Iréne gives the wealthy businessmen what they want, diving headfirst into the filthy river, thinking only of providing for her baby daughter, Marisa, as the men salivate over her soaked body emerging onto the bank. A young boy tries to befriend the reticent younger sister of the town's cruelest bully, only to discover the family betrayal behind her quiet countenance. Josefa, a young bride, is executed for murdering the man who raped her. Joy Castro's How Winter Began traces these and other characters as they seek compassion from each other and themselves. Thematically linked by the lives of women, especially Latinas, and their experiences of poverty and violence in a white-dominated, wealth-obsessed culture, How Winter Began is a delicately wrought collection of stories. The question at the heart of this riveting book is how or whether to trust one another after the rupture of betrayal.

Poetry. LGBT Studies. Politics. Ecopoetics. Covers letterpressed by the author. Mycelium is the largest organism on the planet. It is the collective root structure from which all mushrooms emerge. It lives three inches under the ground and can span for thousands of acres. Any of its threads can connect to the collective body at any point. ALMOST ANY SHIT WILL DO pulls language from mycelium studies to investigate the underground of political unrest, from its emergence as riots to the single moment of impact: a body in protest thrown to the ground by the cop. How can we mark the shifting boundary between the individual and the movement in the midst of a riot? It is in the continuous attempt to define these terms that we begin to articulate the utopia that is always already happening, three inches below the surface. "This is the space of the underground, where the intersection evidences the site of violence as a weight that pulls our attention via contours in the grid. Here, the lines bend around the individual and extend that body into the multitude: the movement, ALMOST ANY SHIT WILL DO is a statement of rage, where, when pushed to the edge, we might learn the most from a silent source the ultimate Other." JH Phrydas"

Poetry. SPREZZATURA is a collection of poems about love and fear and money, about your own devices and stupid contemporary immune systems, about how we know what we know in a confusing era of fleeting information. SPREZZATURA is about how we know our feelings, and how we feel our knowledge.

A raucous, bawdy, and hilarious investigation of the South through the unforgettable voice of Fanny, Nickole Brown's fierce, tough-as-new-rope grandmother.

FINALIST FOR THE MIDWEST BOOKSELLERS CHOICE AWARD (POETRY) A searing, urgent collection of poems that brings the lyric and documentary together in unparalleled ways—unmasking and examining the specter of manmade disaster. On September 20, 2010, an explosion on the Deepwater Horizon oil rig killed eleven men and began what would become the largest oil spill ever in US waters. On August 29, 2005, Hurricane Katrina made landfall in Louisiana, leading to a death toll that is still unconfirmed. And in April 2014, the Flint water crisis began, exposing thousands of people to lead-contaminated drinking water. This is the litany of our time—and these are the events that Rebecca Dunham traces, passionately and brilliantly, in Cold Pastoral. In poems that incorporate interviews and excerpts from government documents and other sources—poems that adopt the pastoral and elegiac traditions in a landscape where “I can’t see the bugs; I don’t hear the birds”—Dunham invokes the poet as moral witness. “I owe him,” she writes of one man affected by the oil spill, “must learn, at last, how to look.” Experimental and incisive, Cold Pastoral is a collection that reveals what poetry can—and, perhaps, should—be, reflecting ourselves and our world back with gorgeous clarity.

Winner of the Graywolf Press Nonfiction Prize, a breathtaking elegy to the waning days of human spaceflight as we have known it In the 1960s, humans took their first steps away from Earth, and for a time our possibilities in space seemed endless. But in a time of austerity and in the wake of high-profile disasters like Challenger, that dream has ended. In early 2011, Margaret Lazarus Dean traveled to Cape Canaveral for NASA's last three space shuttle launches in order to bear witness to the end of an era. With Dean as our guide to Florida's Space Coast and to the history of NASA, Leaving Orbit takes the measure of what American spaceflight has achieved while reckoning with its earlier witnesses, such as Norman Mailer, Tom Wolfe, and Oriana Fallaci. Along the way, Dean meets NASA workers, astronauts, and space fans, gathering possible answers to the question: What does it mean that a spacefaring nation won't be going to space anymore?