Professor Von Drake has invented a time machine, and Goofy is his very first volunteer. But instead of going back in time, Goofy turns into a little baby! Join the Clubhouse friends as they take turns caring for Baby Goofy, and searching for a way to help him grow up. The premiere of Mickey Mouse Clubhouse delivered the highest ratings ever for a Playhouse Disney series premiere among Kids 2-5, Girls 2-5, Households, and Total Viewers. It also premiered at #1 among all basic cable networks in its time period for Kids 2-5. Mickey Mouse Clubhouse shows no signs of slowing down yet. It is the number one show among preschoolers!

Once consigned almost exclusively to Saturday morning fare for young viewers, television animation has evolved over the last several decades as a programming form to be reckoned with. While many animated shows continue to entertain tots, the form also reaches a much wider audience, engaging viewers of all ages. Whether aimed at toddlers, teens, or adults, animated shows reflect an evolving expression of sophisticated wit, adult humor, and a variety of artistic techniques and styles. The Encyclopedia of American Animated Television Series encompasses animated programs broadcast in the United States and Canada since 1948. From early cartoon series like Crusader Rabbit, Rocky and His Friends, and The Flintstones to 21st century stalwarts like The Simpsons, South Park, and Spongebob Squarepants, the wide range of shows can be found in this volume. Series from many networks—such as Comedy Central, the Disney Channel, Nickleodeon, and Cartoon Network— are included, representing both the diversity of programming and the broad spectrum of viewership. Each entry includes a list of cast and characters, credit information, a brief synopsis of the series, and a critical analysis. Additional details include network information and broadcast history. The volume also features one hundred images and an introduction containing an historical overview of animated programming since the inception of television. Highlighting an extensive array of shows from Animaniacs and Archer to The X-Men and Yogi Bear, The Encyclopedia of American Animated Television Series is an essential resource for anyone interested in the history and evolution of this constantly expanding art form.

Meeska, Mooska, Mickey Mouse! Welcome to the Mickey Mouse Clubhouse! Join Mickey, Minnie, Donald, Daisy, Goofy and Pluto in two ready-to-read tales that teach valuable lessons about letters, numbers, shapes, decision-making, and friendship Goofy wants to visit the Clubhouse but he doesn't know the best way to get there. Join Goofy on a wild ride as he skates, glides, surfs, sails and more in an attempt to reach his Clubhouse pals. Finally he learns that the best way to visit his friends may just be the simplest. The premiere of Mickey Mouse Clubhouse delivered the highest ratings ever for a Playhouse Disney series premiere among Kids 2-5, Girls 2-5, Households, and Total Viewers. It also premiered at #1 among all basic cable networks in its time period for Kids 2-5. Mickey Mouse Clubhouse shows no signs of slowing down —It is the number one show among preschoolers!

Most people believe capitalism is a compromise with selfish human nature. As Adam Smith put it, "It is not from the benevolence of the butcher, the brewer, or the baker, that we expect our dinner, but from their regard to their own interest." Capitalism works better than socialism, according to this thinking, only because we are not kind and generous enough to make socialism work. If we were saints, we would be socialists. In Why Not Capitalism?, Jason Brennan attacks this widely held belief, arguing that capitalism would remain the best system even if we were morally perfect. Even then, private property and free markets would be the best way to realize mutual cooperation, social justice, harmony, and prosperity. Socialists seek to capture the moral high ground by showing that ideal socialism is morally superior to realistic capitalism. But, Brennan responds, ideal capitalism is superior to ideal socialism, and so capitalism beats socialism at every level. Clearly, engagingly, and at times provocatively written, Why Not Capitalism? will cause readers of all political persuasions to re-evaluate where they stand vis-à-vis economic priorities and systems—as they exist now and as they might be improved in the future. In this expanded second edition, Brennan responds to his critics throughout the book and provides two new, final chapters. One argues against egalitarianism in a capitalist utopia because egalitarianism frequently misdiagnoses the problems (for example, the problem with poverty isn’t that poor people have less but that they don’t have enough). The other new chapter shows that we don’t need to be angels in an anarchic utopia, but merely decent people who are willing to adhere to four undemanding moral principles.

This biographical dictionary is devoted to the actors who provided voices for all the Disney animated theatrical shorts and features from the 1928 Mickey Mouse cartoon Steamboat Willie to the 2010 feature film Tangled. More than 900 men, women, and child actors from more than 300 films are covered, with biographical information, individual career summaries, and descriptions of the animated characters they have performed. Among those listed are Adriana Caselotti, of Snow White fame; Clarence Nash, the voice of Donald Duck; Sterling Holloway, best known for his vocal portrayal of Winnie the Pooh; and such show business luminaries as Bing Crosby, Bob Newhart, George Sanders, Dinah Shore, Jennifer Tilly and James Woods. In addition, a complete directory of animated Disney films enables the reader to cross-reference the actors with their characters.

The Homer Simpson-esque stereotype has been a persistent trope in cartoons since programming aimed directly at children and adolescents began. Young viewers are exposed to the incapable and incompetent "hapless father" archetype on a regular basis, causing both boys and girls to expect the bare minimum of fathers while mothers hold the responsibility for all domestic and parenting work. Cartoons rely heavily on toxic stereotypes for ratings, when in fact, healthy representations of fathers are just as successful in maintaining viewership. Eleven essays, written by scholars from around the world, investigate the topic of fatherhood as it is represented in children's animated television shows. Main themes that emerge include absent and negligent fathers, single fathers, generational shifts within families, and raising the standard of fathering by creating secure bonds between father and child. The authors uncover problematic fathers, imperfect yet redemptive fathers, and fathers who embody idealized parenting traits through some of our most beloved animated dads. This collection demonstrates the impact that media representations of father figures have on young viewers and argues for better role models.

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