The poems have been rendered into vigorous contemporary English. A selection of Michelangelo's letters, many of them to important contemporaries such as Vasari and Duke Cosimo, is accompanied by the "Life" of the great artist written by his pupil Ascanio Condivi.

Michelangelo Buonarroti (1475-1564) is universally celebrated as one of the greatest artists of all time, yet iconic Renaissance creator was also a prolific and gifted poet. The verses collected here are primarily devoted to love and religion. Intense and passionate, the love poems focus on two figures: Tommaso de Cavalieri and Vittoria Colonna; with the sonnets and madrigals dedicated to de Cavalieri revealing a highly charged, homoerotic fervour - previously obscured in the original versions. Michelangelo's later religious poetry moves away from his earlier wordly concerns, while his letters provide a fasicnating insight into his fanily relations and day-to-day life as a working artist. The result is a revealing picture of one of the towering figures of the Renaissance.

Deborah Parker examines Michelangelo's use of language in his correspondence as a means of understanding the creative process of this extraordinary artist.

The description for this book, Complete Poems and Selected Letters of Michelangelo, will be forthcoming.

A bilingual edition of the more than 300 sonnets, madrigals and other poems produced by Michelangelo over his long career. The poems reveal much of the artist's inner feelings about such universal themes as love, death and redemption.

Consummate painter, draftsman, sculptor, and architect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was considered in the Renaissance to be the foundation of all artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 drawings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome, beginning with his training under the painter Domenico Ghirlandaio and the sculptor Bertoldo and ending with his seventeen-year appointment as chief architect of Saint Peter’s Basilica at the Vatican. The chapters relate Michelangelo’s compositional drawings, sketches, life studies, and full-scale cartoons to his major commissions—such as the ceiling frescoes and the Last Judgment in the Sistine Chapel, the church of San Lorenzo and its New Sacristy (Medici Chapel) in Florence, and Saint Peter’s—offering fresh insights into his creative process. Also explored are Michelangelo’s influential role as a master and teacher of disegno, his literary and spiritual interests, and the virtuoso drawings he made as gifts for intimate friends, such as the nobleman Tommaso de’ Cavalieri and Vittoria Colonna, the marchesa of Pescara. Complementing Bambach’s text are thematic essays by leading authorities on the art of Michelangelo. Meticulously researched, compellingly argued, and richly illustrated, this book is a major contribution to our understanding of this timeless artist.