which have not previously been published) embraces many aspects of the English literary scene in the middle of the nineteenth century. Though various in origin the collection has this unity: it has been the constant concern of its authors for many years that the great and lasting contribution of the mid-Victorian period to our literature should be fully vindicated, and its appraisal based upon secure foundations of critical scholarship. The book has moreover an obvious connection with the volume on the mid-nineteenth century which the Tillotsons are preparing for the Oxford History of English Literature, though the items included here are not samples of that history but rather 'milestones, or halting places, in the several ways that lead towards it'. There are important studies of Carlyle, John Henry Newman, Tennyson, Clough, Matthew Arnold, and George Eliot. These, however, represent only one side of the book's interest, for there are accounts of writers famous in their day, as Harriett Mozley and Charlotte M. Yonge, but since the cross-currents at work in the period, notably 'Writers and Readers in 1851', which vividly convey much of the quality of the momentous years in which so many masterpieces were produced. At several points indeed the volume demonstrates that the truth about the literature of the nineteenth century, in distinction (for the most part) to that of earlier centuries, may be recovered complete.

Over a century after the death of Queen Victoria, historians are busy re-appraising her age and achievements. However, our understanding of the Victorian era is itself a part of history, shaped by changing political, cultural and intellectual fashions. Bringing together a group of international scholars from the disciplines of history, English literature, art history and cultural studies, this book identifies and assesses the principal influences on twentieth-century attitudes towards the Victorians. Developments in academia, popular culture, public history and the internet are covered in this important and stimulating collection, and the final chapters anticipate future global trends in interpretations of the Victorian era, making an essential volume for students of Victorian Studies.

Newspapers, magazines, and other periodicals reached a peak of cultural influence and financial success in Britain in the 1850s and 1860s, out-publishing and out-selling books as much as one hundred to one. But although scholars have long known that writing for the vast periodical marketplace provided many Victorian authors with needed income—and sometimes even with full second careers as editors and journalists—little has been done to trace how the midcentury ascendancy of periodical discourses might have influenced Victorian literary discourse. In The Dynamics of Genre, Dallas Liddle innovatively combines Mikhail Bakhtin’s dialogic approach to genre with methodological tools from periodicals studies, literary criticism, and the history of the book to offer the first rigorous study of the relationship between mid-Victorian journalistic genres and contemporary poetry, the novel, and serious expository prose. Liddle shows that periodical genres competed both ideologically and economically with literary genres, and he studies how this competition influenced the midcentury writings and careers of authors including Elizabeth Barrett Browning, Harriet Martineau, Anthony Trollope, George Eliot, and the sensation novelists of the 1860s. Some Victorian writers directly adopted the successful genre forms and worldview of journalism, but others such as Eliot strongly rejected them, while Trollope launched his successful career partly by using fiction to analyze journalism’s growing influence in British society. Liddle argues that successful interpretation of the works of these and many other authors will be fully possible only when scholars learn to understand the journalistic genre forms with which mid-Victorian literary forms interacted and competed.

First published in 2006, this work is a valuable guide for the researcher in Victorian Studies. Updated to include electronic resources, this book provides guides to catalogs, archives, museums, collections and databases containing material on the Victorian period. It organises the vast array of reference sources by discipline to help researchers tailor their investigations.

Sheds new light on the narrative importance of the disabled man in Victorian literature and culture

This book explores the recall of the Victorians, displayed by select novels ranging in time from Rhys s Wide Sargasso Sea (1996) to A. S. Byatt s Possession: A Romance (1990). These Victorianist novels are complex studies of Victorian literature, society and modes of representation.